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Touching the World: Reference in Autobiography

Paul John Eakin

6 ratings by Goodreads
ISBN 10: 0691068208 / ISBN 13: 9780691068206
Published by Princeton University Press, 1992
Condition: Good Hardcover
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Bibliographic Details

Title: Touching the World: Reference in ...

Publisher: Princeton University Press

Publication Date: 1992

Binding: Hardcover

Book Condition:Good

About this title

Synopsis:

Paul John Eakin's earlier work Fictions in Autobiography is a key text in autobiography studies. In it he proposed that the self that finds expression in autobiography is in fundamental ways a kind of fictive construct, a fiction articulated in a fiction. In this new book Eakin turns his attention to what he sees as the defining assumption of autobiography: that the story of the self does refer to a world of biographical and historical fact. Here he shows that people write autobiography not in some private realm of the autonomous self but rather in strenuous engagement with the pressures that life in culture entails. In so demonstrating, he offers fresh readings of autobiographies by Roland Barthes, Nathalie Sarraute, William Maxwell, Henry James, Ronald Fraser, Richard Rodriguez, Henry Adams, Patricia Hampl, John Updike, James McConkey, and Lillian Hellman. In the introduction Eakin makes a case for reopening the file on reference in autobiography, and in the first chapter he establishes the complexity of the referential aesthetic of the genre, the intricate interplay of fact and fiction in such texts. In subsequent chapters he explores some of the major contexts of reference in autobiography: the biographical, the social and cultural, the historical, and finally, underlying all the rest, the somatic and temporal dimensions of the lived experience of identity. In his discussion of contemporary theories of the self, Eakin draws especially on cultural anthropology and developmental psychology.

Review:

Anyone interested in the dynamics of contemporary autobiography will want to read this wonderfully rich critical work, for it provides both an overview of theories of autobiography and a series of close readings of modern autobiographical texts [by Roland Barthes, Nathalie Sarraute, William Maxwell, Henry James, Ronald Fraser,
Richard Rodriguez, Henry Adams, Patricia Hampl, John Updike, James McConkey, and Lillian Hellman] that serve to elucidate intrinsic tensions of the genre. (Comparative Literature)

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