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Title: Tonight, Somewhere in New York: The Last ...
Publisher: Carroll & Graf August 2005
Publication Date: 2005
Book Condition: Fine
Dust Jacket Condition: Fine
Edition: 1st Edition
About this title
Cornell Woolrich reinvented suspense fiction for the twentieth century. His unnerving tales of the psychological terrors lurking on the underside of the commonplace earned Woolrich epithets like "our poet of the shadows," the twentieth century's Edgar Allen Poe, and the father of noir. The twilight years of Woolrich's career did not soften his vision; they darkened it, as the selections in Tonight, Somewhere in New York, rivetingly show. In addition to nine masterly stories from the late 1950s and 1960s, some of them never before collected, this Woolrich anthology offers two evocative episodes from the autobiographical manuscript on which he worked during his latter years as well as five chapters of the novel he left unfinished at the time of his death in 1968. Page after suspenseful page, this collection amply demonstrates the power of his vision. Again and again, ordinary individuals get caught up in everyday circumstances that spin perversely, murderously, out of control. Unexpected perils lie in wait everywhere—in a hotel corridor, in the insistent ring of a telephone, on a street one day in Rome, or inside a black sedan that without wheels would look like a coffin.From Publishers Weekly:
Woolrich biographer and novelist Nevins does noir lovers a genuine service with his second anthology of stories by one of the masters of psychological suspense and terror. The quality of the fiction gathered here is higher than that of his previous collection, 2004's Night and Fear, and fairly represents Woolrich's exceptional gift for crafting claustrophobic situations and the shattered lives of the desperate. Long-time fans will simultaneously relish and be frustrated by the volume's high point: five, nonconsecutive chapters of an incomplete novel. Woolrich's exceptional hard-boiled prose ("His necktie was patterned in regimented stripes, but they were perhaps the wrong regiments, selected from opposing armies."), and his pervasive and compelling, if depressing fatalistic worldview will inspire newcomers to seek out his other works. Even though this is not the absolute best work of the man Nevins justifiably calls "the Hitchcock of the written word," these stories are head-and-shoulders above most others in the genre and richly deserve this reprinting, enhanced by Nevins' scholarly notes.
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