Published by Museum of Modern Art, 2021
ISBN 10: 1633451100 ISBN 13: 9781633451100
Language: English
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
Hardback. Condition: New. Performance studies scholar Joshua Chambers-Letson and political philosopher Michael Hardt discuss the politics of love and the composition of social movementsPublished on the occasion of Adam Pendleton: Who Is Queen? at the Museum of Modern Art, New York, the book series Who Is Queen? adapts conversations between pairs of notable writers, theorists, philosophers and musicians into contrapuntal texts intertwined with archival photographs and additional writings.Joshua Chambers-Letson (born 1980) is professor of performance studies at Northwestern University, author of After the Party: A Manifesto for Queer of Color Life (2018) and A Race So Different: Law and Performance in Asian America (2013), and coeditor with Tavia Nyong'o of José Esteban Muñoz's The Sense of Brown (2020).Michael Hardt (born 1960) teaches at Duke University, where he is codirector of the Social Movements Lab. Among the books he has coauthored with Antonio Negri are Empire (2000) and, most recently, Assembly (2017).
Hardback. Condition: New. Poet Simone White and theologian Ruby Sales discuss faith in institutions and faith as an institutionPublished on the occasion of Adam Pendleton: Who Is Queen? at the Museum of Modern Art, New York, the book series Who Is Queen? adapts conversations between pairs of notable writers, theorists, philosophers and musicians into contrapuntal texts intertwined with archival photographs and additional writings.Ruby Sales (born 1948) is a social critic, educator, public theologian and the founder and director of the SpiritHouse Project. Her work appears in journals and books and is cited in films and documentaries.Simone White (born 1972) is a poet and critic. Her most recent work is the book-length poem or, on being the other woman (2020). Also the author of Dear Angel of Death (2018), Of Being Dispersed (2016) and House Envy of All the World (2010), she is Stephen M. Gorn Family Assistant Professor of English at the University of Pennsylvania.
Published by The Museum of Modern Art, 2021
ISBN 10: 1633451100 ISBN 13: 9781633451100
Language: English
Oversized Hardcover. Condition: Good.
US$ 22.87
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Add to basketHardcover. Condition: Brand New. 72 pages. 10.00x5.75x0.50 inches. In Stock.
Seller: Revaluation Books, Exeter, United Kingdom
US$ 22.87
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Add to basketHardcover. Condition: Brand New. 71 pages. 10.00x5.75x0.25 inches. In Stock.
Condition: New.
US$ 25.52
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Add to basketHardcover. Condition: Brand New. 72 pages. 10.00x5.75x0.25 inches. In Stock.
Published by Iconic / Archant. Cheltenham. ., 2014
Seller: Jean-Louis Boglio Maritime Books, CYGNET, TAS, Australia
US$ 8.05
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Add to basket70th Anniversary edition. Foreword by Colonel Stuart Tootal. 90 PP with b/w and colour illustrations. Pictorial soft cover. Fine. 29.8 x 23. The real story of 6 June 1944.
Softcover. Condition: Good. Artist book published by Yvon Lambert. Small tear on bottom left of the front cover.
Condition: New.
US$ 27.45
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Add to basketHardback. Condition: Very Good+. Please note that this is a heavy item and may incur extra shipping costs for international deliveries. ; Black cloth boards are faintly marked, upper corners bumped; binding is tight; pages are unmarked. ; 7.75 X 1.81 X 10.25 inches; 448 pages.
Condition: new.
Published by Museum of Modern Art, 2021
ISBN 10: 1633451100 ISBN 13: 9781633451100
Language: English
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
US$ 38.69
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Add to basketPAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Published by Pace Gallery 8/17/2021, 2021
ISBN 10: 194870143X ISBN 13: 9781948701433
Language: English
Seller: BargainBookStores, Grand Rapids, MI, U.S.A.
Hardback or Cased Book. Condition: New. David Adjaye Adam Pendleton. Book.
Condition: New.
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condition: new. Hardcover. Multimedia paintings and drawings from Pendleton's acclaimed Untitled (WE ARE NOT) and Black Dada series and moreThe catalog for Adam Pendleton's (born 1984) 2022 exhibition at the Montreal Museum of Fine Arts, his first solo show in Canada, These Things We've Done Together features new monumental paintings from the Untitled (WE ARE NOT) series, which combine language and abstraction to erase distinctions between writing, drawing, painting and photography. Similar abstract gestures are reimagined and reexamined in a group of works on Mylar that combine layers of gestures and geometric shapes. In a third set of works--the latest iterations of Pendleton's Black Dada drawings--he incorporates images of sprays, splatters and drips of paint from his studio walls. Supplementing these artworks is an interview between Pendleton and curator Mary-Dailey Desmarais, as well as a portfolio of 73 studio photos documenting traces of the physical and mental activity that drives his painting process. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Published by Pace Gallery, New York, 2021
ISBN 10: 194870143X ISBN 13: 9781948701433
Language: English
Hardcover. silver boards w/ black printing. 226 pgs w/ color, bw illustrations. all edges black. "This new volume, designed in collaboration with American artist Adam Pendleton (born 1984) and Ghanaian British artist and architect David Adjaye (born 1966), explores the blurred boundary between art and architecture. Featuring new silkscreen canvases by Pendleton and marble sculptures by Adjaye, this publication brings the artists and their works into conversation. The two collaborators discuss their respective practices and their process of working together on the creation of the exhibition at Pace, as well as notions of history, language, abstraction and space--whether architectonic or on canvas--and how these themes involve and reveal themselves in their work. Images of finished artworks are interspersed with photographs of their production, giving a behind-the-scenes look at process, from the quarrying, cutting and polishing of marble for Adjaye's works to the meeting of ink and canvas in Pendleton's studio."--WorldCat. New (sealed in publisher's wrap; may have rubbing to corners, edges etc).
