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Stelarc: The Monograph

Stelarc; Smith, Marquard (Edited by); Gibson, William (Foreword by), and Clarke, Julie, et al. (Texts by)

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ISBN 10: 0262195186 / ISBN 13: 9780262195188
Published by MIT Press, Cambridge, MA, 2005
Used Condition: Very Good Hardcover
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xiii, 256 pp., illus., bib. notes, index; 24 cm. Near fine. Tight, clean copy. Remainder mark/top edge. Dust jacket protected in a mylar book cover. A major monograph on Stelarc (born Stelios Arcadiou), the Cypriot-Australian performance artist whose works involve robotics. "Stelarc is the most celebrated artist in the world working within technology and the visual arts. He is both an artist and a phenomenon, using his body as medium and exhibition space. Working in the interface between the body and the machine, he employs virtual reality, robotics, medical instruments, prosthetics, the Internet, and biotechnology. Stelarc's art includes physical acts that don't always look survivable--or, as science fiction novelist William Gibson puts it in his foreword, 'sometimes seem to include the possibility of terminality.' Although there have been hundreds of articles written about Stelarc since he began performing in the late 1960s, Stelarc: The Monograph is the first comprehensive study of Stelarc's work practice in over thirty years. Gathering a range of writers who approach the work from a variety of perspectives, it includes William Gibson's account of his meetings with Stelarc, Arthur and Marilouise Kroker's emphatic 'We Are All Stelarcs Now,' and Stelarc himself in conversation with Marquard Smith. Taken together, these writers give us a multiplicity of ways to think about Stelarc. / Marquard Smith is Director of the Institute for Modern and Contemporary Culture, University of Westminster, London. He is a Founder and Editor-in-Chief of Journal of Visual Culture." - Publisher. CONTENTS: The will to evolve, by Jane Goodall; An itinerary and five excursions, by Timothy Druckrey; We are all Stelarcs now, by Arthur and Marilouise Kroker; Stelarc's technological "Transcendence"/Stelarc's wet body: the insistent return of the flesh, by Amelia Jones; The evolutionary alchemy of reason, by Brian Massumi; A sensorial act of replication, by Julie Clarke; Animating bodies, mobilizing technologies: Stelarc in conversation, by Stelarc and Marquard Smith. Size: 4to - over 9¾" - 12" tall. Bookseller Inventory # 057366

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Bibliographic Details

Title: Stelarc: The Monograph

Publisher: MIT Press, Cambridge, MA

Publication Date: 2005

Binding: Hardcover

Book Condition:Very Good

Dust Jacket Condition: Fine

Edition: 1st.

About this title

Synopsis:

Stelarc is the most celebrated artist in the world working within technology and the visual arts. He is both an artist and a phenomenon, using his body as medium and exhibition space. Working in the interface between the body and the machine, employing virtual reality, robotics, medical instruments, prosthetics, and the Internet, Stelarc's art includes physical acts that don't always look survivable—or, as science fiction novelist William Gibson puts it in his foreword, "sometimes seem to include the possibility of terminality."

Stelarc's projects include Third Hand, a grasping and wrist rotating mechanism with a rudimentary sense of touch that is attached to the artist and activated by EMG from other body areas; Amplified Body, in which the artist performs acoustically with his brainwaves, muscles, pulse, and blood flow signals; and the Stomach Sculpture, a device—or "aesthetic adornment"—placed in the artist's stomach and presented through video. Works in progress include the Extra Ear Project, a soft prosthesis of skin and cartilage to be constructed on the artist's arm. Stelarc's work both reflects and determines new directions in performance art and body art. Although there have been hundreds of articles written about Stelarc since he began performing in the late 1960s, Stelarc: The Monograph is the first comprehensive study of Stelarc's work practice in over thirty years. Gathering a range of writers who approach the work from a variety of perspectives, it includes William Gibson's account of his meetings with Stelarc, Arthur and Marilouise Kroker's emphatic "WE ARE ALL STELARCS NOW," and Stelarc himself in conversation with Marquard Smith. Taken together, these writers give us a multiplicity of ways to think about Stelarc.

About the Author:

Marquard Smith is Director of the Institute for Modern and Contemporary Culture, University of Westminster, London. He is a Founder and Editor-in-Chief of Journal of Visual Culture.

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