From Lord of the Rings to Game of Thrones , over the last hundred years few genres have captured the public imagination as powerfully as fantasy. Whether it’s epic quests of dwarves and elves, wizards and paladins, or the influential childhood classics of Alan Garner and C.S. Lewis, the appetite among readers for all things magical seems insatiable.
Pulling together a fellowship of some of the best writers of modern fantasy fiction, Writing the Magic invites you to step through the portal and discover what gives these tales such enduring appeal. Writers such as Jeff Noon, Hannah Kaner, RJ Barker and Jen Williams pull back the curtain on how they write fantasy, demystifying topics such as worldbuilding, sources of magic, creating authenticity, and how best to deploy your dragons.
An essential map for anyone wanting to write their own world into being, Writing the Magic explores the perilous realms of fantasy fiction – and arms novice writers with everything they need to embark on their own adventure.
Contributors: Francesco Dimitri, Hannah Kaner, RJ Barker, Kritika H. Rao, Juliet E. McKenna, Jen Williams, Jeff Noon, Alex Pheby, J.L. Worrad, Richard Strachan, Charlotte Bond, Katherine Langrish, and Lucy Holland.
Dan Coxon is an award-winning editor and writer based in London. His non-fiction anthology Writing The Uncanny (co-edited with Richard V. Hirst) won the British Fantasy Award for Best Non-Fiction 2022. Richard V. Hirst is an award-winning writer and editor from Preston, now based in Manchester. His writing has appeared in numerous publications including The Guardian, Time Out, and The Big Issue and his awards include the Manchester Fiction Prize, the British Fantasy Awards and the Saboteur Awards. His books include We Were Strangers and Writing the Uncanny (co-edited with Dan Coxon), among others, and he works on programming, fundraising and communications for a number of community arts charities in the North West. He is interested in short stories, ghost stories, stories set in winter and sad stories about lonely British people quietly having a terrible time.