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Published by Mel Bay Publications, Inc., 1989
ISBN 10: 0871662647ISBN 13: 9780871662644
Book
Condition: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
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Published by Mel Bay Publications, Inc., 2015
ISBN 10: 0786689897ISBN 13: 9780786689897
Seller: -OnTimeBooks-, Phoenix, AZ, U.S.A.
Book
Condition: good. Book may contain some writing, highlighting, and or cover damage. Shipped fast and reliably!.
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Published by Mel Bay Publications, 2002
ISBN 10: 0786667842ISBN 13: 9780786667840
Seller: SecondSale, Montgomery, IL, U.S.A.
Book
Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
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Published by Mel Bay Publications, Incorporated, 2000
ISBN 10: 0786657723ISBN 13: 9780786657728
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book
Condition: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.
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Published by Mel Bay Publications, 1976
ISBN 10: 0871668157ISBN 13: 9780871668158
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Book
Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Published by Mel Bay Publications,, 1976
ISBN 10: 0871668319ISBN 13: 9780871668318
Seller: Harry Alter, Sylva, NC, U.S.A.
Book
paperback, Condition: Good, Mel Bay Publications, 1976, 8-3/4"x11-3/4", paperbk., 136pp., G $.
Published by Mel Bay Publications, 1976
Seller: Books of Paradise, Magalia, CA, U.S.A.
Softcover. Condition: Good+. No Edition Stated. Covers have some rubbing and small creases along edges, light toning to covers and page edges, small yellow discoloration spot to front cover where old sticker was removed, several page numbers in pen and pencil inside front cover; b/w photos; 136 pages.
Published by Mel Bay Publications, Pacific, Missouri, 1989
ISBN 10: 0786657723ISBN 13: 9780786657728
Book First Edition
Soft cover. Condition: Very Good. 1st Edition. First Edition/First Printing (Number Line With The One Present). The Book Does Not Contain The Compact Disk. Illustrated White Wraps. Light Bumping To The Front Corners.
Published by Mel Bay Publications, 2004
ISBN 10: 0786659718ISBN 13: 9780786659715
Seller: HPB Inc., Dallas, TX, U.S.A.
Book
paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
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Published by Mel Bay Publications, Kirkwood, MO, 1976
Seller: Bookshelf of Maine, Franklin, ME, U.S.A.
Paperback. Condition: Very Good+. Illustrated by Geri Horne (illustrator). Great full-page folksy photographs add some nice "color" to the liner notes for the tunes given here and should help inspire one to learn all that is provided here for the beginner. Spiral binding is featured to keep the pages flat. ; B&W Photographs; 4to 11" - 13" tall.
Published by Mel Bay Publications, 1976
Book
Paperback. Condition: Acceptable. Unmarked text. Previous owner's name on front end page. Rubbed cover. Photographs, text, and musical notation. 136p. Measures 8.75x11.75 inches. Mel Bay (1913-1997) was an American musician and publisher best known for his series of music education books.
Published by Mel Bay Publications, Inc., 2022
ISBN 10: 1513469592ISBN 13: 9781513469591
Seller: Book Deals, Tucson, AZ, U.S.A.
Book
Condition: Fine. Like New condition. Great condition, but not exactly fully crisp. The book may have been opened and read, but there are no defects to the book, jacket or pages.
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Published by George H. Scithers // Terminus, USA, 1964
Seller: Comic World, Steinbach, MB, Canada
First Edition
Soft cover. Condition: FINE+, Near New. Roy G. Krenkel (cover); Harry Douthwaite; Jim Cawthorn; (5 illustrations by Roy G Krenkel) (illustrator). Zinewiki = AMRA was a Science Fiction and Fantasy fanzine devoted to the Swords and Sorcery genre published by George H. Scithers [The term "Swords and Sorcery" first appeared in the pages of the zine, leading to the name for the genre exemplified by writers such as Robert E. Howard]; Amra won the Hugo Award for Best Fanzine in the years 1964 and 1968. >> CONTENTS of This Issue Includes; ARTISTS = Roy G. Krenkel (cover); Harry Douthwaite; Jim Cawthorn; (5 illustrations by Roy G Krenkel) AUTHORS = Roy Krenkel; "Swackle" by Conan; SighvatThorhardson (Poul Anderson (translator); L. Sprague de Camp; G.H. Scithers; Robert Lemon; George R. Heap; Size: 4to - over 9¾" - 12" tall TRUE FIRST Edition MAGAZINE Format Thus. Book.
Published by Mel Bay Publications
ISBN 10: 1405122447ISBN 13: 9781405122443
Seller: Brook Bookstore, Milano, MI, Italy
Book
Condition: new.
