Large 8vo, VIII + 248pp. 170 illustrations, b/w. Green softcover in good condition. Light rubbing and fading to extremities. Light bumping and rubbing to corners of cover as well as to head and tail of spine. Slightly cracked hinge. Sound binding. Clean text. Bookseller Inventory #
Synopsis: In this second volume of his classic essays on the Renaissance, E H Gombrich focuses on a theme of central importance: visual symbolism. He opens with a searching introduction ('The Aims and Limits of Iconology'), and follows with detailed studies of Botticelli, Mantegna, Raphael, Poussin and others. The volume concludes with an extended study of the philosophies of symbolism, demonstrating that the ideas which preoccupied the philosophers of the Renaissance are still very much alive today.Like its predecessor, Norm and Form, this volume is indispensable for all students of Renaissance art and thought as a work that has itself helped to shape the evolving discipline of art history. Reflecting the author's abiding concern with standards, values and problems of method, it also has a wider interest as an introduction to the fundamental questions involved in the interpretation of images.
About the Author: Sir Ernst Gombrich was one of the greatest and least conventional art historians of his age, achieving fame and distinction in three separate spheres: as a scholar, as a popularizer of art, and as a pioneer of the application of the psychology of perception to the study of art. His best-known book, The Story of Art - first published fifty years ago and now in its sixteenth edition - is one of the most influential books ever written about art. His books further include The Sense of Order (1979) and The Preference for the Primitive (2002), as well as a total of 11 volumes of collected essays and reviews.Gombrich was born in Vienna in 1909 and died in London in November 2001. He came to London in 1936 to work at the Warburg Institute, where he eventually became Director from 1959 until his retirement in 1976. He won numerous international honours, including a knighthood, the Order of Merit and the Goethe, Hegel and Erasmus prizes. Gifted with a powerful mind and prodigious memory, he was also an outstanding communicator, with a clear and forceful prose style. His works are models of good art-historical writing, and reflect his humanism and his deep and abiding concern with the standards and values of our cultural heritage.
Title: Symbolic Images. Studies in the Art of the ...
Publisher: Phaidon Press
Publication Date: 1975
Book Condition: Good
Book Description Paperback. Book Condition: Good. Solid and unmarked, mild reading wear. We take great pride in accurately describing the condition of our books, ship within 48 hours and offer a 100% money back guarantee. Bookseller Inventory # 1M5A1X0002V0
Book Description Phaidon Verlag, London, 1975. illustrierter Paperback. Book Condition: Gut. Dust Jacket Condition: Kein Schutzumschlag. 247 S. mit 170 s/w-Abbildungen auf Tafeln, Text in englischer Sprache, geringe Gebrauchsspuren, 800 g schwer, T-7 Size: 25 x 17,5 cm. Bookseller Inventory # 88098
Book Description Phaidon Press Ltd, 1975. Taschenbuch. Book Condition: Gut. New edition. 352 Seiten Medienartikel von Book Broker Berlin sind stets in gebrauchsfähigem ordentlichen Zustand. Dieser Artikel weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Leichte Gebrauchsspuren. Sprache: Englisch Gewicht in Gramm: 503. Bookseller Inventory # 660379940
Book Description Phaidon Press Ltd, 1975. Paperback. Book Condition: Used; Good. Bookseller Inventory # 2015934
Book Description Phaidon, 1975. PAP. Book Condition: Good. Paperback, large number of brownish spots on upper edge of book, oldened, otherwise in good condition, 24.5x17.5cm, 247pp. Bookseller Inventory # a21463
Book Description Phaidon, 1975. Soft cover. Book Condition: Very Good. No Jacket. 2nd Edition. Phaidon 1975 large format paperback , reprint. Very good+. Bookseller Inventory # ABE-5267137909