Cunego, Domenico (24 results)

Softcover. Originaler Kupferstich mit der Bildröße 28 x 23, Plattengröße: 31,5 x 25,5 cm, auf einem Blatt im Format 63,5 x 42,5 cm, dieses ist an den Rändern stärker angestaubt. Der obere Plattenrand trägt die gestochene Zahl 21, der untere Rand den gestochenen Titel sowie die Angaben zum Maler und Stecher. Das Blatt ist in befriedigendem Zustand, das Bild selbst gut erhalten. Das Gemälde von Tizian entstand 1542. - vorliegendes Blatt stammt wohl aus folgendem Mappenwerk: 'Schola Italica Picturae' - Paris um 1835 (2. Pariser Ausgabe), Tafel 21. --- Versand erfolgt als Rolle. - -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Lesen Sie etwas Schönes auf einer Bank in der Frühlingssonne! Wir haben die passende Lektüre. -- Wir kaufen Ihre werthaltigen Bücher! Fe2WandLi.

Incisione calcografica all'acquaforte rifinita a bulino, dim del. foglio compreso gli ampi margini H. 28 x L. 32 cm (L. 20 x H. 15,5 cm. la sola parte incisa senza le lettere) - Titoli: in basso a sx.: Michael Angelus Bonaroti in Sacello Sistino. a sx.: Dom. Cunego sculp. Romae 1781. piĆ sotto al centro: PRODUCANT ACQUAE REPTILE ANIMAE VIVENTIS. Gen: Cap. I. vers. 20 / Romae apud Dom. Cunego. - In ottime condizioni - INCORNICIATA DOMENICO CUNEGO (1727-1803) - Nacque a Verona nel 1727 e morĆ a Roma nel 1803. Disegnatore ed incisore alla punta, a bulino e alla maniera nera, imparĆ i primi rudimenti nella scuola di FRANCESCO sotto i di lui seguaci quali Felice Ferrari, Giuseppe Facchinetti, Maurelio Goti e Girolamo Mengozzi. In seguito si recĆ ancora giovane a Roma (circa nel 1760) dove intagliĆ molte opere tratte da quadri dei piĆ insigni pittori viventi. Nella seduta del 3 giugno del 1769 lāAccademia di Pittura e Scultura di Verona, lo nomina socio onorario, assieme agli incisori GIOVANNI VOLPATO e GIUSEPPE WAGNER. Ebbe frequenti contatti con il Canova per la riproduzione di suoi bassorilievi e sculture - Bibliografia.: A. VALLARDI, 61 ā" GORI GANDELLINI, I, 273-274 ā" PIETRO ZANI, VII, 153 e 203 ā" E. BENEZIT, I, 1051-1052 (Ediz. Del 1912) ā" HUBER e ROST, IV, 168-173 ā" BRYANāS, I, 361, ecc.

Condition: Buono (Good). acquaforte cm. 59.5 x 46 Buono (Good) Buon es., con leggere bruniture e abrasioni, piccoli strappi sui margini e piega. Book.

Incisione calcografica all'acquaforte rifinita a bulino, dim del. foglio compreso gli ampi margini L. 29 x H. 37 cm (L. 37,8 x H. 20.50 la sola parte incisa senza le lettere) - Titoli: in basso a sx.: Guercino da Cento pinx. a dx.: Dom. Cunego sculp. Romae 1776. piĆ sotto al centro: CAPUT INCOGNITUM / Roma presso Domenico Cunego. - In ottime condizioni. DOMENICO CUNEGO (1727-1803) - Nacque a Verona nel 1727 e morĆ a Roma nel 1803. Disegnatore ed incisore alla punta, a bulino e alla maniera nera, imparĆ i primi rudimenti nella scuola di FRANCESCO sotto i di lui seguaci quali Felice Ferrari, Giuseppe Facchinetti, Maurelio Goti e Girolamo Mengozzi. In seguito si recĆ ancora giovane a Roma (circa nel 1760) dove intagliĆ molte opere tratte da quadri dei piĆ insigni pittori viventi. Nella seduta del 3 giugno del 1769 lāAccademia di Pittura e Scultura di Verona, lo nomina socio onorario, assieme agli incisori GIOVANNI VOLPATO e GIUSEPPE WAGNER. Ebbe frequenti contatti con il Canova per la riproduzione di suoi bassorilievi e sculture - Bibliografia.: A. VALLARDI, 61 ā" GORI GANDELLINI, I, 273-274 ā" PIETRO ZANI, VII, 153 e 203 ā" E. BENEZIT, I, 1051-1052 (Ediz. Del 1912) ā" HUBER e ROST, IV, 168-173 ā" BRYANāS, I, 361, ecc.

