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Published by Tate Publishing,, London:, 2004, 2004
Seller: lobstabooks, Leiston, United Kingdom
First Edition
VG near fine. First printing. Exhibition Catalogue. softcovers.112 pages, illustrated, essay by Alan Bowness, with contributions by Giorgia Bottinelli and Sean Rainbird, notes, exhibition histories, list of works, index.
Published by Getty Research Institute, 2016
ISBN 10: 1606064584ISBN 13: 9781606064580
Seller: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
Book
Condition: Used - Very Good. 2016. Hardcover. Cloth, dj. Slight shelf-wear. Very Good.
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Published by Getty Research Institute, 2016
ISBN 10: 1606064584ISBN 13: 9781606064580
Seller: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
Book First Edition
Condition: Used - Like New. 2016. 1st Edition. Hardcover. Dust Jacket is Like New. Cloth, dj. 4to. 456 pp. In publisher's shrinkwrap. Fine.
Published by Getty Research Institute, 2016
ISBN 10: 1606064584ISBN 13: 9781606064580
Seller: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
Book First Edition
Condition: New. 2016. 1st Edition. Hardcover. Dust Jacket is New. Cloth, dj. 4to. 456 pp. In publisher's shrinkwrap. New.
Published by Princeton University Press, 2001
ISBN 10: 0691090645ISBN 13: 9780691090641
Seller: Moe's Books, Berkeley, CA, U.S.A.
Book
Hard cover. Condition: Very good. Dust Jacket Condition: Very good. Cover is lightly soiled. Inside pages are clean and unmarked.
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Published by London Tate Gallery, 1996
Seller: Arno Kundlatsch - Internationalismus, Hannover, NI, Germany
4°. 63 S. Mit zahlr. farb. Abb. Farb. illustr. OBr. . Joseph Beuys -- Peter Blake -- Constantin Brancusi -- Patrick Caulfield -- Bernard Cohen -- Barrie Cook -- Alan Davie -- Nicolas de Stael -- Jean Dubuffet -- John Dugger -- Richard Hamilton -- Howard Hodgkin -- John Hoyland -- Tess Jaray -- Allen Jones -- Ellsworth Kelly -- R.B. Kitaj -- Roy Lichtenstein -- John Loker -- Barnett Newman -- Claes Oldenburg -- Francis Picabia -- John Plumb -- John Salt -- Peter Stroud -- William Turnbull -- MarcVaux.
Published by Tate, Princeton, 2001
Seller: Argosy Book Store, ABAA, ILAB, New York, NY, U.S.A.
First Edition
paperback. Condition: fine. First. Well-illustrated, much in color. 349 pages. 4to, stiff pictorial wrappers. (London): Tate, (2001). First softcover edition. A fine copy. Published to accompany a major transatlantic exhibition of international surrealism.
Published by Tate Publishing, 2008
ISBN 10: 1854377310ISBN 13: 9781854377319
Seller: ANARTIST, New York, NY, U.S.A.
Book
Softcover, 248 pages; in English; very good condition; light rubbing to covers with tiny crimps to top and bottom of spine; no internal marks. Foreign shipping may be extra.
Published by Tate Publishing, 2001
ISBN 10: 185437365XISBN 13: 9781854373656
Seller: BoundlessBookstore, Wallingford, United Kingdom
Book
Paperback. Condition: Good. Good condition paperback with light wear, creasing. Contents are clean and bright throughout with no markings.
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Published by MNAC Museu Nacional d'Art de Catalunya, 2008
ISBN 10: 0097884812ISBN 13: 9780097884813
Seller: ANARTIST, New York, NY, U.S.A.
Book
Softcover exhibition catalog, 248 pages; in Spanish; as new condition; clean and crisp; no internal marks. This is the Spanish version of the Tate Museum exhibition. Foreign shipping may be extra.
Published by London: Tate, 2008
Seller: MW Books, New York, NY, U.S.A.
