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The Voyage of the Icebergs: Frederic Church's Arctic Masterpiece

Eleanor Jones Harvey with Contributions By Gerald L. Carr

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ISBN 10: 0300095368 / ISBN 13: 9780300095364
Published by Dallas Museum of Art and Yale University Press, Dallas, TX/New Haven, CT, 2002
Condition: Fine Hardcover
From art longwood books (Rockport, MA, U.S.A.)

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About this Item

hardcover in dust jacket., no flaws - clean, tightly bound, no writing or markings.; 96pp., 41 color and 15 b/w illustrations. four essays. the history of church's dramatic seascape. Size: Oblong 8vo. Bookseller Inventory # 10085

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Bibliographic Details

Title: The Voyage of the Icebergs: Frederic ...

Publisher: Dallas Museum of Art and Yale University Press, Dallas, TX/New Haven, CT

Publication Date: 2002

Binding: Hard Cover

Book Condition:Fine

Dust Jacket Condition: Fine

Edition: First Edition.

Book Type: Exhibition Catalogue

About this title

Synopsis:

Twelve days after the onset of the American Civil War in April of 1861, Frederic Edwin Church, the most successful American landscape painter of his day, debuted his latest “Great Picture”―a painting titled The North. Despite favorable reviews, the painting failed to find a buyer. Faced with this unexpected setback, Church added a broken mast to the foreground and changed the work’s title to The Icebergs. He then shipped the painting to London, where it was finally sold to an English railroad magnate and subsequently disappeared from view for 116 years.

This beautiful book tells the fascinating story of The Icebergs and provides a detailed look at the cycle of fame, neglect, and resuscitation of both this masterwork and Church’s career. In 1979, The Icebergs sold at auction for $2.5 million, at the time the highest amount ever paid for an American painting. The sale coincided with an upswing in the popularity and acclaim accorded to American landscape painting, catalyzing the market for American art and contributing to a revival in the prestige of Church and the Hudson River School. Drawing on extensive interviews with many of the people involved with the painting’s rediscovery, sale, and eventual donation to the Dallas Museum of Art, the author considers the way marketing has defined The Icebergs.

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Distributed for the Dallas Museum of Art

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