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Published by Legare Street Press, 2021
ISBN 10: 1014718104ISBN 13: 9781014718105
Seller: Lucky's Textbooks, Dallas, TX, U.S.A.
Book
Condition: New.
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Published by Legare Street Press, 2021
ISBN 10: 1014966078ISBN 13: 9781014966070
Seller: Lucky's Textbooks, Dallas, TX, U.S.A.
Book
Condition: New.
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Published by London : Arts Council of Great Britain, 1980
ISBN 10: 0728702452ISBN 13: 9780728702455
Seller: MW Books, New York, NY, U.S.A.
Book
1st Paperback Edition. Fine paperback copy. Particularly well-preserved; tight, bright and clean. Physical description; 48 pages : illustrations (some color), portraits ; 24 cm. Subjects; London : Arts Council of Great Britain. Nicholson, William 1872-1949 ; Exhibitions. Designers, British 20th century. Drawing, English 20th century ; exhibitions. 1 Kg.
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Publication Date: 1898
Seller: Antiquariat Braun, Gengenbach, Germany
Art / Print / Poster
Condition: Gut. Format (Bildbereich): 15,5 x 15,5 cm. Blattgröße: 29 x 20 cm. *Originalholzschnitt aus der Kunstzeitschrift "The Studio", Jahrgang 1898. - Ränder leicht gebräunt, sonst gut erhalten. Sprache: Deutsch Gewicht in Gramm: 300.
Published by New York : R. H. Russell, 1900 / 1899, A Bound / Flex Cover / Reprint / FBRE, Ltd., 1900
Seller: GREAT PACIFIC BOOKS, Ventura, CA, U.S.A.
Condition: Very Good. Dust Jacket Condition: No Dust Jacket. Fully Illustrated (illustrator). 50 pages. Paper / Soft cover reprint edition in very good or better condition, slight wear to edges. Overall good copy of this scarce title. Excellent source, informative and enjoyable reading. A good book to read and keep on hand. Or would make a great gift for the fan / reader in your life. Replica of Original Antique book. Book.
Published by London : Jonathan Cape, 1922
Seller: MW Books Ltd., Galway, Ireland
First Edition
First Edition. Near fine cloth copy in a good if somewhat edge-nicked and dust-dulled dust-wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: 34 pages ; 21cm. Notes: Illustrated by William Nicholson. Subjects: English poetry -- Welsh authors. 1 Kg.
Published by London : Jonathan Cape, 1922
Seller: MW Books, New York, NY, U.S.A.
First Edition
First Edition. Near fine cloth copy in a good if somewhat edge-nicked and dust-dulled dust-wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: 34 pages ; 21cm. Notes: Illustrated by William Nicholson. Subjects: English poetry -- Welsh authors. 1 Kg.
Published by Jonathan Cape, London, 1923
Seller: Rosley Books est. 2000, WIGTON, United Kingdom
Book
Hardcover. Condition: Very Good. Decorations by William Nicholson. (illustrator). Limited Edition. LIMITED EDITION. LONDON : MDCCCCXXIII. [1923. Of this special edition . have been printed 100 copies only for sale. Copy no. 'Presentation' (instead of a number) signed; W. H. Davies, and in green ink 'William Nicholson'.]. Illustrated; decorations by William Nicholson - Pictorial title-page in black and green and three full-page illustrations in black and green and a fourth in black and white plus integral vignettes. Hardback; Green cloth spine; printed paper label to spine and cover. Green marbled paper-covered boards. Untrimmed edges as issued. Minor wear to spine label; no fading; minor wear only to binding. Bright, tight and clean. No owner name or internal markings. VERY GOOD. (vii), 52 pages. Quarto; approx. 10 x 8 inches. **Will be well-packed for posting/shipping**. [ Rosley Books for Antiquarian books, CHS, Cumberland, Everyman, GKC, Inklings, Keswick, Literature, MacDonald, Rarities, Theology and History. ].
Published by Heinemann, London, 1898
Seller: James & Mary Laurie, Booksellers A.B.A.A, Minneapolis, MN, U.S.A.
Condition: Fine condition. Original colored lithograph after original colored woodcut published in London Types. Image size 9 x 10 inches. Leaf size 10 3/4 x 13 1/8 inches. Matted to 15 3/8 x 17 inches ready for framing.
Published by Heinemann, London, 1898
Seller: James & Mary Laurie, Booksellers A.B.A.A, Minneapolis, MN, U.S.A.
