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Published by Occidental Pr, 1980
ISBN 10: 0911050485ISBN 13: 9780911050486
Seller: CorgiPack, Fulton, NY, U.S.A.
Book
Hardcover. Condition: VG. No Jacket; Dust jacket condition: No Jacket.
Published by Occidental Press, Washington, D.C., U.S.A., 1980
ISBN 10: 0911050485ISBN 13: 9780911050486
Seller: Foggy Mountain Books, Oakdale, TN, U.S.A.
Book
Hardcover. Condition: Very Good. Dust Jacket Condition: Good. Burgundy cloth with gilt lettering to spine. Presumed 1st edition, 1980 with no additional printings listed. Minimal wear. Tight, square binding. Bright, crisp, unmarked pages. Jacket has edge wear with tears at head and tail of spine, tape repaired. A very nice copy, Very Good or better in a Good+ jacket.
Published by Dia Art Foundation / Bay Press, Seattle, WA, 1987
ISBN 10: 0941920070ISBN 13: 9780941920070
Seller: Theoria Books, Andover, MA, U.S.A.
Book First Edition
Soft cover. Condition: Good. 1st Edition. 172 pp. First published in 1987; this copy, Stated: "Second printing 1990". Following Preface by Series Editor, Charles Wright, and a Preface by the Editor, Contents divided into three Parts, each with 2 sections of authors and Discussions afterward: THE CULTURAL PUBLIC SPHERE [1] "The Birth and Death of the Viewer": Thomas Crow, Martha Rosler, Craig Owens; "Discussion"; [2] "Strategies of Public Address: Which Media? Which Publics?": Douglas Crimp, Barbara Kruger, Krzysztof Wodiczko; "Discussion"; 1967/1987 : GENEALOGIES OF ART AND THEORY [1} "Theories of Art after Minimalism and Pop": Michael Fried, Rosalind Krauss, Benjamin H.D. Buchloh; "Discussion"; [2] "Legacies of Critical Practice in the 1980s": Dan Graham, Aimee Rankin, Silvia Kolbowski; "Discussion"; THE POLITICS OF REPRESENTATIONS [1] "Of Other Peoples: Beyond the ' Salvage ' Paradigm": James Clifford, Virginia Dominguez, Silvia Kolbowski; "Discussion"; [2] "Of Bodies and Technologies": Alice Jardine Michel Feher; "Discussion". Teal wrappers with 1 1/8" vertical medium gray strip down right side of front cover; Title lettering in small white letters across upper middle front cover; Editor name lettering in small black letters over teal at lower right front cover; yellow bar at top right front cover with Foundation name letters in black superimposed. While the book itself is solid, previous owner marked up 12 pages with small amount of yellow marker and 17 pp. with orange marker (that is, 29 pp. of 172 pp); previous owner name printed at top right ffep; small foxing speckles on edges; corners essentially square (NO bumps or curls); small scrape to bottom right spine corner paper (spine not impacted): describes much worse than it is, but there you have it. Still a solid artifact for one more than 35 years-old: the way to read a Classic in Art Criticism.