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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: "The greatest intellectual diary of Italian literature, its breadth and depth of thought often compared to the work of Schopenhauer and Nietzsche. The Zibaldone 's long-overdue translation into English in this handsome edition is warmly to be welcomed . . . With its excellent introduction, its generous notes and cross-referencing, this edition is a huge achievement, making available at last a key document in the history of European thought and throwing light on Leopardi's unique poetry and prose works." Tim Parks, The New York Review of Books "Beautifully rendered into English by seven translators, superbly edited and annotated by Michael Caesar and Franco D'Intino under the auspices of the Leopardi Centre at the University of Birmingham, with its more than 2,500 pages elegantly printed on thin, Bible-like paper, this is not just a triumph of scholarship but a work of art of which its author could have been justly proud. The first full English version of the Zibaldone is a major event in the history of ideas. With its publication, Leopardi will be ranked among the supreme interrogators of the modern condition." John Gray, The New Statesman "There are several titans of world literature whose complete works still languish in their native language . . . To the ranks of heroes who tackle such enormities we must now add the seven translators who have given us Leopardi's Zibaldone at long last, after seven years' labor, a confluence of biblically significant numbers we would scarcely believe in fiction . . . There is something miraculous, too, about the text itself, as Franco D'Intino, one of the editors of this edition, makes us realize. The manuscript lay buried for years in a trunk, unknown to the world. Not until sixty years after Leopardi's death was the Zibaldone first published. Here, suddenly, was Leopardi the thinker and philosopher, whereas Italy before had known only the doomed Romantic poet. So it has been for us. Only now are we seeing Leopardi whole. His poetry had made him the peer in world literature of Whitman and Wordsworth, but the 4,526-page Zibaldone places him in a different realm entirely . . . There are moments of great beauty, aphorisms of penetrating insight . . . Leopardi's diary is undeniably the record of a great mind divesting itself of illusions . . . His writing, which repudiates existence, enriches our own; his diary in English represents an almost embarrassing increase in our accounts. The book of twenty million pages is life, and is also the Zibaldone , inexhaustible and worthy of endless meditation." Brian Patrick Eha, The American Reader "In the history of Italian literature, arguably only Dante occupies a more exalted position than Giacomo Leopardi . . . Both Leopardi's verse . . . and his works of prose . . . enjoy an unassailable reputation for lyrical beauty, philosophical depth, immense erudition, and indefatigable originality. The Italian language has known no more brilliant master of both its native extravagances and its native subtleties . . . In short, he was a literary giant, and was for the most part recognized as such in his own time. His most gigantic achievement, however, may have been the work we have come to know as the Zibaldone the 'gallimaufry,' 'hodge-podge,' or 'miscellany'his heterogeneous, sprawling, positively oceanic journal intime . . . Had this work never become known to the public, Leopardi would still be revered as a genius, but the sheer magnitude of his genius would scarcely be suspected. He poured everything into its pages: philosophy, philology and general linguistics, historical studies, cultural observations, critiques of the arts, political ruminations, personal confessions, and much more. It is a vast compendium of impromptu treatises, ringing aphorisms, hoarded curiosities, subtle observations, oracular pronouncements, and flights of invention. It is wholly absorbing and unflaggingly b. Bookseller Inventory #

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A groundbreaking translation of the epic work of one of the great minds of the nineteenth century

Giacomo Leopardi was the greatest Italian poet of the nineteenth century and was recognized by readers from Nietzsche to Beckett as one of the towering literary figures in Italian history. To many, he is the finest Italian poet after Dante. (Jonathan Galassi's translation of Leopardi's Canti was published by FSG in 2010.)
He was also a prodigious scholar of classical literature and philosophy, and a voracious reader in numerous ancient and modern languages. For most of his writing career, he kept an immense notebook, known as the Zibaldone, or "hodge-podge," as Harold Bloom has called it, in which Leopardi put down his original, wide-ranging, radically modern responses to his reading. His comments about religion, philosophy, language, history, anthropology, astronomy, literature, poetry, and love are unprecedented in their brilliance and suggestiveness, and the Zibaldone, which was only published at the turn of the twentieth century, has been recognized as one of the foundational books of modern culture. Its 4,500-plus pages have never been fully translated into English until now, when a team under the auspices of Michael Caesar and Franco D'Intino of the Leopardi Centre in Birmingham, England, have spent years producing a lively, accurate version. This essential book will change our understanding of nineteenth-century culture. This is an extraordinary, epochal publication.

About the Author: Giacomo Leopardi (1798–1837) was born in Recanati, Italy. He was a poet, essayist, philosopher, and philologist.

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