First Edition
1st edition. Good paperback copy in the original stiff-card wrappers; edges somewhat nicked and dust-dulled as with age. Particularly and surprisingly well-preserved; tight, bright, clean and strong. Physical description; 247 p.: ill.; 29 cm. Notes; Includes index. Includes bibliographical references (p. [217]-229) and index. Exhibition conception: Jean-Hubert Martin and Jennifer Mundy. Text in Spanish. Contents; The art of friendship / Jennifer Mundy -- Aesthetic anarchy / Francis M. Naumann -- Male poetics / David Hopkins -- Camera creation / Dawn Ades -- Funny guys / Jean-Hubert Martin -- The philosophy of the readymade and of its editions / Arturo Schwarz -- Chess as art / Larry List -- Gilded cages / Sara Cochran -- Eros triumphant / Michael R. Taylor -- Chronology / Katie Croll-Knight. Summary; "Duchamp, Man Ray, Picabia" examines the work of three pioneering figures in the history of modernism, each of who raised questions that continue to reverberate through much of the art of today. Exploring the points of convergence and the parallels in their development throughout their careers, it will include works in all media, including photographs and film, as well as archival material documenting the artists' friendship and collaborations. Central to this examination is the artists' response to photography and film, and to the challenges posed to fine art by the development of mass production. Duchamp's paintings of 1911-12 were influenced by the representation of movement in photography, while Picabia's artistic development was shaped in part by the belief that the advent of the camera spelled the end of traditional painting. Man Ray used photography first to record his own art works and those of others, but soon saw in it a means of creating images of a status inventiveness traditionally restricted to fine art. Modernity, viewed with admiration laced with irony, provided a major impetus for the three artists in the early years of the twentieth century. Machines were treated as metaphors for inner drives; perception was explored as part of an expanded field of artistic enquiry; objects were created that challenged conventional definitions of art; and the pretensions of high art were lampooned. Above all, humour and eroticism were themes common to the work of all three artists. Subjects; Man Ray 1890-1976. Duchamp, Marcel 1887-1968. Picabia, Francis 1879-1953. Modernisme (Art) - Expositions. Art et photographie - Expositions. Art et cinéma - Expositions. Art and photography - Exhibitions. Art and motion pictures - Exhibitions. Art, Modern - 20th century - Exhibitions. Modernism (Art) - Exhibitions. SURREALISM - 20TH CENTURY - VISUAL ARTS. DADAISM - 20TH CENTURY - VISUAL ARTS. History of art & design styles: from c 1900 -. Individual artists. ART / History / Modern (late 19th Century to 1945). ART / Individual Artists / General. 1.2 Kg.
Published by London: Tate, 2008
Seller: MW Books Ltd., Galway, Ireland
First Edition
1st edition. Good paperback copy in the original stiff-card wrappers; edges somewhat nicked and dust-dulled as with age. Particularly and surprisingly well-preserved; tight, bright, clean and strong. Physical description; 247 p.: ill.; 29 cm. Notes; Includes index. Includes bibliographical references (p. [217]-229) and index. Exhibition conception: Jean-Hubert Martin and Jennifer Mundy. Text in Spanish. Contents; The art of friendship / Jennifer Mundy -- Aesthetic anarchy / Francis M. Naumann -- Male poetics / David Hopkins -- Camera creation / Dawn Ades -- Funny guys / Jean-Hubert Martin -- The philosophy of the readymade and of its editions / Arturo Schwarz -- Chess as art / Larry List -- Gilded cages / Sara Cochran -- Eros triumphant / Michael R. Taylor -- Chronology / Katie Croll-Knight. Summary; "Duchamp, Man Ray, Picabia" examines the work of three pioneering figures in the history of modernism, each of who raised questions that continue to reverberate through much of the art of today. Exploring the points of convergence and the parallels in their development throughout their careers, it will include works in all media, including photographs and film, as well as archival material documenting the artists' friendship and collaborations. Central to this examination is the artists' response to photography and film, and to the challenges posed to fine art by the development of mass production. Duchamp's paintings of 1911-12 were influenced by the representation of movement in photography, while Picabia's artistic development was shaped in part by the belief that the advent of the camera spelled the end of traditional painting. Man Ray used photography first to record his own art works and those of others, but soon saw in it a means of creating images of a status inventiveness traditionally restricted to fine art. Modernity, viewed with admiration laced with irony, provided a major impetus for the three artists in the early years of the twentieth century. Machines were treated as metaphors for inner drives; perception was explored as part of an expanded field of artistic enquiry; objects were created that challenged conventional definitions of art; and the pretensions of high art were lampooned. Above all, humour and eroticism were themes common to the work of all three artists. Subjects; Man Ray 1890-1976. Duchamp, Marcel 1887-1968. Picabia, Francis 1879-1953. Modernisme (Art) - Expositions. Art et photographie - Expositions. Art et cinéma - Expositions. Art and photography - Exhibitions. Art and motion pictures - Exhibitions. Art, Modern - 20th century - Exhibitions. Modernism (Art) - Exhibitions. SURREALISM - 20TH CENTURY - VISUAL ARTS. DADAISM - 20TH CENTURY - VISUAL ARTS. History of art & design styles: from c 1900 -. Individual artists. ART / History / Modern (late 19th Century to 1945). ART / Individual Artists / General. 1.2 Kg.
Published by Tate Publishing,, 2001
ISBN 10: 1854374044ISBN 13: 9781854374042
Seller: Rob Warren Books, Richmond, VA, U.S.A.
Book First Edition
Hardcover. Condition: Fine. 1st Edition. Hardcover exhibition catalog in pink boards bound in fur. A wild production. An excellent copy.
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Published by GENERALITAT DE CATALUNYA, 2008
ISBN 10: 8480431873ISBN 13: 9788480431873
Seller: Zilis Select Books, Madrid, M, Spain
Book
Soft cover. Condition: Good. 9788480431873 01/06/2008.
Published by GENERALITAT DE CATALUNYA, 2008
ISBN 10: 8480431881ISBN 13: 9788480431880
Seller: Zilis Select Books, Madrid, M, Spain
Book
Soft cover. Condition: Good. 9788480431880 01/06/2008.