Condition: As New. Unread book in perfect condition.
Condition: As New. Unread book in perfect condition.
Published by The Museum of Modern Art, New York 2021-06-24, 2021
ISBN 10: 1633451100 ISBN 13: 9781633451100
Language: English
Seller: Chiron Media, Wallingford, United Kingdom
US$ 35.53
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Add to basketPaperback. Condition: New.
Published by n.p.: Lab Books, 2006, 2006
ISBN 10: 0979007720 ISBN 13: 9780979007729
Language: English
Seller: Atlantic Bookshop, Brooklyn, NY, U.S.A.
Magazine / Periodical First Edition
Soft cover. Condition: Very Good. 1st Edition. 4to, card covers, 323pp., ills. The inaugural issue of this art magazine. Works by a host of younger artists. A note to artist Kelley Walker from the editors is laid in (see the images, please). VG+: a clean and solid copy. Extra postage will be asked (4).
Hardcover. Condition: new. Hardcover. A dialogue of materials and process, space and language, architecture and artThis new volume, designed in collaboration with American artist Adam Pendleton (born 1984) and Ghanaian British artist and architect David Adjaye (born 1966), explores the blurred boundary between art and architecture. Featuring new silkscreen canvases by Pendleton and marble sculptures by Adjaye, this publication brings the artists and their works into conversation. The two collaborators discuss their respective practices and their process of working together on the creation of the exhibition at Pace, as well as notions of history, language, abstraction and spacewhether architectonic or on canvasand how these themes involve and reveal themselves in their work. Images of finished artworks are interspersed with photographs of their production, giving a behind-the-scenes look at process, from the quarrying, cutting and polishing of marble for Adjayes works to the meeting of ink and canvas in Pendletons studio. A dialogue of materials and process, space and language, architecture and art Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Published by Mildred Lane Kemper Art Museum, 2024
ISBN 10: 0936316497 ISBN 13: 9780936316499
Language: English
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Published by Museum of Modern Art, US, 2021
ISBN 10: 1633451100 ISBN 13: 9781633451100
Language: English
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
US$ 61.82
Convert currencyQuantity: Over 20 available
Add to basketPaperback. Condition: New.
Published by Mildred Lane Kemper Art Museum, 2024
ISBN 10: 0936316497 ISBN 13: 9780936316499
Language: English
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Published by Washington University, Mildred Lane Kemper Art Museum, Saint Louis, 2024
ISBN 10: 0936316497 ISBN 13: 9780936316499
Language: English
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condition: new. Hardcover. A critical investigation of Adam Pendleton's deep engagement with abstraction. Adam Pendleton's exploration of abstractionthrough painting, drawing, screen printing, sculpture, language, book arts, and filmover the past five years constitutes the core of this study and the exhibition that spawned it. The book features essays by exhibition curator Meredith Malone and senior scholars Hal Foster and Joshua Chambers-Letson along with a conversation between Pendleton and the critic and theorist Isabelle Graw. These texts illuminate the artist's fundamental understanding of abstraction as a conscious articulation of unimagined alternatives and a mechanism of both resistance and active engagement. Painting is a central focus of Pendleton's work, and Isabelle Graw, in her interview with the artist, elucidates painting as a "primary form" for Pendleton, noting how the medium conceptually and theoretically informs how he moves through and operates in other forms as well as how his works address viewers as "cognizant participants." Hal Foster takes up Pendleton's engagement with bookmaking as another form of activation, arguing that the artist's creative compilations of texts and images activate readers and viewers, existing as resources to help us not only survive but flourish. Joshua Chambers-Letson's close reading of Pendleton's experimental film What Is Your Name? Kyle Abraham, A Portrait stimulates consideration of how artistic practice can be a means to negotiate with, dance with, and live with grief at the intersection of Black and queer love and loss. Meredith Malone contextualizes Pendleton's recent work, examining his multifaceted approach to abstraction as a "philosophical disposition" as well as a device to realize a more expansive, chaotic, and fluid space for both artist and viewer. With more than 1,400 high-quality reproductions and full transcripts of two of the artist's recent films juxtaposed with extensive stills from each, To Divide By is Adam Pendleton's most ambitious publication to date. It is published on the occasion of an exhibition of the same name at the Mildred Lane Kemper Art Museum at Washington University in St. Louis in fall 2023. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Condition: As New. Unread book in perfect condition.
US$ 49.94
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Add to basketPaperback. Condition: Brand New. 544 pages. 8.50x6.00x8.43 inches. In Stock.
hardcover. Condition: New. Bilingual. Special order direct from the distributor.