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Steve McQueen: Portrait of an American Rebel

Terrill, Marshall

93 ratings by Goodreads
ISBN 10: 1556113803 / ISBN 13: 9781556113802
Published by Donald I. Fine, 1993
Condition: Fine Hardcover
From Southron Books, LLC (Lexington, SC, U.S.A.)

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Quantity Available: 2

About this Item

Signed by Author 1556113803 This hardcover book is Fine, being square and tight. The boards and spine have no wear with pristine lettering. The pages and endpages are clean, with no markings or folds. The dustjacket is As New. Original Price is intact. Not ex-lib. No remainder mark. This copy is signed by the Author on the free end page and dated 6/4/94 in his hand. Bookseller Inventory # 007001

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Bibliographic Details

Title: Steve McQueen: Portrait of an American Rebel

Publisher: Donald I. Fine

Publication Date: 1993

Binding: Hardcover

Book Condition:Fine

Dust Jacket Condition: As New

Signed: Signed by Author(s)

Edition: First Edition.

About this title

Synopsis:

Discusses McQueen's rough childhood in Indianapolis, his flirtation with death as a motorcycle racer and his own stunt double, his female friends, his marriage to actress Ali McGraw, and acting. 25,000 first printing.

From Kirkus Reviews:

Respectful, admiring, well-researched life of film actor Steve McQueen (1930-80), who packed two or three lives into his 50 years. First-time author Terrill (a dealer in Beatles memorabilia) strives to show the acting side of McQueen, explaining that, in many ways, the star's talent had to conform to the nature of the films he chose to be in, or the films that--in his early years--his agent urged upon him. Though Terrill rises above gossip-as- biography, he sounds star-struck when talking about McQueen's early films and rise to huge fame, weighing the actor's ego against that of Yul Brynner, from whom McQueen stole The Magnificent Seven. McQueen was aware of the absurdity of a reform-school graduate like himself becoming the world's highest-paid actor, and he was ever- grateful to Boys Republic, personally answering fan mail from inmates and leaving the school a bequest. A hyperenergized motorcycle and racing enthusiast, he couldn't keep from bouncing off the walls, nor was his surplus of nerves dampened by pot and cocaine, stronger drugs, or general satyriasis. For McQueen, womankind was one fantastic candy shop--though he denounced such behavior in print. Terrill repeats earlier biographers' surmises that McQueen's central hunger and erratic behavior stemmed from abandonment by his father and alcoholic mother, as well as from fear that his wealth was as unstable as his parents were. Conquest became a way of life, as did his need to controls his films and shape them to his image, even though he demanded less and less dialogue for himself in his scripts. Then McQueen tried to conquer McQueen, taking on Ibsen's An Enemy of the People in a film that got shelved but that today has a growing following. McQueen died of a heart embolism following what looked to be successful surgery for cancer. Definitive, yes, but less writerly than Penina Speigel's McQueen (1986) and not as moving as Neile McQueen Toffel's My Husband, My Friend (1986). (Photographs) -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.

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