Blattgröße ca. 38 x 51 cm. Bildausschnitt ca. 26 x 43 cm (kräftiger Abzug. Beidseitig in den Rändern tlw. angestaubt und fleckig). Am 3. Schöpfungstag schuf Gott die Vegetation und Pflanzen in großer Vielfalt wurden erschaffen. Nach dem Deckengemälde von Michelangelo in der Sixtinischen Kapelle.

Blattgröße ca. 39,5 x 54 cm. Bildausschnitt ca. 35 x 49 cm (kräftiger Abzug. Kleine Einrisse hinterlegt. In den Rändern tlw. braunfleckig. Verso tls etw. angestaubt). Josias (Josia) in Lünette (Bogenfeld) nach dem Deckengemälde von Michelangelo in der Sixtinischen Kapelle. Josias (auch Joschija) war von 640 bis 609 v. Chr. König des Reiches Juda. Nach der Ermordung seines Vaters Amon wurde er im Alter von nur acht Jahren König. Seine Söhne Joahas, Jojakim und Zedekia (Mattanja) folgten später ebenfalls auf den Königsthron.

Blattgröße ca. 42 x 58 cm. Bildausschnitt ca. 36 x 55 cm (kräftiger Abzug. Kleine Einrisse hinterlegt. Fehlstellen im Rand ergänzt. In den Rändern tlw. braunfleckig. Verso tls etw. angestaubt). Eleazar und Mathan in Lünette (Bogenfeld) nach dem Deckengemälde von Michelangelo in der Sixtinischen Kapelle.

Blattgröße ca. 42 x 58 cm. Bildausschnitt ca. 36 x 55 cm (kräftiger Abzug. Kleine Einrisse hinterlegt. In den Rändern tlw. braunfleckig. Verso tls etw. angestaubt). Amminadab in Lünette (Bogenfeld) nach dem Deckengemälde von Michelangelo in der Sixtinischen Kapelle. Amminadab ist eine biblische Person. Er wird im Matthäusevangelium, Lukasevangelium, im Buch Rut und in Exodus erwähnt.

Blattgröße ca. 40 x 55 cm. Bildausschnitt ca. 35 x 49 cm (kräftiger Abzug. Kleine Einrisse hinterlegt. In den Rändern tlw. braunfleckig. Verso tls etw. angestaubt). Ozias (Azarias) in Lünette (Bogenfeld) nach dem Deckengemälde von Michelangelo in der Sixtinischen Kapelle. Uzziah (auch genannt Azarias) Amaziah und Jecholiah, war König von Juda in der Mitte des 8. Jahrhunderts vor Christus. Er wird er als militärischer Führer, Königsbauer und Entwickler der Landwirtschaft beschrieben, bevor er Aussätziger wird. Er war ein Zeitgenosse der Propheten Jesaja, Hosea und Amos.

Blattgröße ca. 40 x 54 cm. Bildausschnitt ca. 35 x 49 cm (kräftiger Abzug. Kleine Einrisse hinterlegt. In den Rändern tlw. braunfleckig. Verso tls etw. angestaubt). Salomo in Lünette (Bogenfeld) nach dem Deckengemälde von Michelangelo in der Sixtinischen Kapelle.

