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Stones of Venice, The

Puppi, Lionello; Smith, Mark E.

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ISBN 10: 0500341893 / ISBN 13: 9780500341896
Published by Thames & Hudson, UK, 2002
New Condition: New Hardcover
From Penobscot Books (Searsport, ME, U.S.A.)

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NO FINER COPY EXISTS. // NEW BOOK and DJ, both in GIFT-quality MINT condition, and with new Mylar protection. // Hardcover edition, 175 pages, elaborately illustrated in color. // Surely, you want this book. Bookseller Inventory # 003671

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Bibliographic Details

Title: Stones of Venice, The

Publisher: Thames & Hudson, UK

Publication Date: 2002

Binding: Hardcover

Book Condition:New

Dust Jacket Condition: New

About this title

Synopsis:

It is the meeting of stone and water that creates much of the magic of Venice, the solidity and permanence of the former and the evanescent fragility of the latter. Had Venice been built of wood, the incursions of sea water and the rugged climate would have destroyed the city centuries ago. What these elements have done, however, is to wear away exterior surfaces, making the simplest brick wall an object of contemplation, and giving a special patina to the expensive marbles used for anything from a staircase to a masterpiece of sculpture. The Venetians were great craftsmen and artists, and their use of stone is unparalleled in any other city. Following the Byzantine tradition, multi-coloured pieces of marble and semi-precious stone covered the floors of a religious building in a magic mosaic, while later on chips of marble of all possible hues were tossed into cement to carpet the floors of great palaces. During the middle ages and the Renaissance, multi-coloured marble tombs climbed up the walls of the city's churches and great artists such as Andrea Verrochio, Alessandro Vittoria or Tiziano Aspetti made magnificent stones statues in all sizes for church and state as well as for the great patrician families who competed to outdo each other in the magnificence of their palaces. This beautiful, specially photographed book is a thesis on the texture, colour, shape and endless uses of stone in the hands of sensitive artists. It will be a revelation even to those who think they know Venice well, and a source of inspiration for designers and craftsmen in all areas.

About the Author:

Lionello Puppi is a professor of art history at the University of Venice. He has written many essays and books on the history and theory of the plastic arts from the 13th through the 20th centuries in Europe, but particularly Venice. Mark E. Smith is an American photographer living in Venice whose books include Grand Canal and Palaces of Venice.

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