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Published by Taylor & Francis Group, 2008
ISBN 10: 1593859902ISBN 13: 9781593859909
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book First Edition
Condition: Good. 1st Edition. Used book that is in clean, average condition without any missing pages.
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Published by Pearson Education, Limited, 2000
ISBN 10: 0205308589ISBN 13: 9780205308583
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book
Condition: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
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Published by The Guilford Press, 2001
ISBN 10: 1572306513ISBN 13: 9781572306516
Seller: HPB-Red, Dallas, TX, U.S.A.
Book
Hardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!.
Published by Guilford Publications, 2001
ISBN 10: 1572306521ISBN 13: 9781572306523
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book
Condition: Good. Used book that is in clean, average condition without any missing pages.
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Published by Pearson Education, Limited, 1995
ISBN 10: 0205159508ISBN 13: 9780205159505
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book
Condition: As New. Used book that is in almost brand-new condition.
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Published by Guilford Press, 2001
Seller: THE OLD LIBRARY SHOP, Bethlehem, PA, U.S.A.
Soft Cover. Condition: good+. 1st ptg. 222 pages including index; 9" tall; foxing top & fore edges. Paperback.
Published by Psychology Press, 2002
ISBN 10: 080583494XISBN 13: 9780805834949
Seller: Solr Books, Skokie, IL, U.S.A.
Book
Condition: VeryGood.
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Published by Pearson / Allyn and Bacon, 2009
ISBN 10: 0205694381ISBN 13: 9780205694389
Seller: Project HOME Books, Philadelphia, PA, U.S.A.
Book
Condition: Good. Used - Good.
Published by The Guilford Press, 2019
ISBN 10: 146254004XISBN 13: 9781462540044
Seller: SecondSale, Montgomery, IL, U.S.A.
Book
Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
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Published by Cambridge University Press, 1991
ISBN 10: 0521374979ISBN 13: 9780521374972
Seller: books4less (Versandantiquariat Petra Gros GmbH & Co. KG), Welling, Germany
Book
gebundene Ausgabe. Condition: Gut. 524 Seiten; Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber. Es befindet sich neben dem Rückenschild lediglich ein Bibliotheksstempel im Buch; ordnungsgemäß entwidmet. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 920.
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Published by The Guilford Press, 2019
ISBN 10: 1462540058ISBN 13: 9781462540051
Seller: HPB-Red, Dallas, TX, U.S.A.
Book
Hardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!.
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Published by Taylor & Francis 2014-08-15, New York, 2014
ISBN 10: 1138002623ISBN 13: 9781138002623
Seller: Blackwell's, London, United Kingdom
Book
paperback. Condition: New. Language: ENG.
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Published by The Guilford Press, 2021
ISBN 10: 1462547133ISBN 13: 9781462547135
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Book
Condition: New.
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Published by Cambridge University Press, 2008
ISBN 10: 0521065445ISBN 13: 9780521065443
Seller: Lucky's Textbooks, Dallas, TX, U.S.A.
Book
Condition: New.
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Published by Taylor & Francis 2013-02-15, Hove, 2013
ISBN 10: 0415655374ISBN 13: 9780415655378
Seller: Blackwell's, London, United Kingdom
Book
paperback. Condition: New. Language: ENG.
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Published by Cambridge University Press, 1991
ISBN 10: 0521374979ISBN 13: 9780521374972
Book First Edition
Cloth. Condition: Good. Dust Jacket Condition: Good. First Edition. Type: Book Small plain label inside cover.Slight lean to binding.
Published by The Guilford Press, 2021
ISBN 10: 1462547141ISBN 13: 9781462547142
Seller: SecondSale, Montgomery, IL, U.S.A.
Book
Condition: Good. Good condition ex-library book with usual library markings and stickers.
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Published by Taylor & Francis 1998-04-12, Mahwah, N.J. |London, 1998
ISBN 10: 0805822879ISBN 13: 9780805822878
Seller: Blackwell's, London, United Kingdom
Book
hardback. Condition: New. Language: ENG.
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Published by Pearson
Seller: WeBuyBooks, Rossendale, LANCS, United Kingdom
Condition: Good. Most items will be dispatched the same or the next working day. Previous owners name.
Published by Allyn & Bacon, 2007
ISBN 10: 0205507719ISBN 13: 9780205507719
Seller: Revaluation Books, Exeter, United Kingdom
Book
Paperback. Condition: Brand New. 3rd edition. 444 pages. 9.50x7.00x1.00 inches. In Stock.
