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Published by Smithsonian Institution Press, Washington, D. C., 1978
Seller: Cat's Cradle Books, Archdale, NC, U.S.A.
Softcover. Condition: Good with no dust jacket. Square, sound binding. Clean and bright pages. Wrappers have general handling wear, edge rubbing, creased corners, small closed tear at lower front edge, scuffing. One exlibrary stamp inside back of wraps but no other exlibrary accession marks. ; Color plates illustrating the artistic work of Irwin Kremen from an exhibition at the Southeastern Center for Contemporary Art, Winston-Salem, NC, September 8-October 22, 1978. Text contents: Joshua C. Taylor, "Foreword"; Ted Potter, "On the Exhibition"; John Cage, "For Irwin K. And His Work"; M. C. Richards, "That Pure and Riddling Truth"; Merce Cunningham, "Irwin Kremen"; Irwin Kremen and Janet Flint, "Why Collage? An Interview with the Artist"; catalog of the exhibition. 10.25" tall; 48 pages.
Published by Anchor Press/Doubleday, 1975
Seller: My Book Heaven, Alameda, CA, U.S.A.
First Edition
First Printing. Large softbound book. Very Good to Near Fine condition.
Published by The Sumac Press, Fremont, MI, 1974
Seller: Orpheus Books, Edmonds, WA, U.S.A.
Magazine / Periodical First Edition Signed
Soft cover. Condition: As New. No Jacket. 1st Edition. First edition / First printing. Signed by Anne Waldman at her contribution. White wrappers, printed in black and red. 256 pages. Very fine. Signed by Author(s).
Published by Shobunsha, 1975
Seller: Sunny Day Bookstore, SINGAPORE, Singapore
Condition: Fine. Number of books: 1 book.
Published by Shobunsha, 1975
Seller: Sunny Day Bookstore, SINGAPORE, Singapore
Condition: Fine. Number of books: 1 book.
Condition: Fine. Number of books: 1 book.
Condition: Fine. Number of books: 1 book.
Published by NTT, 1991
Seller: Sunny Day Bookstore, SINGAPORE, Singapore
Condition: Fine. Number of books: 1.
Published by NTT, 1991
Seller: Sunny Day Bookstore, SINGAPORE, Singapore
Condition: Fine. Number of books: 1.
Seller: Librairie Chat, Beijing, China
Condition: Fine. Number of books: 1.
Seller: Librairie Chat, Beijing, China
Condition: Fine. Number of books: 1 book.
Published by The Tiger's Eye, New York, 1949
Seller: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
First Edition
Softcover. Condition: Very Good. Nos. 1-3 and 5-9. Eight issues of nine published. Octavos. Illustrated in black and white and tipped-in color plates. Printed wrappers. Modest general wear with a couple of tiny tears at the spine, most color plates neatly reattached, first two volumes with hinges neatly strengthened, Number 2 with a small foredge stain affecting the a small area of the margins of the second half of the text, and Number 1 with a bit of cover erasure and a bit of loss at the spine, a very good set. Text highlights include "The Night's Children" by Jean Genet (translated by Bernard Frechtman); "Japanese Goblin Poems" (translated by Lafcadio Hearn); "Forerunners of Modern Music" by John Cage; "Two Poems about Heaven and Earth" by Kenneth Patchen; "To Walter de la Mere" by T.S. Eliot; "The Gift of Understanding" and "The Landfall" by Thomas Merton; "The Furies" by Weldon Kees; "At the Edge of the Forest" by Raymond Queneau (translated by Ralph Manheim); and "Demolition Proejct" by William Stafford, among many others. In 2002 Yale's Beinecke Library organized an exhibition of Ruth and John Stephan's work, with an emphasis on *The Tiger's Eye*. Reviewing the exhibition and accompanying catalog for *The New York Times*, Roberta Smith writes: "the magazine, which took its title from William Blake, was one of the few that 'took visual art as seriously as literature.' It was also an eccentric mom-and-pop operation, put together with love, sophistication and a fair amount of attitude, as well as Ruth's money. (Her family owned Walgreen's)." Eight of nine issues of this important and nicely-produced mid-Century journal.
Published by New York: 1947, 1947
Seller: Peter Harrington. ABA/ ILAB., London, United Kingdom
First Edition Signed
First edition, the original brochure of this classic collaborative surrealist film, this copy inscribed by John Cage on the page pertaining to his contribution, "For Hicup, John Cage". Cage contributed the music to Marcel Duchamp's "Discs" sequence. Octavo. Original green wrappers printed in black after a design by Ernst. Photographic portraits and reproductions from the film in the text throughout. Wrappers slightly toned with a some minor marks, very good condition.