110 pp., Hardcover, ex library else text clean and binding tight. Bookseller Inventory #
Synopsis: Native Americans have thrown themselves into filmmaking since the mid-1970s, producing hundreds of films and videos, and their body of work has had great impact on Native cultures and filmmaking itself. With their cameras, they capture the lives of Native people, celebrating community, ancestral lifeways, and identity. Not only artistic statements, the films are archives that document rich and complex Native communities and counter mainstream media portrayals.
Wiping the War Paint off the Lens traces the history of Native experiences as subjects, actors, and creators, and develops a critical framework for approaching Native work. Singer positions Native media as part of a larger struggle for "cultural sovereignty"-the right to maintain and protect cultures and traditions. Taking it out of a European-American context, she reframes the discourse of filmmaking, exploring oral histories and ancient lifeways inform Native filmmaking and how it seeks to heal the devastation of the past. Singer's approach is both cultural and personal, provides both historical views and close textual readings, and may well set the terms of the critical debate on Native filmmaking.
Beverly R. Singer is a filmmaker and director of the Alfonso Ortiz Center for Intercultural Studies at the University of New Mexico.
About the Author: Introduction author
Title: Wiping the War Paint Off the Lens: Native ...
Publisher: University of Minnesota Press
Publication Date: 2002
Book Condition: Good
Book Description Univ of Minnesota Press. Book Condition: BRAND NEW. BRAND NEW Hardcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Bookseller Inventory # 2048027