U IS FOR UNDERTOW.

Grafton, Sue.

ISBN 10: 039915597X / ISBN 13: 9780399155970
Published by New York: Putnam, (2009) dj, 2009
Hardcover
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About this Item

SIGNED hardcover first edition - First printing. A Kinsey Milhone mystery, set in Southern California in the 1960s and 1980s. SIGNED on the title page. 403 pp. Fine in fine dust jacket. Bookseller Inventory # 61996

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Bibliographic Details

Title: U IS FOR UNDERTOW.

Publisher: New York: Putnam, (2009) dj

Publication Date: 2009

Binding: Hardcover

Dust Jacket Condition: Dust Jacket Included

Signed: Signed by Author(s)

Edition: 1st Edition

About this title

Synopsis:

Sue Grafton takes the mystery genre to new heights with this twisting, complex #1 New York Times bestseller that draws private investigator Kinsey Millhone into a case shrouded in the sins of the past.

Looking solemn, Michael Sutton arrives in Kinsey Millhone's office with a story to tell. When he was six, he says, he wandered into the woods and saw two men digging a hole. They claimed they were pirates, looking for buried treasure. Now, all these years later, the long-forgotten events have come back to him—and he has pieced them together with news reports from the time, becoming convinced that he witnesses the burial of a kidnapped child.

Kinsey has nearly nothing to go on. Sutton doesn't even know where he was that day—and, she soon discovers, he has a history of what might generously be called an active imagination. Despite her doubts, Kinsey sets out to track down the so-called burial site. And what's found there pulls her into a hidden current of deceit stretching back more than twenty years...

Review:

Robert B. Parker and Sue Grafton: Author One-on-One
In this Amazon exclusive, we brought together blockbuster authors Robert B. Parker and Sue Grafton and asked them to interview each other.

Robert B. Parker’s wise-cracking, street-smart Boston private-eye Spenser earned him a devoted following and wide critical acclaim. Before his death in January 2010, Parker also wrote the bestselling Jesse Stone novels and a new series of Westerns featuring two guns-for-hire, Virgil Cole and Everett Hitch. Read on to see Robert B. Parker's questions for Sue Grafton, or turn the tables to see what Grafton asked Parker.

Parker: Tell me about you and Kinsey Millhone and the connection between you.

Grafton: Kinsey Millhone is my alter ego, the woman I might have been had I not married young and had children. She's younger, thinner, and braver than I, but a good companion nonetheless. Since she can know only what I know, I've taken classes in criminal law and self-defense. I've studied police procedure, private eye procedure, toxicology, ballistics, and crime scene investigation. Beyond that, the prime agreement between us is that I don't tell her, she tells me. When readers ask what she’ll be doing after Z is for Zero, I assure them I haven't the faintest idea.

Parker: Describe your writing process (e.g., I get up in the morning, have a martini to get my heart going...).

Grafton: I take a 5.4-mile walk five days a week, so my writing schedule is often dictated by the weather. If it's too hot or too cold, I walk first thing in the morning, come home, shower, dress, and reach my desk at 9:45 or so. I work until lunch, when I take a short break, returning to my desk until mid-to-late afternoon. If I haven't done a morning walk, I walk when my work is done. Then I drink.

Parker
: You've spent time in Hollywood. Tell me about that.

Grafton
: I refer to that period of my life as "doing one to fifteen in Hollywood." I loved it at first, as dazzled as anyone who hasn't figured out yet how treacherous life there can be. As I've said on previous occasions, I learned two things about myself in Hollywood: one, I'm not a team player; and two, I'm not a good sport. The producers I met were well-educated and articulate, and usually offered me a cup of coffee before they set in to savaging my work. I got too old and cranky to put up with that, so I invented Kinsey Millhone as my way out. I liken it to digging my way out of prison with a teaspoon.

Parker
: Do you read reviews? Pay attention to them? Find them helpful? Have an opinion on them?

Grafton
: Where possible, I avoid reviews. The good ones only encourage swell-headedness and the bad ones hurt my feelings or infuriate me. In either case, by the time reviews appear, the book is written and out on the stands. What's a poor girl to do? There's no point in subjecting myself to the reactions of readers and reviewers, since their response is nothing I can control.

Parker
: People sometimes ask me why I write what I write, and I answer, "Because that's what I know how to do." (Then they say, "Would you please stop?" but I'm sure they're just kidding.) Talk about why you write what you write.

Grafton
: I write what I write because when I put in my application for a position at Sears, they never got back to me. I'm still hopeful, especially with the Christmas season coming up. Aside from that, I write what I write because when the work is going well, it makes me happier than just about anything except my kids and grandkids. When the work is not going well . . . which is maybe thirty-five percent of the time . . . I know it's my job to sit patiently and keep at it until I figure out what's wrong. In large part, writing is the only thing I know how to do.

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