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Print, High Quality Lithograph, On A Sheet 20" X 15 1/8". Bjorskten Was A Pioneer In The Study Of Free Radicals, And Thus In Orthomecular Chemistry And Psychiatry. See Bjorksten, Johan: The Crosslinkage Theory Of Aging. J. Am Geriatrics Soc. 16, 408-427, 1968. From The Collection Of Science Fiction Writer A E Van Vogt. 3" Tear At Bottom, Through "Saturn" And Just Touching Image, With Related Crease Across 2 1/2" Along Bottom Of Image. Chesley Knight Bonestell, Jr. (1888 ? 1986) Was An American Painter, Designer And Illustrator.His Paintings Were A Major Influence On Science Fiction Art And Illustration, And He Helped Inspire The American Space Program. An Early Pioneering Creator Of Astronomical Art, Along With The French Astronomer-Artist Lucien Rudaux, Bonestell Was Dubbed The "Father Of Modern Space Art". Bonestell Studied Architecture At Columbia University In New York City. Dropping Out In His Third Year, He Worked As A Renderer And Designer For Several Of The Leading Architectural Firms Of The Time. While With William Van Alen, He And Warren Straton Designed The Art Deco Façade Of The Chrysler Building As Well As Its Distinctive Eagles. During This Same Period, He Designed The Plymouth Rock Memorial, The U.S. Supreme Court Building, The New York Central Building, Manhattan Office And Apartment Buildings And Several State Capitols. Returning To The West Coast, He Prepared Illustrations Of The Chief Engineer's Plans For The Golden Gate Bridge For The Benefit Of Funders. When The Great Depression Dried Up Architectural Work In The United States, Bonestell Went To England, Where He Rendered Architectural Subjects For The Illustrated London News. In The Late 1930S He Moved To Hollywood, Where He Worked (Without Screen Credit) As A Special Effects Artist, Creating Matte Paintings For Films, Including The Hunchback Of Notre Dame (1939) And Citizen Kane (1941) . Bonestell Then Realized That He Could Combine What He Had Learned About Camera Angles, Miniature Modeling, And Painting Techniques With His Lifelong Interest In Astronomy. The Result Was A Series Of Paintings Of Saturn As Seen From Several Of Its Moons That Was Published In Life In 1944. Nothing Like These Had Ever Been Seen Before: They Looked As Though Photographers Had Been Sent Into Space. His Painting Of Saturn Seen From The Frosty Moon Titan Is Perhaps The Most Famous Astronomical Landscape Ever. It Was Constructed With A Combination Of Clay Models, Photographic Tricks And Various Painting Techniques. (Titan Has A Thick Haze; Such A View Is Probably Not Possible In Reality.) Bonestell Followed Up The Sensation These Paintings Created By Publishing More Paintings In Many Leading National Magazines. These And Others Were Eventually Collected In The Best-Selling Book The Conquest Of Space (1949), Produced In Collaboration With Author Willy Ley. Bonestell's Last Work In Hollywood Was Contributing Special Effects Art And Technical Advice To The Seminal Science Fiction Films Produced By George Pal, Including Destination Moon, When Worlds Collide, The War Of The Worlds And Conquest Of Space, As Well As Cat-Women Of The Moon. Beginning With The October 1947 Issue Of Astounding Science Fiction, Bonestell Painted More Than 60 Cover Illustrations For Science Fiction Magazines, Primarily The Magazine Of Fantasy & Science Fiction, In The 1950S Through 1970S. He Also Illustrated Many Book Covers. When Wernher Von Braun Organized A Space Flight Symposium For Collier's, He Invited Bonestell To Illustrate His Concepts For The Future Of Spaceflight. For The First Time, Spaceflight Was Shown To Be A Matter Of The Near Future. Von Braun And Bonestell Showed That It Could Be Accomplished With The Technology Then Existing In The Mid-1950S, And That The Question Was That Of Money And Will. The 1952?54 Collier's Series, "Man Will Conquer Space Soon!", Was Instrumental In Kick-Starting America's Space Program.
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