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Stephen Shore: American Surfaces (Phaidon, First Printing) [SIGNED]: SHORE, Stephen, NICKLAS, Bob Stephen Shore: American Surfaces (Phaidon, First Printing) [SIGNED]: SHORE, Stephen, NICKLAS, Bob Stephen Shore: American Surfaces (Phaidon, First Printing) [SIGNED]: SHORE, Stephen, NICKLAS, Bob Stephen Shore: American Surfaces (Phaidon, First Printing) [SIGNED]: SHORE, Stephen, NICKLAS, Bob

Stephen Shore: American Surfaces (Phaidon, First Printing) [SIGNED]

SHORE, Stephen, NICKLAS, Bob

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ISBN 10: 0714845078 / ISBN 13: 9780714845074
Published by Phaidon Press Limited, London, 2005
New Condition: New Hardcover
From Vincent Borrelli, Bookseller (Albuquerque, NM, U.S.A.)

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About this Item

First edition, first printing. Signed in pencil on the half-title page by Shore. Hardcover. Black paper-covered boards, with title stamped in pale orange on cover and spine, with matte black paper dust jacket printed with title in orange and gray on front and spine. The book is contained in a laminated printed paper facsimile of a c.1972 Kodak color finishing envelope. Photographs by Stephen Shore. Introduction by Bob Nicklas. Includes an index of place names for the photographs. Designed by Untitled. 232 pp., with approximately 200 four-color plates printed on thick matte paper. 9-7/8 x 8-5/8 inches (bag measures 13 x 8-3/4 inches).[Cited in Martin Parr and Gerry Badger, The Photobook: A History, Volume II. (London and New York: Phaidon, 2006).]. New in New dust jacket and New Kodak enclosure bag (opened only for signature). From the publisher: "In 1972, Stephen Shore left New York City and set out with a friend to Amarillo, Texas. He didn't drive, so his first view of America was framed by the passenger's window frame. He was taken aback by the fact that his experience of life as a New Yorker had very little in common with the character and aspirations of Middle America. Later that year he set out again, this time on his own, with a driver's license and a Rollei 35 -- a point-and-shoot camera -- to explore the country through the eyes of an everyday tourist. The project was entitled American Surfaces -- referring to the superficial nature of his brief encounters with places and people and the underlying character of the images that he hoped to produce. With such an easy-to-use camera, he photographed relentlessly.From Stephen Shore: "In American Surfaces, I was photographing almost every meal I ate, every person I met, every waiter or waitress who served me, every bed I slept in, every toilet I peed in. But also, I was photographing streets I was driving through, buildings I would see."Shore returned to New York triumphant, with hundreds of rolls of film spilling from his bags. In order to remain faithful to the conceptual foundations of the project, he followed the lead of most tourists of the time and sent his film to be developed and printed in Kodak's labs in New Jersey. The result was hundreds and hundreds of exquisitely composed colour pictures, whose subject became the benchmark for documenting of our fast-living, consumer-orientated world -- a body of work that followed on from Walker Evans and Robert Frank's experiences of crossing America and that influenced reams of photographers such as Martin Parr and Bernd & Hilla Becher, who introduced a generation of students to Shore's work." Signed by Author. Bookseller Inventory # 101763

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Bibliographic Details

Title: Stephen Shore: American Surfaces (Phaidon, ...

Publisher: Phaidon Press Limited, London

Publication Date: 2005

Binding: Hardcover

Book Condition:New

Dust Jacket Condition: New

Signed: Signed by Author(s)

Edition: 1st Edition.

About this title

Synopsis:

American Surfaces, Stephen Shore's largely unpublished series of photographs from 1972-3, took documentary photography to a new level. When first exhibited at the Light Gallery in New York this visual diary of Shore's travels across the United States confounded critics. Displayed as hundreds and hundreds of colour photographs, processed simply at Kodak's labs in New Jersey, they were a stark contrast to the formal, black-and-white prints that were recognized as art photography at the time.
Despite its unfavourable reviews, the show was bought in its entirety by Weston Naef, then Curator of Photography at the Metropolitan Museum in New York, where 220 of the photographs now reside. American Surfaces has since become the benchmark for documenting our fast-living, consumer-orientated world, a body of work that followed on from Walker Evans and Robert Frank's experiences of crossing the United States and which continues to influence photographers today.
This book brings together the largest selection of images yet published from the series and is the first time they have been sequenced in the order in which they were taken. American Surfaces follows Shore's extraordinary journey, travelling first into the deep South before taking Route 66 from Flagstaff to Chicago, and returning home to New York to continue his visual diary in his home city.

About the Author:

At the age of 17, Stephen Shore (b.1947) was a regular at Andy Warhol's Factory. By the age of 23, he became the first living photographer to have a one-man show at the Metropolitan Museum of Art, New York. An unrivalled pioneer in his field, his work has been exhibited in numerous museums worldwide and influenced generations of photographers. In 1982 he was appointed Director of the Photography Program at Bard College, New York where he is now the Susan Weber Soros Professor in the Arts.

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