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Published by Independently published, 2024
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Book
Condition: As New. Unread book in perfect condition.
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Published by Wanceulen Editorial, 2021
ISBN 10: 8418486929ISBN 13: 9788418486920
Seller: Books Unplugged, Amherst, NY, U.S.A.
Book
Condition: New. Buy with confidence! Book is in new, never-used condition.
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Published by Forgotten Books, 2018
ISBN 10: 0332352552ISBN 13: 9780332352558
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
Book
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
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Published by Wanceulen Editorial, 2020
ISBN 10: 8418486198ISBN 13: 9788418486197
Seller: GF Books, Inc., Hawthorne, CA, U.S.A.
Book
Condition: New. Book is in NEW condition.
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Published by Forgotten Books, 2018
ISBN 10: 0332334686ISBN 13: 9780332334684
Seller: Forgotten Books, London, United Kingdom
Book Print on Demand
Paperback. Condition: New. Print on Demand. Excerpt from Nova Instrucçao Musical, Ou Theorica Pratica da Musica Rythmica. About the Publisher, Forgotten Books publishes hundreds of thousands of rare and classic books. This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. This text has been digitally restored from a historical edition. Some errors may persist, however we consider it worth publishing due to the work's historical value. The digital edition of all books may be viewed on our website before purchase. print-on-demand item.
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Published by Editorial Fragua, 2022
ISBN 10: 8470749528ISBN 13: 9788470749520
Seller: AG Library, Malaga, Spain
Book
Condition: New. Idioma/Language: Español. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.
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Published by 1932., Santander, 1932
Rústica. Condition: Good. 17x25. pp. 193 - 288, 4h. Rústica. José María de Cossío, Ignacio Aguilera, Maza Solano, etc.
Publication Date: 2022
Seller: S N Books World, Delhi, India
Book Print on Demand
Leatherbound. Condition: NEW. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1818 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 258 Language: Spanish Pages: 258.
Published by Forgotten Books, 2018
ISBN 10: 0332674363ISBN 13: 9780332674360
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
Book
HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
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Publication Date: 2022
Seller: S N Books World, Delhi, India
Book Print on Demand
LeatherBound. Condition: New. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1790 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 324 Language: por Pages: 324.
LeatherBound. Condition: New. LeatherBound edition. Condition: New. Reprinted from 1790 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 326 Language: por.
Publication Date: 2022
Seller: S N Books World, Delhi, India
Book Print on Demand
LeatherBound. Condition: New. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1764 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 456 Language: por Pages: 456.
Publication Date: 2023
Seller: True World of Books, Delhi, India
Book Print on Demand
LeatherBound. Condition: New. LeatherBound edition. Condition: New. Reprinted from 1764 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 458 Language: por.
Published by Forgotten Books, 2018
ISBN 10: 0332679888ISBN 13: 9780332679884
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
Book
HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
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Published by Caja de Ahorros de Asturias., 1982
Seller: Alcaná Libros, Madrid, Spain
tapa blanda. Condition: Bien. Civilización, progreso y cultura.(008) Caja de Ahorros de Asturias. Oviedo. 1982. 28 cm. Encuadernación en tapa blanda de editorial ilustrada. (=2940599=) HD42.
Published by Atlantis., 2017
ISBN 10: 8494716255ISBN 13: 9788494716256
Seller: Alcaná Libros, Madrid, Spain
Book
tapa blanda. Condition: Bien. Literatura española. Novela. Antologías. Selecciones de textos. Fragmentos. Siglo XX. (821.134.2-31"19"(082.2)) Biografías. Aute, Luis Eduardo (929 Aute, Luis Eduardo) Giralunas y ficciones para Aute, tomo 1 Atlantis. Aranjuez, Madrid. 2017. 21 cm. Encuadernación en tapa blanda de editorial ilustrada. Fernando Sánchez Dragó. et al. Homenajes. Cuentos españoles. S. XX. Sánchez Dragó, Fernando. 1936-. Aute, Luis Eduardo. 1943-2020. homenajeado . ISBN: 9788494716256 (=2745132=) JT33.
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Published by LIGHTNING SOURCE INC, 2020
ISBN 10: 8418262567ISBN 13: 9788418262562
Seller: moluna, Greven, Germany
Book
Condition: New.
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Published by Edra 2020-01-01, Zaragoza, 2020
ISBN 10: 8417640711ISBN 13: 9788417640712
Seller: Blackwell's, London, United Kingdom
Book
hardback. Condition: New. Language: ENG.
