0520070992 Acceptable condition. U.S. Edition. Set includes Volume 1 & Volume 2. Fairly clean inside. Black mark on sides. Cover is little worn. FREE tracking number. Fast shipping. Bookseller Inventory #
Synopsis: This book undoes 50 years of mythmaking about Stravinsky's life in music.
During his spectacular career, Igor Stravinsky underplayed his Russian past in favor of a European cosmopolitanism. Richard Taruskin has refused to take the composer at his word. In this long-awaited study, he defines Stravinsky's relationship to the musical and artistic traditions of his native land and gives us a dramatically new picture of one of the major figures in the history of music.
Taruskin draws directly on newly accessible archives and on a wealth of Russian documents. In Volume One, he sets the historical scene: the St. Petersburg musical press, the arts journals, and the writings of anthropologists, folklorists, philosophers, and poets. Volume Two addresses the masterpieces of Stravinsky's early maturity—Petrushka, The Rite of Spring, and Les Noces. Taruskin investigates the composer's collaborations with Diaghilev to illuminate the relationship between folklore and modernity. He elucidates the Silver Age ideal of "neonationalism"—the professional appropriation of motifs and style characteristics from folk art—and how Stravinsky realized this ideal in his music.
Taruskin demonstrates how Stravinsky achieved his modernist technique by combining what was most characteristically Russian in his musical training with stylistic elements abstracted from Russian folklore. The stylistic synthesis thus achieved formed Stravinsky as a composer for life, whatever the aesthetic allegiances he later professed.
Written with Taruskin's characteristic mixture of in-depth research and stylistic verve, this book will be mandatory reading for all those seriously interested in the life and work of Stravinsky.
Review: We are used to thinking of Stravinsky in terms of avant-garde Paris in the 1920s, the epitome of modernism. These two hefty volumes of unassailable scholarship and fascinating detail correct this blinkered vision, which to some extent is a product of Stravinsky's own self-marketing. Richard Taruskin demonstrates Stravinsky's place in the specific cultural traditions of his homeland, pulling together with impressive intellectual breadth the influences of Russian music, art, literature, folklore, religious liturgy, and more. He illustrates the composer's legacy from Rimsky-Korsakov, Glazunov, Scriabin, and Tchaikovsky in the pre-Diaghilev period, and dazzles with his analysis of folk influence in "Petrushka" and on through the famously innovative, yet rooted "The Rite of Spring." Further volumes will be eagerly awaited by all lovers of Stravinsky's music.
Title: Stravinsky and the Russian Traditions: A ...
Publisher: University of California Press
Book Condition: Fair
Book Description University of California Press. Hardcover. Book Condition: Good. 0520070992 Good condition ex-library book with usual library markings and stickers. Bookseller Inventory # Z0520070992Z3
Book Description University of California Press. Hardcover. Book Condition: Good. 0520070992 JUMBO - Bumped and creased 2-vol. hardcover set with tears to the extremities, but not affecting the text block - GOOD. Bookseller Inventory # Z0520070992Z3
Book Description University of California Press, 1996. Hardcover. Book Condition: Good. Item may show signs of shelf wear. Pages may include limited notes and highlighting. Includes supplemental or companion materials if applicable. Access codes may or may not work. Connecting readers since 1972. Customer service is our top priority. Bookseller Inventory # mon0001142383
Book Description University of California Press, 1996. Hardcover. Book Condition: Good. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May not contain Access Codes or Supplements. Buy with confidence, excellent customer service! First edition, first printing (full number line). Bookseller Inventory # 0520070992