Published by Mel Bay Publications, 1976
Seller: Collectors' Bookstore, Deurne, Belgium
Book First Edition
Paperback. Condition: Fine. First Edition. First Edition thus, fine condition. Mel Bay's Folk and Blues Harmonica: An Instruction Manual Special Collection by George Heaps-Nelson. Published by Mel Bay Publications in 1976. Paperback. A visually beautiful, easy-to-understand book, full of vintage and fine-art photography. The basics of both folk and blues harp stylings are taught. Contains over 40 harmonica arrangements, including: Arkansas Traveler; Bury Me Beneath the Willow; Colorado Trail; and more. Collectible item in excellent condition.
Published by Thomas Jefferys, 1756
Seller: Arader Galleries of Philadelphia, PA, Philadelphia, PA, U.S.A.
Book
No Binding. Condition: Very Good. Dust Jacket Condition: Very Good. Black and white copper-engraving (1756-68). Sheet size: 22 3/4 x 38". Inventory#: p405pmat. "Probably the finest view of an American city made before the Revolution" (Swift and McCusker). It was separately issued in 1756, and also appeared in Jeffrey's "A General Topography of North America", 1768. Both issues are very rare. The Sheet consists of a grand view of Philadelphia from the New Jersey shore along the upper margin (the "East Prospect"), which is admirably supplemented by a plan of the city (lower left), and fine views of "The State House" (lower right), and "The Battery" (lower center). The view proper (the "East Prospect") is adapted from Scull and Heap's mammoth earlier view of the city on six sheets, 1754, but with revisions suggested in the main by Thomas Penn. The size was reduced to one large but manageable sheet, the supplementary views and plan were added, and the view itself revised to include the Jersey shore of the Delaware River. The latter alteration was made so that the city would clearly be seen as a protected river port. 0.
Published by Engraved by G. Vandergucht, [London], 1754
Seller: Arader Books, New York, NY, U.S.A.
Map First Edition
No binding. Condition: Near fine. First. "THE MOST DISTINGUISHED OF ALL PRINTS OF THE CITY OF PHILADELPHIA" [London:] Engraved by G. Vandergucht, Sep.br 1.st 1754. First state ("Skull" for "Scull" twice on sheet 3). Four sheets (ca. 29 1/2" x 23 1/2" each). Framed floating. An old transverse crease about 9" below the top edge, reinforced verso. Some small repairs to the sky. Tanning at the corners from an early mount. With good upper and lower margins throughout; sheets 1-3 trimmed to right-hand plate-mark; sheet 4 trimmed to left-hand plate-mark. Occasional very mild patches of tanning. An extraordinary set. From its founding in 1680 between the Delaware and Schuylkill Rivers, Philadelphia was strategically poised to be a hub of trade. By the mid-XVIIIc it had become the major Atlantic port, fueling a golden age of growth and eminence in the arts and sciences -- the Athens of America. The Penn family had long dominated the colony, and Thomas Penn, the founder's son, commissioned a grand view of the city in 1750 to commemorate and to enhance its stature (the Penn arms at the lower left corner of the third plate underscore their dominance). George Heap undertook the project; he had been Philadelphia's coroner. The ambition of the project matched the city's stature: it was the grandest illustrated view of an American city that had ever been attempted. Nicholas Scull (perhaps an uncle by marriage) superintended the work, and Heap began advertising for subscribers (20 shillings, 10 payable in advance) and with that money set sail for England (there being no means to print it in Philadelphia) with his drawings. Heap got only as far as Delaware, and died on-board; he was buried in Philadelphia on Boxing Day 1752. Thereafter Scull shepherded the vast work through the engraving and publishing process. The Dutch engraver Gerard Vandergucht was commissioned to cut the plates, which finally emerged in June of 1754 (the King hung it in his own apartments). Wainright begins his article on the prospect by hailing it as "the most distinguished of all prints of the city of Philadelphia in terms of age, rarity, and historic importance." In 1755 the view was shrunk by about two-thirds, and placed above a plan of the city and a view of the state house and the batter, engraved by Thomas Jefferys. This is far more common; of the Heap-Scull-Vandergucht view we have located only six copies in institutional collections: the American Philosophical Society (.748:P53:1754), Haverford College, Colonial Williamsburg, the Historical Society of Pennsylvania (second state), Independence National Historic Park and the New York Public Library (Stokes Collection, second state). Deák I:99 (second state). See Wainright, Nicholas B. "Scull and Heap's East Prospect of Philadelphia" in The Pennsylvania Magazine of History and Biography 73, no. 1 (January 1949) 16-25.