Condition: Fine condition. Original colored lithograph after original colored woodcut published in London Types. Image size 9 x 10 inches. Leaf size 10 3/4 x 13 1/8 inches. Matted to 15 3/8 x 17 inches ready for framing.
Published by Heinemann, London, 1898
Seller: James & Mary Laurie, Booksellers A.B.A.A, Minneapolis, MN, U.S.A.
Condition: Fine condition. Original colored lithograph after original colored woodcut published in London Types. Image size 9 x 10 inches. Leaf size 10 3/4 x 13 1/8 inches. Matted to 15 3/8 x 17 inches ready for framing.
Published by Heinemann, London, 1898
Seller: James & Mary Laurie, Booksellers A.B.A.A, Minneapolis, MN, U.S.A.
Condition: Fine condition. Original colored lithograph after original colored woodcut published in London Types. Image size 9 x 10 inches. Leaf size 10 3/4 x 13 1/8 inches. Matted to 15 3/8 x 17 inches ready for framing.
Published by Heinemann, London, 1898
Seller: James & Mary Laurie, Booksellers A.B.A.A, Minneapolis, MN, U.S.A.
Condition: Fine condition. Original colored lithograph after original colored woodcut published in London Types. Image size 9 x 10 inches. Leaf size 10 3/4 x 13 1/8 inches. Matted to 15 3/8 x 17 inches ready for framing.
Published by Heinemann, London, 1898
Seller: James & Mary Laurie, Booksellers A.B.A.A, Minneapolis, MN, U.S.A.
Condition: Fine condition. Original colored lithograph after original colored woodcut published in London Types. Image size 9 x 10 inches. Leaf size 10 3/4 x 13 1/8 inches. Matted to 15 3/8 x 17 inches ready for framing.
Published by Heinemann, London, 1898
Seller: James & Mary Laurie, Booksellers A.B.A.A, Minneapolis, MN, U.S.A.
Condition: Fine condition. Original colored lithograph after original colored woodcut published in London Types. Image size 9 x 10 inches. Leaf size 10 3/4 x 13 1/8 inches. Matted to 15 3/8 x 17 inches ready for framing.
Published by Heinemann, London, 1898
Seller: James & Mary Laurie, Booksellers A.B.A.A, Minneapolis, MN, U.S.A.
Condition: Fine condition. Original colored lithograph after original colored woodcut published in London Types. Image size 9 x 10 inches. Leaf size 10 3/4 x 13 1/8 inches. Matted to 15 3/8 x 17 inches ready for framing.
Published by Heinemann, London, 1898
Seller: James & Mary Laurie, Booksellers A.B.A.A, Minneapolis, MN, U.S.A.
Condition: Fine condition. Original colored lithograph after original colored woodcut published in London Types. Image size 9 x 10 inches. Leaf size 10 3/4 x 13 1/8 inches. Matted to 15 3/8 x 17 inches ready for framing.
280 x 195 mm. Original lithograph in colour of James Pryde after the woodcut by William Nicholson, as published in The Studio, 1899.
Published by [Berlin, F. Fontane & Co., 1897]., 1897
Seller: Versandantiquariat Wolfgang Friebes, Graz, Austria
First Edition
Condition: 0. Am linken Unterrand typographisch bezeichnet. - Min. gebräunt. Rechte obere Ecke m. Knickspur. - Söhn, HDO 52803-4. ge Gewicht in Gramm: 1000 Darstellung 24,5 x 19,5 cm, Blattgröße 37 x 27,2 cm.
Original lithograph after the woodcut from the standard edition of "London Types", published by William Heinemann in 1898. 250 x 230 mm.
An original lithograph after the woodcut from the standard edition of "London Types", published by William Heinemann in 1898.
255 x 230mm An original lithograph after the woodcut from the standard edition of "London Types", published by William Heinemann in 1898.
Published by Garden City, N.Y. : Doubleday, Doran & Co., 1937, 1935, 1937
Seller: Joseph Valles - Books, Stockbridge, GA, U.S.A.
