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Workin' Man Blues: Country Music in California

Haslam, Gerald W.; Chon, Richard; Russell, Alexandra Haslam

30 ratings by Goodreads
ISBN 10: 0520218000 / ISBN 13: 9780520218000
Published by University of California Press, Berkeley, CA, 1999
Condition: Very Good+ Hardcover
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About this Item

380pp. B&W illus. Bibliographic Essay, Selected Bibliography, Indices. VG+ hardback, crease to front flyleaf, minor spotting/foxing to top-edge, otherwise clean & tight/Fine DJ. Signed by Gerald Haslam on the title page. Bookseller Inventory # 17324

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Bibliographic Details

Title: Workin' Man Blues: Country Music in ...

Publisher: University of California Press, Berkeley, CA

Publication Date: 1999

Binding: Hard Cover

Book Condition:Very Good+

Dust Jacket Condition: Fine

Signed: SIGNED by the author

Edition: 1st

About this title

Synopsis:

California has been fertile ground for country music since the 1920s, nurturing a multitude of talents from Gene Autry to Glen Campbell, Rose Maddox to Barbara Mandrell, Buck Owens to Merle Haggard. In this affectionate homage to California's place in country music's history, Gerald Haslam surveys the Golden State's contributions to what is today the most popular music in America. At the same time he illuminates the lives of the white, working-class men and women who migrated to California from the Dust Bowl, the Hoovervilles, and all the other locales where they had been turned out, shut down, or otherwise told to move on.

Haslam's roots go back to Oildale, in California's central valley, where he first discovered the passion for country music that infuses Workin' Man Blues. As he traces the Hollywood singing cowboys, Bakersfield honky-tonks, western-swing dance halls, "hillbilly" radio shows, and crossover styles from blues and folk music that also have California roots, he shows how country music offered a kind of cultural comfort to its listeners, whether they were oil field roustabouts or hash slingers.

Haslam analyzes the effects on country music of population shifts, wartime prosperity, the changes in gender roles, music industry economics, and television. He also challenges the assumption that Nashville has always been country music's hometown and Grand Ole Opry its principal venue. The soul of traditional country remains romantically rural, southern, and white, he says, but it is also the anthem of the underdog, which may explain why California plays so vital a part in its heritage: California is where people reinvent themselves, just as country music has reinvented itself since the first Dust Bowl migrants arrived, bringing their songs and heartaches with them.

From the Inside Flap:

"Workin' Man Blues is possibly the most brilliantly astute and thorough examination ever written about country music in California and the impact it has had in our lives and on our culture. I'm extremely flattered to be even mentioned in such august company."—Dwight Yoakam, Singer, Songwriter

"With all the pathos of a Rose Maddox ballad and more edges than a Merle Haggard song, Haslam has spun together the stories of the artists who have made California part of country music and country music part of California."—James Gregory, author of American Exodus: The Dust Bowl Migration and Okie Culture in California

"This book clears new ground in both the history of music and American ethnicity. As gorgeously detailed as any shirt worn by a Rhinestone Cowboy, there's no other book like it."—Kevin Starr, State Librarian of California

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