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Published by Entrelineas Editores
ISBN 10: 849802059XISBN 13: 9788498020595
Seller: Hamelyn, Madrid, Spain
Book
Condition: Bueno. EAN: 9788498020595 Tipo: Libros Categoría: Título: El Fantasma No Tiene HogarAutor: SOLANO MARTINEZ, JUAN IGNACIO Editorial: ENTRELINEAS EDITORES.
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Published by MED COM, 2022
ISBN 10: 2354033109ISBN 13: 9782354033101
Seller: booksXpress, Bayonne, NJ, U.S.A.
Book
Soft Cover. Condition: new.
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Published by Ignacio Solano Cabello, 2016
ISBN 10: 8460880338ISBN 13: 9788460880332
Seller: Revaluation Books, Exeter, United Kingdom
Book
Paperback. Condition: Brand New. 284 pages. 10.00x7.00x0.67 inches. In Stock.
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Published by Ignacio Solano Cabello, 2016
ISBN 10: 8460873005ISBN 13: 9788460873006
Seller: GF Books, Inc., Hawthorne, CA, U.S.A.
Book
Condition: Good. Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting.
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Published by Servet, 2020
ISBN 10: 8418020369ISBN 13: 9788418020360
Seller: Vuestros Libros, Oviedo, ASTUR, Spain
Book
Condition: Nuevo. Este libro describe, mediante imágenes de gran calidad, las diferentes técnicas quirúrgicas para el tratamiento de las enfermedades ortopédicas del miembro posterior más importantes en perros y gatos. Basándose en su propia experiencia, los autores ofrecen información práctica sobre cómo planificar y llevar a cabo estas cirugías. Asimismo, ofrecen pautas para el manejo de los pacientes en el posoperatorio.
Published by Entrelineas Editores, 2005
ISBN 10: 8498020913ISBN 13: 9788498020915
Seller: Iridium_Books, DH, SE, Spain
Book
Condition: Muy Bueno / Very Good.
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Published by EDITORIAL CÍRCULO ROJO, 2016
ISBN 10: 8491264825ISBN 13: 9788491264828
Seller: Zilis Select Books, Madrid, M, Spain
Book
Soft cover. Condition: Very Good. Normal 01/03/2016.
Published by Lisbon, Na Regia Officina Typografica, 1790., 1790
Seller: Richard C. Ramer Old and Rare Books, New York, NY, U.S.A.
First Edition
8°, contemporary tree sheep wear to corners; outer joints), smooth pine with gilt fillets (lettering piece gone), text block edges sprinkled red. Small woodcut royal Portuguese arms on title page; woodcut initials. In good to very good condition. Very good to fine internally. (10 ll.), 289 pp., (1 l. errata), diagrams and table in text. []8, **2, A-S8, T2. *** FIRST EDITION, and the only one in Portuguese; it was translated into Spanish by Juan Pedro de Almeida y Motta and published in Madrid, 1818. Vieira comments that the Exame is of special interest because it defines many musical terms that are now obsolete. This is the third of Solano's major works, following Nova instrucção musical, 1764, and Dissertação sobre o caracter, qualidades, e antiguidade da musica, 1780. All of Solano's works are rare.Solano was highly regarded as a composer and professor of music at the Lisbon Seminary.*** Innocêncio II, 392: calling for only 9 preliminary leaves. Daciano, Bibliografia musical português p. 123. Albuquerque, A edição musical em Portugal (1750-1834) 366. Vasconcellos, Os musicos portugueses II, 186 and Catalogue des livres 122. Vieira, Dicionário biographico de musicos portugueses II, 336-7. Imprensa Nacional 427 (does not mention the errata leaf). NUC: DLC, MB, NcU, ICN.
Published by Lisbon, Na Officina de Miguel Manescal da Costa, 1764., 1764
Seller: Richard C. Ramer Old and Rare Books, New York, NY, U.S.A.
