Albert Rogell (28 results)

No Binding. Condition: VG+. Dust Jacket Condition: Very Good. This is an original vintage print trade ad that measures approximately 10 x 13 and is in VG or better condition. Ideal for framing, this ad comes protected in a plastic sleeve and backer and is shipped first class mail in a cardboard mailer. Paper.

No Binding. Condition: VG+. C-22-64. A good or better original 8 x 10 still. Size: 8" x 10". Photographic Image.

No Binding. Condition: Very Good. C-30-15. A VG or better original release 8 x 10 still. Size: 8" x 10". Photographic Image.

No Binding. Condition: Very Good. C-30-6. A VG or better original release 8 x 10 still. Size: 8" x 10". Photographic Image.

No Binding. Condition: Very Good. C-30-31. A VG or better original release 8 x 10 still. Size: 8" x 10". Photographic Image.

No Binding. Condition: Very Good. C-30-1. A VG or better original release 8 x 10 still. Size: 8" x 10". Photographic Image.

No Binding. Condition: Very Good. C-30-14. A VG or better original release 8 x 10 still. Size: 8" x 10". Photographic Image.

No Binding. Condition: Very Good. C-30-16. A VG or better original release 8 x 10 still. Size: 8" x 10". Photographic Image.

No Binding. Condition: Very Good. C-30-43. A VG or better original release 8 x 10 still. Size: 8" x 10". Photographic Image.

No Binding. Condition: VG. A lot of six VG or better original release 8 x 10 stills. Poster.

No Binding. Condition: VG+. D.S. 32A. A VG or better original release 8 x 10 still. Size: 8" x 10". Photographic Image.

No Binding. Condition: VG+. D.S. 31A. A VG or better original release 8 x 10 still. Size: 8" x 10". Photographic Image.

No Binding. Condition: VG+. D.S. 87A. A VG or better original release 8 x 10 still. Size: 8" x 10". Photographic Image.

No Binding. Condition: VG. Dust Jacket Condition: None. 1139-12. A VG or better original release 8 x 10 still. Size: 8" x 10". Photographic Image.

No Binding. Condition: VG. Dust Jacket Condition: None. 1139-93. A VG or better original release 8 x 10 still. Size: 8" x 10". Photographic Image.

No Binding. Condition: Very Good. A VG lobby card. Size: 11" X 14". Poster.

No Binding. Condition: Very Good. A VG lobby card. Size: 11" X 14". Poster.

No Binding. Condition: Very Good. A VG lobby card. Size: 11" X 14". Poster.

No Binding. Condition: VG+. A VGF or better lot of six original release 8 x 10 stills. Size: 8" x 10". Photographic Image.

Vintage black-and-white still photograph from a re-release (presumed) of the 1950 film. Wanda Hendrix plays a WAVE officer endlessly pursued by ex-airman Edmond O'Brien (among others). However, she only has eyes for her boyfriend Dick Erdman, who is on the lam from vengeful millionaire Rudy Vallee. 8 x 10 inches. Very Good plus, several creases, a few tiny tears, annotations in manuscript pencil on the verso.

Two vintage black-and-white keybook photographs from the 1938. Mimeo snipes affixed to the versos. Based on Latimer's Bill Crane and Doc Williams characters, from his books "Headed for a Hearse," "The Lady in the Morgue," "Murder in the Madhouse," "The Dead Don't Care," and "Red Gardenias." The last of three Bill Crane films, the first two being "The Westland Case" (1937) and "The Lady in the Morgue" (1938). Here, Bill Crane (Foster) visits a country estate where the occupants have been receiving threatening letters from someone called "The Eye." 8 x 10 inches. Very Good plus, waviness and faint tape residue on the rectos.

Condition: Fair. Grade: Fair. Est. Dimension: Approximately (14" x 36" (inches)) Year Printed: 1942 R50/134 Director: Albert S. Rogell Original: Yes Shipped: Rolled Product & Description Synopsis: Bessie Cobb, cake decorator in the kitchen of one of Miami's swankier hotels, is the central figure in an elaborate scheme by bell captain Chick Patterson, who believes he can not only enrich Bessie but also himself, his fiancà e, and the kitchen's three screwball chefs, Chef Popodopolis, Chef Petrovich and Chef Barzumium. He plans to enter Bessie in the singing contest sponsored by band-leader Danny Marlowe for a large recording company looking for new talent. Chick has a recording made of Bessie's voice and substitutes it for that of "Sugar" Caston, who is being sponsored by a big-time gangster and is set up to win. But members of a rival gang out to get "Sugar" mistake Bessie for her. (Comedy) Condition Specifics: Insert rolled in fair condition, formerly folded, stored flat and shipped rolled. There may be small scuffs to edges, scuffing more damage than would be expected in specific areas, chipping to edges of the poster not affecting the image of the poster, some tearing to the poster mainly at the corners or folds, colouring pencil marks, indent marks, please inspect photos before buying. But overall the poster is in good condition. Please carefully inspect images before purchasing whilst remembering all posters are original and therefore used. Shipping: All items are professionally packaged to ensure zero damage, in the unlikely case that your items arrive damaged please do get in touch so we can help resolve the matter.

