Minneapolis: University of Minnesota Press. 1981. F First Edition. H Hardcover. Very Good. Emboss of previous owner to opening pages, light soiling to text edges. Bookseller Inventory #
The Well-Tun'd Word was first published in 1982. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The years 1957–1651 marked a period of high achievement in the history of song. In The Well-Tun'd Word Elise Bickford Jorgens studies changing musical conventions of English song in relation to new patterns in poetic taste from the late Elizabethan era through the Jacobean and Caroline years, basing her work on the premise that any musical setting of a poem is an interpretation of the poem itself. Thus by 1625, she contends, solo song in England had undergone a pronounced change in musical style, from the lute song of earlier decades to the monophonic continuo song. The appearance of John Donne and especially Ben Johnson and the Cavalier poets marked the demise of the Elizabethan lyrical mode that had inspired composers like John Downland, Thomas Campion, John Danyel, and Robert Jones.
Jorgen's opening chapters describe and illustrate elements of the craft of poetry and the musical conventions that can represent them. Her presentation is both clear and thorough, and will be especially helpful for students and scholars of English literature who are not necessarily musicians. She then discusses four major categories of song: Measured Music, Dance Songs and Tuneful Airs, English Monody, and Pathetic Airs, and notes that influence upon them of Continental music styles. But her major effort is to distinguish between them by pointing out their several characteristic attitudes towards the musical representation of poetic texts. All four groups show patterns of change during the first half of the seventeenth century.
Jorgens concludes that the celebrated union of the "sister arts" for which Elizabethan song was renowned was increasingly difficult to maintain after about 1610. Poets no longer favored those elements of poetic style that could in turn produce pleasing musical styles. Solo songs became, with continuo composers like Henry and William Lawes, Nicholas Lanier, and John Wilson, either notated recitations of poetry or simple pleasant trifles.
From the Back Cover: Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible to scholars, students, researchers, and general readers. Rich with historical and cultural value, these works are published unaltered from the original University of Minnesota Press editions. The books offered through Minnesota Archive Editions are produced in limited quantities according to customer demand and are available through select distribution partners.
Title: The Well-Tun'd Word: Musical Interpretations...
Publisher: University of Minnesota Press
Publication Date: 1981
Binding: H Hardcover
Book Condition: Very Good
Edition: F First Edition.
Book Description Univ of Minnesota Pr, 1981. Condition: Good. First Edition. Former Library book. Shows some signs of wear, and may have some markings on the inside. Seller Inventory # GRP64822655
Book Description Univ of Minnesota Pr, 1981. Condition: Good. A+ Customer service! Satisfaction Guaranteed! Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. Seller Inventory # 0816610290-2-4
Book Description University of Minnesota Press, 1982, 1982. Hardcover. Condition: Good. No Jacket. hbk 298pp music scores throughout no dj as issued slightly shelfworn cloth boards prev owner's name neatly on fep remains of light erased pencil margin marking throughout offered as a very good working copy. Seller Inventory # SBL847
Book Description Univ of Minnesota Pr, 1981. Hardcover. Condition: Used: Good. Seller Inventory # SONG0816610290
Book Description Univ of Minnesota Pr, Minneapolis, 1981. Hardcover. Condition: Near Fine. A beautifully clean, crisp hardcover copy in near fine condition; part of the black lettering (on the "d" in "Word") is missing. Not rubbed off, rather, it appears to be a manufacturing defect. Otherwise the book is in fine condition. No DJ, as issued. Seller Inventory # 021161
Book Description University of Minnesota Press, 1982, 1982. Condition: near fine. hbk 298pp no dj excellent clean tight green boards with black lettering an unread copy excellent clean tight unmarked as new. Seller Inventory # Mu285
Book Description Univ of Minnesota Pr, 1981. Condition: UsedAcceptable. book. Seller Inventory # M0816610290_4
Book Description Minneapolis: University of Minnesota Press, 1982. *, 1982. 8vo xx, 298 pages. Cloth, backstrip very slightly bumped at foot. Internally VG. Music examples throughout. Seller Inventory # _1436_M_
Book Description Univ of Minnesota Pr. Hardcover. Condition: Fair. 0816610290 Dispatched from London. Seller Inventory # Z0816610290Z4
Book Description Univ of Minnesota Pr. Hardcover. Condition: New. 0816610290 New Condition. Seller Inventory # NEW99.1462516