First Edition
4°, twentieth-century quarter sheep over machine marbled boards (some rubbing to leather on boards), smooth spine gilt, red leather lettering piece with short author-title lettered gilt. Woodcut initials, woodcut head- and tailpieces. Woodcut musical notation throughout. Printed on high quality paper. Uncut and mostly unopened. In very good condition. Very fine internally. (30 ll.), 340 pp., (2 ll.), 47, (1) pp., large folding table illustrating complex musical terminology, numerous diagrams and musical notation throughout. a-g4, h2, A-Z4, 2A-2Z4, 3A-3C4. *** FIRST and ONLY EDITION of this landmark work on musical theory, with the folding table (often missing or mutilated) present. The Nova instrucção was widely applauded in its own time, and some testimonies of contemporaries who had seen the work in manuscript or heard Solano lecture at the Lisbon Seminary (where he taught) are included in the preliminary leaves. The most notable of these is David Perez, a prolific and renowned composer of Italian operas who was music master at the court of D. José I from 1752. A singer and organist, Solano has been described by Ernesto Vieira as "O nosso mais notavel musico didactico," and "escriptor vanglorioso da sua sciencia" (Diccionário biográphico de musicos portugueses II, 332-3).*** Innocêncio II, 392 & IX, 308: quoting from Mnemosine Lusitana, "que os escriptos de Solano mereceram, e ainda merecem [em 1817] um geral applauso dos professores," and noting that the Gubián copy sold in 1867 for 5$000 reis, an enormous sum at the time. Albuquerque, A edição musical em Portugal (1750-1834) 369. Vasconcellos, Os Musicos portugueses II, 184; Catalogue des livres rares (1898) 118: stating that all Solano's works are very rare and that, as yet, there are no copies in any Portuguese libraries. Vieira, Diccionário biográphico de músicos portuguezes, II, 332-8. Monteverde 5139. Avila-Perez 7347: calling for (50), 340, 47, 1 pp. Not in Azevedo-Samodães or Ameal. Grande enciclopédia XXIX, 539. Not in Palha. NUC: DLC, NRU, ICN, FU, CU, NcU, PP.
Published by Lisbon, Na Regia Officina Typografica, 1790., 1790
Seller: Richard C. Ramer Old and Rare Books, New York, NY, U.S.A.
First Edition
8°, contemporary speckled sheep (very minor wear at extremities, 4 tiny round wormholes near foot of spine), spine with gilt fillets and raised bands in five compartments, crimson morocco lettering piece, short author-title lettered gilt, text block edges sprinkled red. Small woodcut royal Portuguese arms on title page; woodcut initials. In very good to fine condition. (10 ll.), 289 pp., (1 l. errata), diagrams and table in text. []8, **2, A-S8, T2. Bound at the end of the volume are3 extra, added, clean, folded sheets of manuscript paper, for musical notation, prepared by hand. *** FIRST EDITION, and the only one in Portuguese; it was translated into Spanish by Juan Pedro de Almeida y Motta and published in Madrid, 1818. Vieira comments that the Exame is of special interest because it defines many musical terms that are now obsolete. This is the third of Solano's major works, following Nova instrucção musical, 1764, and Dissertação sobre o caracter, qualidades, e antiguidade da musica, 1780. All of Solano's works are rare.Solano was highly regarded as a composer and professor of music at the Lisbon Seminary.*** Innocêncio II, 392: calling for only 9 preliminary leaves. Daciano, Bibliografia musical português p. 123. Albuquerque, A edição musical em Portugal (1750-1834) 366. Vasconcellos, Os musicos portugueses II, 186 and Catalogue des livres 122. Vieira, Dicionário biographico de musicos portugueses II, 336-7. Imprensa Nacional 427 (does not mention the errata leaf). NUC: DLC, MB, NcU, ICN.
Published by Lisbon, Na Regia Officina Typographica, 1779., 1779
Seller: Richard C. Ramer Old and Rare Books, New York, NY, U.S.A.
First Edition
4°, contemporary cat's paw sheep (some minor wear), spine gilt with raised bands in five compartments, dark leather lettering piece in second compartment from head with short author-title lettered gilt, text block edges lightly sprinkled red. Large woodcut headpiece including the Portuguese royal arms on second preliminary leaf recto. Woodcut initial on same leaf recto. Mixed typographical and woodcut headpiece on p. [1]. Woodcut initial on same page. Full page representation of a clavichord keyboard with musical notation on p. 2. Much musical notation throughout. In very good to fine condition. xvi, 301, (1) pp. *** FIRST and ONLY EDITION of a work Vieira describes as "realmente bem feita e offerece ainda hoje bastante interesse ao estudioso." Of particular interest are the sections on dissonance and the fugue.This is a practical approach to learning counterpoint through explaining how to play different varieties of counterpoint on an organ or harpsichord (or any other kind of eighteenth-century keyboard). It starts with an overview of intervals and rapidly progresses into more complex content about counterpoint. What makes this work unique among other treatises on counterpoint from this time is the practical aspect of how one should play the different parts and improvise (although it speaks little about expression in performance). We see this especially in: pp. 150-151, where Solano describes how one should play in recitatives (i.e. follow the voice); on p. 155 Solano writes about how to play in settings where the keyboard or organ is the only instrument that accompanies the voice; p. 159, Solano offers advice on how to play in situations when there is no figured bass written into the keyboard parts, such as in arias, duets, and symphony settings (i.e. read the parts of the score as a whole and figure out what notes one should bring out; arpeggios also work well in these situations). Solano sets practical keyboard instruction like this side-by-side with theoretical ideas, such as the reason why we should avoid playing a tritone in counterpoint (or otherwise) is because it has such a disagreeable sound due to the sonorous vibrations that the interval naturally causes thus afflicting the tympanic membrane in the ear (p. 282); Solano discusses musical intervals mathematically, citing Vicente Galilei, Daniele Barbaro, Aristoxenus of Tarentum, and Ptolemy (pp. 280-1); Aristotle and Pythagoras (p. 285). All in all, this is a unique treatment of counterpoint and keyboard method because of its orientation towards practice and keyboard performance. It contains very few comments on aesthetics, which can often be distracting in treatises on counterpoint from this time if one wants to learn the basics. Instead it is straight to the point in all chapters, describing what is offensive to the ear and what is not.Solano was highly regarded as a composer and as a professor of music at the Lisbon Seminary. His other works include the important Nova instrucção musical, 1764, and Exame instructivo sobre a musica, 1790. Solano's works are all rare; this one is perhaps the most difficult to find.*** Innocêncio II, 392; IX, 308. Imprensa Nacional p. 351. Albuquerque, A edição musical em Portugal (1750-1834) 370. Vasconcellos, Os musicos portugueses II, 186 and Catalogue des livres 120. Daciano, Bibliografia musical portuguesa p. 123. Vieira, Diccionário biográphico de musicos portugueses II, 335-6. Welsh 2772. NUC: DLC, ICJ.
Published by Na Officina de Miguel Manescal da Costa, Lisbon, 1764
Seller: Libreria de Antano (ILAB & ABA Members), Miami, FL, U.S.A.
Full leather. Condition: Very good copy. 4to. S.P. Continua del titulo: , e verdadeiro Systema para constituir hum intelligente Solfista, e destrissimo Cantor, nomeando as Nótas, ou Figuras dea Solfa pelos seus mais proprios, e improprios nomes, a que chamamos ordinarios, e estraordinarios no Canto Natural, e Accidental, de que prcede toda a difficuldade da Musica. Portuguese Landmark Work on Musical Theory. 4°, contemporary mottled sheep. Woodcut musical notation throughout. Printed on high quality paper. Very minor worming in first 30 and last 11 leaves, mostly in blank margins but occasionally touching a letter or two of text. Large repairs, a small hole without loss of text, and the bottom section gone from the folding table. Pictorial bookplate of Paulo Manso, depicting a winged violin and bow. (30 ll.), 340 pp., (2 ll.), 47, (1) pp., folding table illustrating complex musical terminology, numerous diagrams and musical notation throughout. a-g4, h2, A-Z4, 2A-2Z4, 3A-3C4. FIRST and ONLY EDITION of this landmark work on musical theory, with the folding table (often missing) present. The Nova instrucção was widely applauded in its own time, and some testimonies of contemporaries who had seen the work in manuscript or heard Solano lecture at the Lisbon Seminary (where he taught) are included in the preliminary leaves. The most notable of these is David Perez, a prolific and renowned composer of Italian operas who was music master at the court of D. José I from 1752. A singer and organist, he has been described by Ernesto Vieira as "O nosso mais notavel musico didactico," and "escriptor vanglorioso da sua sciencia" (Diccionário biográphico de musicos portugueses II, 332-3). Provenance: Paulo Manso (Figueira da Foz, 1896-Lisbon, 1982) was a noted Portuguese violinist. He studied with his father, then later at the Conservatório Nacional de Lisboa, continuing his studies in Paris with Maien Capet and Guillaume Renny. He received the Prémio Moreira de Sá, was director and teacher of violin at the Academia de Música do Funchal. For many years he was a member of the Orquestra Sinfónica da Emissora Nacional. See Grande enciclopédia XVI, 137. Innocêncio II, 392 & IX, 308: quoting from Mnemosine Lusitana, "que os escriptos de Solano mereceram, e ainda merecem [em 1817] um geral applauso dos professores," and noting that the Gubián copy sold in 1867 for 5$000 reis, an enormous sum at the time. Albuquerque, A edição musical em Portugal (1750-1834) 369. Vasconcellos, Os Musicos portugueses II, 184; Catalogue des livres rares (1898) 118: stating that all Solano's works are very rare and that, as yet, there are no copies in any Portuguese libraries. Monteverde 5139. Avila-Perez 7347: calling for (50), 340, 47, 1 pp. Not in Azevedo-Samodães or Ameal. Grande enciclopédia XXIX, 539. Not in Palha. NUC: DLC, NRU, ICN, FU, CU, NcU, PP.