Studies in the Music of Tomas Luis De Victoria

Eugene Casjen Cramer

Published by Ashgate Publishing Limited, 2001
ISBN 10: 0754602419 / ISBN 13: 9780754602415
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Synopsis: Representing nearly thirty years of research by one of the leading scholars in the field, this series of in-depth studies examines selected aspects of the music of the great Spanish composer in the late Renaissance, Tomás Luis de Victoria. Presenting new insights into both the musical style and language and the compositional procedure of this contemporary of Palestrina, Lasso and Byrd, Eugene Cramer illuminates the extent to which Victoria's compositions are musically related. The book reveals that the falsobordone or fabordón played a much larger role in Victoria's music than has previously been thought. Cramer also demonstrates that Victoria's parody or imitation technique, especially in respect to his Masses of 1592, extended the parameters that are generally thought to be characteristic of works of this type. Of special interest is the discussion of thirty-eight works, including thirty-four psalm settings that are attributed to Victoria in extant manuscript sources. Extensively illustrated with over 130 musical examples, these studies will not only interest the serious student of sacred music, but also the performer, both the singer and the conductor alike.

About the Author: Eugene Casjen Cramer, University of Calgary, Canada

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Title: Studies in the Music of Tomas Luis De ...
Publisher: Ashgate Publishing Limited
Publication Date: 2001
Book Condition: Good

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CRAMER, EUGENE CASIEN.
Published by Ashgate Publishing Co. (2001)
ISBN 10: 0754602419 ISBN 13: 9780754602415
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Book Description Ashgate Publishing Co., 2001. Hardcover. Condition: As New. Dust Jacket Condition: As New. xxiv/320 pp. Tables, music examples. 8vo, cloth. A fine HARDCOVER copy in a fine dust wrapper. Tomás Luis de Victoria (c. 1548 – 27 August 1611) was the most famous composer in 16th-century Spain, and one of the most important composers of the Counter-Reformation, along with Giovanni Pierluigi da Palestrina and Orlando di Lasso. Victoria was not only a composer, but also an accomplished organist and singer as well as a Catholic priest. However, he preferred the life of a composer to that of a performer. Representing nearly thirty years of research by one of the leading scholars in the field, this series of in-depth studies examines selected aspects of the music of the great Spanish composer in the late Renaissance, Tomas Luis de Victoria. Presenting new insights into both the musical style and language and the compositional procedure of this contemporary of Palestrina, Lasso and Byrd, Eugene Cramer illuminates the extent to which Victoria's compositions are musically related. The book reveals that the falsobordone or fabordon played a much larger role in Victoria's music than has previously been thought. Cramer also demonstrates that Victoria's parody or imitation technique, especially in respect to his Masses of 1592, extended the parameters that are generally thought to be characteristic of works of this type. Of special interest is the discussion of thirty-eight works, including thirty-four psalm settings that are attributed to Victoria in extant manuscript sources. Extensively illustrated with over 130 musical examples, these studies will not only interest the serious student of sacred music, but also the performer, both the singer and the conductor alike. Size: 8vo - over 7¾" - 9¾" tall. Seller Inventory # ASHGATE419

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Book Description Ashgate, Aldershot, England, 2001. Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First editon in hardcover with dust jacket. Fine/Fine. UB4-3. Seller Inventory # 252084

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Book Description Routledge, 2001. HRD. Condition: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Seller Inventory # FT-9780754602415

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Book Description Taylor Francis Ltd, United Kingdom, 2001. Hardback. Condition: New. Language: English . Brand New Book. Representing nearly thirty years of research by one of the leading scholars in the field, this series of in-depth studies examines selected aspects of the music of the great Spanish composer in the late Renaissance, TomA!s Luis de Victoria. Presenting new insights into both the musical style and language and the compositional procedure of this contemporary of Palestrina, Lasso and Byrd, Eugene Cramer illuminates the extent to which Victoria s compositions are musically related. The book reveals that the falsobordone or fabordA^3n played a much larger role in Victoria s music than has previously been thought. Cramer also demonstrates that Victoria s parody or imitation technique, especially in respect to his Masses of 1592, extended the parameters that are generally thought to be characteristic of works of this type. Of special interest is the discussion of thirty-eight works, including thirty-four psalm settings that are attributed to Victoria in extant manuscript sources. Extensively illustrated with over 130 musical examples, these studies will not only interest the serious student of sacred music, but also the performer, both the singer and the conductor alike. Seller Inventory # AA69780754602415

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Book Description Taylor Francis Ltd, United Kingdom, 2001. Hardback. Condition: New. Language: English . Brand New Book. Representing nearly thirty years of research by one of the leading scholars in the field, this series of in-depth studies examines selected aspects of the music of the great Spanish composer in the late Renaissance, TomA!s Luis de Victoria. Presenting new insights into both the musical style and language and the compositional procedure of this contemporary of Palestrina, Lasso and Byrd, Eugene Cramer illuminates the extent to which Victoria s compositions are musically related. The book reveals that the falsobordone or fabordA^3n played a much larger role in Victoria s music than has previously been thought. Cramer also demonstrates that Victoria s parody or imitation technique, especially in respect to his Masses of 1592, extended the parameters that are generally thought to be characteristic of works of this type. Of special interest is the discussion of thirty-eight works, including thirty-four psalm settings that are attributed to Victoria in extant manuscript sources. Extensively illustrated with over 130 musical examples, these studies will not only interest the serious student of sacred music, but also the performer, both the singer and the conductor alike. Seller Inventory # AA69780754602415

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Book Description Ashgate Pub Co, 2001. HRD. Condition: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Seller Inventory # VT-9780754602415

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