Blattgröße ca. 40 x 55 cm. Bildausschnitt ca. 35 x 49 cm (kräftiger Abzug. Kleine Einrisse hinterlegt. In den Rändern tlw. braunfleckig. Verso tls etw. angestaubt). Rehabeam (Roboam) in Lünette (Bogenfeld) nach dem Deckengemälde von Michelangelo in der Sixtinischen Kapelle. Rehabeam, Sohn von König Salomo. regierte als erster König des Reiches Juda während der Eisenzeit im östlichen Mittelmeerraum von 931 bis 914 v. Chr.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1827 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 120 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 120 Language: Italian.

Edición original muy rara completa de todas sus lįminas. Magnķfica impresión y diseńo de este libro impreso en la ciudad de Verona. Domenico Cunego (Verona, 1724 o 1725 Roma, 8 de enero de 1803) fue un grabador italiano. Se formó con un pintor apenas conocido, , y de hecho inició su carrera como pintor, pero no se han identificado óleos suyos. A los 18 ańos de edad se volcó en el grabado, tal vez como autodidacta, y asķ alcanzó la fama. Prestó especial atención a las texturas, y para plasmarlas con mayor fidelidad combinó las técnicas a buril y aguafuerte, siendo uno de los primeros grabadores que lo hicieron. Sus grabados mįs conocidos e influyentes fueron los que hizo reproduciendo los frescos de Miguel Įngel en la Capilla Sixtina. Estas imįgenes fueron publicadas en el libro de Gavin Hamilton Schola Italica Picturae (1773) y fueron una fuente muy śtil para los artistas de la época. Reprodujo pinturas de viejos maestros como Rafael, Tiziano, Agostino Carracci, Domenichino y Guercino, asķ como de colegas de su época como , Francesco Solimena y . También grabó composiciones de artistas britįnicos relacionados con los nobles que visitaban Italia durante el tradicional Grand Tour. Entre estos artistas se cuentan Gavin Hamilton, de quien Cunego grabó seis cuadros sobre la Ilķada, y David Allan, cuyo cuadro Origin of Portraiture (Edimburgo, National Gallery of Scotland) se hizo popular gracias al grabado de Cunego. En 1781 Cunego hizo un grabado de El Pasmo de Sicilia, famoso cuadro de Rafael ahora en el Museo del Prado y que en aquella época se hallaba en el Palacio Real de Madrid. En ese mismo ańo, reprodujo también un retrato de José Nicolįs de Azara, diplomįtico y mecenas espańol, que habķa sido pintado por Mengs. Fue un artista de fama internacional. Grabó por encargo efigies de la familia real de Prusia, y viajó a Londres para producir grabados con destino a la conocida imprenta Boydell. Dos hijos de Domenico Cunego, Luigi y Giuseppe, también fueron grabadores. 4 hojas, inclusive portada grabada (dibujada por Felix Boscharatus y grabada por Dom. Cunego), y retrato del prķncipe de Polonia Federico Cristian (dibujado y grabado por D. Cunego); 60 pįginas, 183 lįminas. La dedicatoria al prķncipe electo encabezada con un frontal grabado que contiene el escudo de armas del prķncipe sujetado por angelotes, dibujo de Petrus Perotti y grabado por Dioni Valesi; y letra capital grabada, al final de la dedicatoria una bella vińeta grabada calcograficamente (sin firmar). El texto se encabeza con una dedicatoria al "Lectori erudito / Al leggitore erudito" a dos columnas y bilingue Latķn - Italiano, decora el texto un frontal grabado al cobre y sin firmar, dos letras capitales y una vińeta al final xilogrįficas. Se inicia el texto (a dos columnas y bilingue), que son las fichas descripitivas de cada una de la figuras reproducidas, encabezado por un frontal grabado al cobre, al final un bello grabado de la "Arena di Verona come sta al presente". Siguen las lįminas I a CLXXXIII. Encuadernación original de la época en pleno pergamino rķgido con hierros dorados en el lomo. Magnķfico ejemplar. 36x24 cm.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1772 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 381 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 381 Language: Italian.

