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Vertigo: W.G. Sebald; Michael Hulse Vertigo: W.G. Sebald; Michael Hulse Vertigo: W.G. Sebald; Michael Hulse Vertigo: W.G. Sebald; Michael Hulse

Vertigo

W.G. Sebald; Michael Hulse

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ISBN 10: 0811214303 / ISBN 13: 9780811214308
Published by New Directions, 2000
Condition: As New Hardcover
From Southampton Books (Southampton, NY, U.S.A.)

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About this Item

Like New Book. Stated First Edition, First Printing. NOT a remainder. NOT a book club edition. NOT price-clipped ($23.95 price intact). Published by New Directions, 2000. Green cloth over gray boards with bright silver stamped spine lettering. Book is like new with a small nick/tear at spine top right corner and a light dot/crease along top of pages; otherwise clean and unmarked. Tight, sharp corners, bright spine lettering. Dust jacket is like new with a corresponding small tear at spine top right corner. No writing, highlighting, underlining, dog ears, etc. Pages and boards crisp and straight. Spine un-broken with no spine lean. Book in un-read condition. A very nice collectible copy of Sebald’s first published novel. 263 pages. ISBN: 0-8112-1430-3. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ships with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York. Bookseller Inventory # ABE-15468333142

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Bibliographic Details

Title: Vertigo

Publisher: New Directions

Publication Date: 2000

Binding: Hardcover

Book Condition:As New

Dust Jacket Condition: Fine

Edition: 1st Edition

About this title

Synopsis:

The beguiling first novel by W. G. Sebald, one of the most enormously acclaimed European writers of our time.

Vertigo, W. G. Sebald's first novel, never before translated into English, is perhaps his most amazing and certainly his most alarming. Sebald―the acknowledged master of memory's uncanniness―takes the painful pleasures of unknowability to new intensities in Vertigo. Here in their first flowering are the signature elements of Sebald's hugely acclaimed novels The Emigrants and The Rings of Saturn. An unnamed narrator, beset by nervous ailments, is again our guide on a hair-raising journey through the past and across Europe, amid restless literary ghosts―Kafka, Stendhal, Casanova. In four dizzying sections, the narrator plunges the reader into vertigo, into that "swimming of the head," as Webster's defines it: in other words, into that state so unsettling, so fascinating, and so "stunning and strange," as The New York Times Book Review declared about The Emigrants, that it is "like a dream you want to last forever."

Review:

It is not often that books receive the universal critical acclaim with which W.G. Sebald's work in English translation has been met. Both The Emigrants and The Rings of Saturn won the sort of plaudits that would enable most writers to die happy. Sebald first employed his limpid, literally entrancing style in Vertigo, which appeared in German in 1990 and then waited a decade for its English-language debut. Like The Emigrants, this earlier novel interweaves four different narratives, which cumulatively sound a single, transcendent note--in this case, that of memory.

Sebald begins with Marie Henri Beyle (better known as Stendhal), cruising through the French author's painful and unreliable recollections of his military career. Then he splices in his own voyage through Italy, allowing these historical and personal perspectives to intersect when we least expect them to. As the book develops, it returns to the same locations: Milan, Verona, Venice, and the Alps. And in the course of this fractured meandering, the reader cohabits with a haunted Franz Kafka, admires the serene beauty of the stars above Lake Garda, and ultimately returns to Sebald's home in Bavaria, where the author confronts his childhood memories.

For Sebald, a straight line is never the shortest distance between two points: he more often travels in concentric circles, or cuts wild capers from past to present. Yet the stumbling journey in Vertigo seeks to replicate the distorted and unfathomable workings of memory itself. And it succeeds to an astonishing extent, so that the acts of traveling, recalling, and writing are impossible to tell apart:

On this occasion in the midst of the holiday season, the night train from Vienna to Venice, on which in the late October of 1980 I had seen nobody except a pale-faced schoolmistress from New Zealand, was so overcrowded that I had to stand in the corridor all the way or crouch uncomfortably among suitcases and rucksacks, so that instead of drifting into sleep I slid into my memories. Or rather, the memories (at least so it seemed to me) rose higher and higher in some space outside of myself, until, having reached a certain level, they overflowed from that space into me, like water over the top of a weir.
Thus is the writer inundated. And so, happily, are his readers--those lucky enough to take the plunge. --Toby Green

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