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Symbolist Art Theories a Critical Anthology

Dorra, Henri

13 ratings by Goodreads
ISBN 10: 0520077423 / ISBN 13: 9780520077423
Published by University of California Press, U. S. A., 1994
Condition: Very Good to Near Fine Hardcover
From Thomas F. Pesce' (Anaheim, CA, U.S.A.)

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The dust jacket is in a clear, plastic, protective cover. A first edition with the copyright page listing the full number sequence of 1-10 present. Pages are clean, tight and bright. The dust jacket's original price is still intact. Bookseller Inventory # 6020284

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Bibliographic Details

Title: Symbolist Art Theories a Critical Anthology

Publisher: University of California Press, U. S. A.

Publication Date: 1994

Binding: Hard Cover

Illustrator: Illustrated B&W Photographs

Book Condition: Very Good to Near Fine

Dust Jacket Condition: Very Good

Edition: First Edition.

About this title

Synopsis:

Henri Dorra, in his comprehensive new book, presents the development and the aesthetic theories of the symbolist movement in art and literature. Included are writings (many never before translated or reprinted) by artists, designers, architects, and critics, along with Dorra's learned commentary. Fifty photographs of symbolist works complement his encyclopedic coverage.
Dorra traces symbolism and its roots from artist to artist and critic to critic from the mid-nineteenth to the early twentieth century. The decorative arts and architecture are examined as well as painting and sculpture. The Arts and Crafts movement, art nouveau, the work of Eiffel in France, and that of Sullivan in the United States are well represented.
The close relations between symbolist poets and artists are reflected in the chapter on literary developments. Baudelaire, Rimbaud, Verlaine, and Mallarme are here, but so, too, are writers less well known. A section on the post-impressionists and the "artists of the soul" rounds out Dorra's rich and varied text, and his Epilogue lays the groundwork for what was to follow symbolism. Here Dorra discusses, on the one hand, the new trend toward abstraction and the related development of formalist criticism and, on the other, the new stress on interplay between the tangible and the intangible, fact and dream, that eventually led to surrealism.
Dorra beautifully integrates the different aesthetic branches of symbolism, the different media, and national variations, without ever losing sight of the whole. The historical context provided makes this a particularly appealing collection for students and scholars of art history and literature, as well as for anyone interested in the evolution of symbolism.

From the Inside Flap:

"In the misty domain of Symbolism, Dorra's anthology of source material offers the student the most lucid of guidebooks. Spanning more than half a century, from 1850 to 1918, its broad vista puts into fresh perspective the ambitions of the most diverse artists, architects, poets, and theorists, from Rossetti to Fry, Verlaine to Munch, Eiffel to Apollinaire."―Robert Rosenblum, New York University

"This long-awaited anthology expands the parameters of Symbolist discourse. The carefully selected and annotated texts provide clear insight into a Symbolist vocabulary that had considerable impact on future generations. Symbolist Art Theories has deep resonance for an age transfixed by textual interpretation."―Gabriel P. Weisberg, author of Beyond Impressionism

"Dorra's impeccable scholarship is matched by the insight that relates the fragments. The book is of great value not only for students of symbolism, but for all those interested in the early history of modern art and art theory."―George Mauner, Pennsylvania State University

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