30 x 21,2 cm. Halbfigur des jungen Künstlers mit Pinsel und Skizzenmappe. Mengs (1728 Aussig - Rom 1779) arbeitete in Dresden, Rom und Madrid und verpflichtete sich nach spätbarocken Anfängen dem Klassizismus. - Cunego war als Radierer und Kupferstecher tätig. "Fernow stellte ihn an die Spitze der italienischen Stecher, in `Winkelmann und sein Jahrhundert` wird er der vorzüglichste historische Stecher seiner Zeit genannt und wegen seiner malerischen Behandlung gerühmt" (Thieme-Becker). - Breitrandiger, klarer Druck, im Rand leicht stockfleckig, außerhalb der Darstellung an der rechten unteren Ecke gebräunt. - Versandkosten auf Anfrage. Sprache: Deutsch.

Tthree-quarter length portrait of the painter Anton Raphael Mengs, seated to left, with head turned to look towards the right, holding porte-crayon in his right hand and supporting a portfolio pointing towards the viewer with his left hand; wearing a painter's cloak over jacket fastened by two buttons, and loosely tied neckerchief; after a self-portrait. Inscribed at bottom: "Eques Antonius Raphael Mengs se ipsum pinxit. / Roma presso Domenico Cunego." Signed and dated "Dom. Cunego sculp. 1778". Engraving on paper with margins; plate mark: 300 x 214, total: 393 x 303 mm; some smudges and dirt on the surface, but very readable and charming impression.

43,5 x 38,5 cm, Blatt. Condition: Gut. Zustand: Das Blatt ist etwas berieben und etwas fleckig, zwei kleine Risse an der Oberkante, rechte obere Ecke mit Knickspur, die Grafik ist sauber & gut! // Domenico Cunego (1727-1803) war ein italienischer Grafiker. Seine Stiche von Michelangelos Decke der Sixtinischen Kapelle, die in Gavin Hamiltons Schola Italica Picturae veröffentlicht wurden, waren eine wichtige Quelle für die Künstler seiner Zeit. Guido Reni (1575-1642) war ein italienischer Maler, Freskant und Radierer der Bologneser Schule und einer der berühmtesten und bedeutendsten Künstler des 17. Jahrhunderts. /// Versand gratis Innerhalb Deutschlands - Portofrei in Deutschland- ab 20 Euro mit Post ID - Gratisversand deutschlandweit innerhalb Deutschlands gratis Versand -Versandkostenfrei innerhalb Deutschlands /// Sprache: Deutsch Gewicht in Gramm: 100.

Leather Bound. Condition: New. Language: Italian. Language: Italian. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1827. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Italian, Pages: : - 120, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 120 120.

Leather Bound. Condition: New. Language: Italian. Language: Italian. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1772. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Italian, Pages: : - 378, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 378 378.

Leather Bound. Condition: New. Language: ita. Language: ita,lat. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1756. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - ita,lat, Pages: - 454, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 454 454.