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 672 p., [52] leaves of plates : ill., maps, ports. ; 24 cm. ; OCLC: 42472485 ; LC: D568.4; Dewey: 940.41 ; "Privately printed, 1926; first published for general circulation, 1935."/ Preface by A.W. Lawrence./ Portraits by Eric Kennington, Augustus John, William Roberts, John Singer Sargent, William Nicholson, Henry Lamb, William Rothenstein, R.M. Young, Colin Gill, Frank Dobson, and Gilbert Spencer, and illustration by Sydney Carline. ; Contents: Preface / by A.W. Lawrence -- Introduction: the foundations of Arab revolt -- Book I: My first visit to Arabia -- Book II: Feisal's first extension northward -- Book III: Concentration against the Medina Railway -- Book IV: The expedition against Akaba -- Book V: Exploiting the new base -- Book VI: The failure of the bridges -- Book VII: A winter campaign -- Book VIII: Orthodoxy arrives -- Book IX: Manoeuvring for a final stroke -- Book X: The liberation of Damascus -- Epilogue. ; Includes indexes.; "T.E. Lawrence "Lawrence of Arabia" recounts his role in the origin of the modern Arab world. At first a shy Oxford scholar and archaeologist with a facility for languages, he joined and went on to lead the Arab revolt against the Ottoman Turks while the rest of the world was enmeshed in World War I. With its richly detailed evocation of the land and the people Lawrence passionately believed in, its incisive portraits of key players, from Faisal ibn Hussein, the future Hashemite king of Syria and Iraq, to General Sir Edmund Allenby and other members of the British imperial forces, The Seven Pillars of Wisdom is an indispensible primary historical source. It helps us to understand today's Middle East, while giving us thrilling accounts of military exploits (including the liberation of Aqaba and Damascus), clandestine activities, and human foibles." ; tan colored cloth in beautifully illustrated dustjacket ; bookplate ; thick, heavy volume ; FINE/FINE. Book.
Original lithograph after the woodcut from the standard edition of "London Types", published by William Heinemann in 1898. 250 x 230 mm.
Original lithograph after the woodcut from the standard edition of "London Types", published by William Heinemann in 1898. 250 x 230 mm.
Published by London New York : Royal Academy of Arts, 2004
ISBN 10: 1903973449ISBN 13: 9781903973448
Seller: MW Books Ltd., Galway, Ireland
Book First Edition
1st edition. An exceptional copy; fine in an equally fine dust-wrapper. Particularly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new and still in the publisher's protective shrink-wrap. Physical description; 173 pp., illustrations (some color), 28 cm. Notess; Published on the occasion of an exhibition at the Royal Academy of Arts, Oct. 30, 2004-Jan. 23, 2005. Includes bibliographical references (page 168) and index. Essays by Colin Campbell, Merlin James, Patricia Reed and Sanford Schwartz. Contentss; The speck in the distance, or rethinking William Nicholson / Sanford Schwartz -- Words about painting / Merlin James -- Some aspects of William Nicholson's portraiture / Patricia Reed -- Nicholson's graphic work / Colin Campbell. Subjects; Nicholson, William 1872-1949 ; Exhibitions. Criticism and interpretation. Royal Academy of Arts, London. Graphic arts. Illustration of books. Painting, British 20th century. 1 Kg.
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Also find First Edition
Published by Paris: Floury 1898,, 1898
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Condition: Good. 4to. 29 x 34.5cm. Original wraps with tears without loss; later red cloth spine. Colin Campbell no. 53.D. Color lithograph cover and 13 full page lithographic plates. tirage à 600 exemplaires In-folio. AC Complet des 13 lithographies d'après les bois originaux, reliure d'éditeur fatiguée, Textes et planches uniformément jaunis.
Published by Paris, Société française d'Editions d'Art, 1898,, 1898
Seller: Harteveld Rare Books Ltd., Fribourg, Switzerland
First Edition
gr. in-4to, 1 ff. (faux-titre) + 8 feuilles (16 p. n.n.) avec 15 ill. + 12 planches gravées sur bois (tirées en plusieurs couleurs), Ed. orig. française lim. à 1070 ex. dont mille sur papier vélin anglais, reliure en d.-toile sur brochure originale illustrée d?un bois gravé. 12 Sports: Golf / Boxe Hunting / Cricket / Figure-Skating etc. Introduit par un autoportrait de l'artiste gravé sur bois et une introduction d'Octave Uzanne; l'almanach est composé de douze planches en couleur faisant face au mois dans lequel le sport illustré était le plus souvent pratiqué. Les douze sports illustrés sont La chasse au Renard, La chasse à courre, Les courses, Courses en canot, La pêche à la ligne, Le jeu du Cricket, Le tir à l'arc, Le "four-in-hand", La chasse en plaine, Le jeu du golf sur la plage, Les exercices de Boxe et Le patinage.Sir William Nicholson était un peintre anglais particulièrement réputé pour ses illustrations. Il collabore avec son frère pour la création de posters sous le titre de "Beggarstaff Brothers". Il a notamment illustré des livres pour enfants: The velveteen Rabbit, de Margery Williams ainsi que Clever Bill et the Pirate Twins, ses propres créations littéraires. Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage.
