Title: Wild Life: A Novel
Publisher: Simon & Schuster
Publication Date: 2000
Book Condition: Fine
Dust Jacket Condition: As New
Signed: Signed by Author(s)
Edition: First Edition.
Signed by Author 0684867982 This hardcover book is Fine, being square and tight. The boards and spine have no wear with pristine lettering. The pages and endpages are clean, with no markings or folds. The dustjacket is As New. Original Price is intact. Not ex-lib. No remainder mark. This copy is signed by the Author on the title page without inscription. Bookseller Inventory # 007210
It is the early 1900s and Charlotte Bridger Drummond is a thoroughly modern woman. The sole provider for her five young boys, Charlotte is a fiercely independent, freethinking woman of the West who fully embraces the scientific spirit that is sweeping the nation at the dawn of the industrial age. Thumbing her nose at convention, she dresses in men's clothes, avoids housework whenever possible, and proudly supports her family by writing popular women's adventure stories. Ready to show off her knowledge of the local flora and fauna and have an adventure of her own, Charlotte joins a search party for a child who has disappeared in the deepwood wilderness on the border between Oregon and Washington. But when she gets lost herself, she is thrust into a mysterious world that not only tests her courage but challenges her entire concept of reality.
Starving and half dead from exposure, Charlotte is rescued by a band of elusive, quasi-human beasts. As she becomes a part of the creatures' extended family, Charlotte is forced to reconsider her previous notions about the differences between animals and humans, men and women, and above all, between wilderness and civilization.
Beautifully written and historically accurate, Wild Life is a highly original tale set at the very edge of civilization, where one woman takes on the untamed world of nature, and in the process, discovers much about the deepest recesses of her very own human nature.
Putting a surprising, revitalizing, feminine spin on the classic legend of Tarzan and other wildman sagas, award-winning novelist Molly Gloss delivers a rich portrait of America's northwestern frontier at the start of the twentieth century.
Review: One of the many pleasures of Molly Gloss's extraordinary third novel is watching it repeatedly change shape and direction before your eyes--a feat all the more wonderful since the narrative consists almost entirely of the fictional diaries of one woman. Charlotte Bridger Drummond--an early-20th-century single mother who supports five young sons in the just-tamed wilderness fringe of western Oregon by writing pulp fiction--presents herself as a bluff, free-thinking feminist, the kind of woman who would tumble her youngest son off her lap and onto the floor for whining. When her housekeeper's frail young granddaughter disappears from a logging camp, Charlotte unhesitatingly sets out to join the inept search parties. So, within 90 pages, Molly Gloss ( The Dazzle of Day and The Jump-Off Creek) whisks us from pitch-perfect historical fiction to unsentimental lament over the devastation of the "dark and supernatural woods" of the Pacific Northwest to a kind of wild and woolly mystery story.
All of this is immensely engaging, mostly because Charlotte herself is such excellent if occasionally astringent company. But the book really catches fire when Charlotte herself gets lost in the woods. The diary continues through the harrowing days of wet, cold, hunger, hope, despair, and then her fantastic rescue by a band of semihuman giants of the deep woods. Introducing the Sasquatch legend into an otherwise scrupulously realistic historical novel might seem like a risky narrative ploy, but Gloss brilliantly pulls it off. Indeed, so deft is her fusing of the fantastic and the actual that by the end, the narrative transmogrifies once more into a profound and troubling meditation on wildness, nature, and human nature.
Wild Life brings to mind the works of Jean M. Auel, Marilynne Robinson, Ken Kesey (that dank Oregon setting of Sometimes a Great Notion), and more distantly Willa Cather--but the breadth and daring of Gloss's imagination really puts it in a class of its own. In a sense, unifying all of the many strands of this fictional tour de force is a fiercely candid portrait of the artist, an artist who in Charlotte's words fears "coming face-to-face with my Self on the printed page--it would chill me through to the heart," but who does it anyway. --David Laskin
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