senza rilegatura. Condition: in ottime condizioni. Acquaforte misure: mm 315 x 253 Incisore italiano. Non si hanno notizie certe riguardanti la sua primissima formazione, ma sappiamo che all'etą di diciotto anni decise di accostare alla pittura lo studio dell'incisione. Iniziņ da autodidatta copiando le opere che erano sul mercato e all'etą di ventuno anni Iacopo Muselli (1697-1768), antiquario e collezionista veronese, lo incaricņ di riprodurre a contorno le monete della propria collezione (Numismata antiqua a Iacobo Musellio collecta et edita, tre monumentali volumi di catalogo editi a Verona nel 1752 con dedica al re di Polonia). Nel 1761 si trasferģ a Roma grazie all'incontro e poi collaborazione con l'architetto scozzese James Adam (Londra 1732 - Londra 1794) per il quale realizzņ alcune tavole del Ruins of the Palace of the Emperor Diocletian at Spalatro in Dalmatia. Altra collaborazione importante fu quella con Gavin Hamilton, pittore e antiquario inglese residente a Roma, che impiegņ l'artista per incidere 22 delle 40 tavole della Schola Italica Picturae, che illustra i migliori dipinti e affreschi italiani del '500 e del '600. In questa stampa, tratta da un dipinto di Tiziano realizzato nel 1542 e oggi conservato presso Staatliche Museen zu Berlin, vediamo rappresentata Clarissa Strozzi figlia del nobile letterato fiorentino Roberto Strozzi. L'opera č la tavola numero 21, come indicato in alto a destra, della raccolta: Schola Italica Picturae, Roma 1773. La giovanissima fanciulla di soli due anni č rappresentata a figura intera con il volto leggermente girato a sinistra, in piedi accanto a un basamento di pietra semi coperto da un drappo, sul fronte un antico rilievo marmoreo di putti danzanti. Clarissa sta dando da mangiare al suo cagnolino di razza pretzel, indossa un lungo abito di raso panneggiato, una preziosa collana con pendente e una scatola profumata che pende dalla cintura di fiori che arriva quasi ai suoi piedi. Alle sue spalle, a mo' di quinta,  a sinistra un muro sul quale č appeso un pannello con l'etą dell'effigiata e la data di realizzazione del quadro in numeri romani; a destra una finestra si apre su un scorcio di paesaggio rigoglioso caratterizzato da alti alberi, uno stagno con due cigli e catene montuose che si stagliano verso il cielo. I giochi di luce in chiaroscuro riescono a trasmettere l'idea dei colori accesi di Tiziano. Oltre l'immagine in basso incisi "Titianus pinxit/ Dom Cunego Sculp Romae 1770 e titolo "Filia Roberti Strozzi nobilis Florentini .". Impressione eccellente su carta vergata. Ampi margini oltre la battuta del rame. Ottimo stato di conservazione. Bibliografia: Le blanc 38.

Leather Bound. Condition: New. Language: Italian. {Size: 19.68 x 24.13 cms} Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2023, utilizing the invaluable guidance of the original edition published many years ago in 1827. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Italian, Pages:- 120, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 120.

Leather Bound. Condition: New. Language: Latin. Language: Latin. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1771. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Latin, Pages: - 64, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 64 64.

Full Leather Bound. Condition: NEW. Language: Italian. {Size: 19.68 x 24.13 cms} A Unique Premium Leather-Bound book for elite readers/collectors of old rare books. An Original Leather is being used for binding this book with Golden Leaf Printing and designing on Spine, front and Back of the book with edge gilding. WE HAVE MULTIPLE OPTIONS IN COLOR OF LEATHER RED, GREEN, BLUE, MAGENTA, TAN, PURPLE DEEP BROWN, BLACK AND WITH DIFFERENT COLOR LABELS. YOU MAY CHOOSE ANY COLOR OF YOUR CHOICE AND MAIL US. This service is chargeable. Original edition was published in [1827] and this unique edition is Reprinted in 2023 with the help of original edition. Black & white printing on high quality natural shade paper with sewing binding for longer life, professionally processed without changing its contents. As these are old books, we processed each page manually on computer and make them readable. We give our best to give you the best book but in some cases we have to adjust few pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume. We hope that you understand these issues in these old treasure. This is an important book for the readers who want to know more about our old treasure. Our dedicated team is trying to bring these rare books back to the shelves. We are also giving service of printing the hard-to-find books which are not listed in our store. Hope you will like it and give your comments and suggestions. Lang: - Italian, Pages 120, Print on Demand. Product Disclaimer: Please be aware that because leather is a natural material, slight discoloration or change in texture may be visible. {FOLIO EDITION (Size 12x19 Inches) IS ALSO AVAILABLE ON REQUEST}. 120.