Vintage publicity photograph of Johnny Downs and uncredited actress Alma Ross from the 1939 film. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. Johnny Downs stars as a bandleader whose father, objecting to his son's occupation, ships him off to Hawaii to manage the family hotel holdings, unaware of Hawaii's bustling music scene. 8 x 10.25 inches. Very Good, with light edgewear, several small closed tears to the extremities, and faint overall creasing.

Condition: Fair. Grade: Fair. Est. Dimension: Approximately (14" x 36" (inches)) Year Printed: 1956 56/267 Director: Albert S. Rogell Original: Yes Shipped: Rolled Product & Description Synopsis: A college student returns home to attend her father's funeral and begins to suspect her stepmother of foul play. (Drama) Condition Specifics: Insert rolled in fair condition, formerly folded, stored flat and shipped rolled. There may be small scuffs to edges, scuffing more damage than would be expected in specific areas, chipping to edges of the poster not affecting the image of the poster, pinholes at the corner of the poster, some tearing to the poster mainly at the corners or folds, please inspect photos before buying. But overall the poster is in good condition. Please carefully inspect images before purchasing whilst remembering all posters are original and therefore used. Shipping: All items are professionally packaged to ensure zero damage, in the unlikely case that your items arrive damaged please do get in touch so we can help resolve the matter.

Draft script for the 1941 film. Copy belonging to studio secretary Marion Pecht, with her name in manuscript pencil at the top right corner of the front wrapper. File copy, rubber-stamped on the front wrapper. Housed in a custom black cloth clamshell box. From the Richard Manney collection of horror film scripts. The 1941 version of "The Black Cat" is neither a remake of Edgar G. Ulmer's 1934 Karloff-Lugosi film of the same name, nor does it bear much relation to the Edgar Allan Poe story (though, in fairness, neither did the 1934 version). It is more of a horror-comedy affair than its predecessor, with Broderick Crawford and Hugh Herbert in the lead, Bela Lugosi reappearing (now in the more minor role of "Eduardo"), and Basil Rathbone ably handling the part of the shady Mr. Hartley. Shot by the legendary Stanley Cortez of "Magnificent Ambersons" fame. (Hal Erickson, Rovi) Gray titled wrappers, rubber-stamped copy No. 6856, dated February 15, 1941. 117 leaves, with last page of text numbered 117. Mimeograph duplication. Pages Near Fine, wrapper Very Good plus, bound with three gold brads. Weaver, Universal Horrors.

Vintage publicity photograph of Norman Foster, Florence Rice, and Victor Jory from the 1935 film, with a two stamps on the verso, including one stamp crediting photographer" Ray Jones, and a mimeo snipe under the working title "Song of the Damned," on the verso. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. In a remote cottage Florence Rice eagerly awaits the arrival of her father, Victory Jory, and Norman Foster, escapees from the French penal colony Devil's Island. After Foster arrives with the news Rice's father was killed, the two begin to fall in love, until Jory shows up several days later. 10 x 8 inches. Near Fine.

Two vintage photographs from the 1935 film, including a snapshot photograph of Richard Cromwell and a publicity photograph of Cromwell and Marian Marsh. Both photographs with a Columbia Picture stamp crediting studio photographer Ray Jones on the versos, and one with a mimeo snipe. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. Richard Cromwell stars as a young attorney on retainer by a nightclub-owning gangster who believes he is carrying around legal papers but is actually holding millions of dollars in stolen bonds. Snapshot Photograph: 4 x 5 inches. Publicity Photograph: 8 x 10 inches. Both Near Fine.

No Binding. Condition: Very Good. ("Albert Rogell") 1 page, Hollywood, March 18, 1926 to columnist James Star on his engraved letterhead. 10 1/2" x 7 1/4". Very good. Rogell (August 21, 1901 - April 7, 1988) was an American film director of more than a hundred movies between 1921 and 1958. Signed by Author(s).