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Published by Oakland Art Museum, Los Angeles Ca, 1955
Seller: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, U.S.A.
Association Member: IOBA
Manuscript / Paper Collectible First Edition
Soft cover. Condition: Very Good. 1st Edition. Undated But 1955 / 1956 . Light Wear And Bumping. Per Wikipedia, Alberto Burri (1915 ?1995) Was An Italian Visual Artist, Painter, Sculptor, And Physician Based In Cittą Di Castello. He Is Associated With The Matterism Of The European Informal Art Movement And Described His Style As A Polymaterialist. He Had Connections With Lucio Fontana's Spatialism And, With Antoni Tąpies, An Influence On The Revival Of The Art Of Post-War Assembly In America (Robert Rauschenberg) As In Europe. Burri Graduated From Medical School In 1940. Burri Claimed He Studied Art History, Because He Wanted To Be Able To Understand The Works Of Art That Surrounded Him.[9] He Also Studied Greek, A Language In Which He Became Proficient, And Later In Life Was Able To Read And Enjoy Classical Greek Literature. On 8 May 1943 The Unit He Was Part Of Was Captured By The British In Tunisia And Was Later Turned Over To The Americans And Transferred To Hereford, Texas In A Prisoner-Of-War Camp Housing Around 3000 Italian Officers, Where He Began Painting. After His Liberation In 1946, He Moved To Rome And Devoted Himself Exclusively To Painting; His First Solo Exhibition Took Place At The La Margherita Gallery In 1947. He Then Exhibited At The Marlborough Gallery In New York And At The Gallery De France In Paris. Burri's First Solo Figurative Artworks Exhibition Took Place On 10 July 1947 At The Gallery-Cum-Bookshop La Margherita, In Rome. However, Burri's Artistic Production Flowed Definitively Into Abstract Forms Before The End Of The Same Year, The Use Of Small Format Tempera Resulting From The Influence Of Such Artists As Jean Dubuffet And Joan Miró, Whose Studio Was Visited By Burri During A Trip To Paris In The Winter Of 1948. Burri's Artistic Research Became Personal In Short Time, Between 1948 And 1950 He Began Experimenting With Using Unusual, 'Unorthodox' Materials Such As Tar, Sand, Zinc, Pumice, And Aluminium Dust As Well As Polyvinyl Chloride Glue, This Last Material Being Elevated To The Same Importance As Oil Colors. During This Artistic Transition, The Painter Showed His Sensitivity To The Mixed-Media Type Of Abstraction Of Enrico Prampolini, A Central Figure In Italian Abstract Art. Nonetheless Burri Went One Step Further In His Catrami (Tars), Presenting Tar Not As A Simple Collage Material, But As An Actual Color Which ? By Way Of Different Lucid And Opaque Shades In Monochrome Black?, Blended Itself With The Totality Of The Painting. Starting In 1952 Burri Achieved A Strong, Personal Characterization With The Sacchi (Sacks), Artworks Directly Obtained From Jute Fabric Widely Distributed By The Marshall Plan: Color Almost Entirely Disappeared, Leaving Space For The Surface Material So That Painting Coincide With Its Matter In Its Total Autonomy, As It Was No More Separation Between Painting Surface And Its Form. The Formal Artistic Elegance And The Spatial Balances Obtained Through Aeroform Steams, Craters, Rips, Overlapping Color Layers And Different Forms, Differentiated Burri's Art, Founded On Attentive Reflections And Precise Calculations, From The Impulsive Gestures That Characterized Action Painting During The Same Period. Burri's Sacchi Did Not Win The Public's Understanding And Were Instead Considered As Extremely Far From The Notion Of Art. Burri's Work Received A Different And Positive Consideration In 1953, When James Johnson Sweeney (Director Of The Solomon R. Guggenheim Museum) Discovered Burri's Paintings At The Obelisco Gallery In Rome, And Subsequently Introduced The Artist's Work To The United States, In A Collective Exhibition Representative Of The New European Artistic Tendencies. During The Same Year Robert Rauschenberg Visited The Painter's Studio Two Times: Despite The Linguistic Differences Between The Two Artists Prevented Them To Talking To Each Other, Rauschenberg's Visits Provided Substantial Input For The Creation Of His Combine Paintings. Burri's Work Influenced Antonini's Designs For His Film Red Desert.