Product Type
Condition
Binding
Collectible Attributes
Seller Location
Seller Rating
Published by Harlequin, 1996
Seller: Ammareal, Morangis, France
Softcover. Condition: Très bon. Légères traces d'usure sur la couverture. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Slight signs of wear on the cover. Ammareal gives back up to 15% of this item's net price to charity organizations.
Published by La Jolla [San Diego], CA. Mingei International Museum of Folk Art., 1982
Seller: Erik Hanson Books and Ephemera, San Diego, CA, U.S.A.
First Edition
Soft cover. Condition: Very Good. 1st Edition. Very Good to Near Fine condition. Oblong trade paperbound binding. 95 pages, numerous full-page color photographs of the works of one of the finest studio potters, presented in chronological order. A clean, unmarked and well-kept copy.
Softcover. Color-illustrated wraps. Profusely illustrated in color and some B&W. 95 pp. Documents an exhibition presented by Mingei International Museum of World Folk Art, Apr. 3-June 27, 1982. VG-, soiling on wraps, corners bumped, interior clean and tight.
Published by Mingei International Museum of World Folk Art, La Jolla, CA, 1982
Seller: White Raven Books, Ypsilanti, MI, U.S.A.
Book
Soft cover. Condition: Near Fine. Laura Andreson (illustrator). Pictorial stiff wraps, white spine title, clay paper, & lush color photo illustrations; A near fine copy with moderate abrasion to spine; 96 pages.
Published by Museum of World Folk Art., np., 1982
Seller: BookMine, Fair Oaks, CA, U.S.A.
First Edition
Soft cover. First edition. Illustrated in black, white and color. Important reference work. Very scarce in this condition. Fine copy. 96 pps.
Published by Mingei International Museum California, 1982
Seller: David Kaye Books & Memorabilia, Woodland Hills, CA, U.S.A.
First Edition Signed
First Edition ~1st Printing Softcover SIGNED and inscribed on the frontispiece overlay by the acclaimed ceramicist; minor scratching/rubbing to cover edges, embossed p.o. seal in bottom corner of frontispiece else a tight square unmarked copy.