Published by Paris: [Imprimerie Labure for] Société Française d'Editions d'Art, [1898], 1898
Seller: Arader Galleries - AraderNYC, New York, NY, U.S.A.
First Edition
Large 4to., (12 2/8 x 9 5/8 inches). Half-title with limitation on verso, vignette title-page, 12 colored lithographs after woodcuts, some text illustrations. Modern half morocco, gilt, and marbled boards, original publisher's pictorial wrappers bound in. Provenance: from the library of Jacques Levy, his sale, Sotheby's, 20th April 2012, lot 256 First French edition, limited issue, number 42 of 50 copies on Japon, of a total edition of 1070. First published in English using original hand-coloured woodblocks. Nicholson s distinctive style: "boldness of outline, simplicity of treatment, and striking silhouettes, and their flat, pure colours" (Bowness), was elegantly suited to the medium of woodcut, and grew from an original scheme of posters he designed with his brother James Pryde as J. & W. Beggarstaff. Nicholson was encouraged in his work by J. A. McNeill Whistler who recommended him to the publisher William Heinemann. "The publications that followed established Nicholson's solo reputation. An Alphabet and An Almanac of Twelve Sports, with verses by Rudyard Kipling, both appeared in 1897 (title-pages postdated 1898), London Types, with verses by W. E. Henley, in 1898, and The Square Book of Animals in 1899. Nicholson also made a series of portrait woodcuts, the first of which was the irreverent, affectionate jubilee portrait of Queen Victoria (originally published in Henley's New Review in June 1897), which brought him great success. These were collected in the two series of Twelve Portraits (1899 and 1902), the first of which was awarded a gold medal at the 1900 Paris Exhibition. The Heinemann windmill colophon still used today was designed by Nicholson at this time. Nicholson's singular achievement rests on three diverse strands of work: the pioneering and influential posters and woodcuts made when he was still in his twenties, the portraits of distinguished contemporaries, and the poetic landscapes and still-lifes. His best work has a subtlety, virtuosity, and individual voice that places it with the finest of its period" (Sophie Bowness for DNB).
Published by Paris: Chez Henry Floury Editeur, 1898., 1898
Seller: Arader Galleries - AraderNYC, New York, NY, U.S.A.
First Edition
Folio (14 x 11 inches). 12 coloured lithographs after woodblocks, lithographed initials. Original red paper backed grey pictorial paper wrappers, illustrating the Bus Driver, tissue dust jacket (one or two chips). Provenance: from the library of Jacques Levy, his sale, Sotheby's, 20th April 2012, lot 256 First French edition, limited issue, one of 40 copies on Japon, of a total edition of 640. First published in English using original hand-coloured woodblocks, loose in a portfolio. Nicholson s distinctive style: "boldness of outline, simplicity of treatment, and striking silhouettes, and their flat, pure colours" (Bowness), was elegantly suited to the medium of woodcut, and grew from an original scheme of posters he designed with his brother James Pryde as J. & W. Beggarstaff. Nicholson was encouraged in his work by J. A. McNeill Whistler who recommended him to the publisher William Heinemann. "The publications that followed established Nicholson's solo reputation. An Alphabet and An Almanac of Twelve Sports, with verses by Rudyard Kipling, both appeared in 1897 (title-pages postdated 1898), London Types, with verses by W. E. Henley, in 1898, and The Square Book of Animals in 1899. Nicholson also made a series of portrait woodcuts, the first of which was the irreverent, affectionate jubilee portrait of Queen Victoria (originally published in Henley's New Review in June 1897), which brought him great success. These were collected in the two series of Twelve Portraits (1899 and 1902), the first of which was awarded a gold medal at the 1900 Paris Exhibition. The Heinemann windmill colophon still used today was designed by Nicholson at this time. Nicholson's singular achievement rests on three diverse strands of work: the pioneering and influential posters and woodcuts made when he was still in his twenties, the portraits of distinguished contemporaries, and the poetic landscapes and still-lifes. His best work has a subtlety, virtuosity, and individual voice that places it with the finest of its period" (Sophie Bowness for DNB). Catalogued by Kate Hunter.