Seller: Raritan River Books, Philadelphia, PA, U.S.A.
Soft cover. Condition: Very Good. Paperback. Binding sound, text clean, light shelfwear. Edition of 1500 copies. 136 pages. Illustrated. Book.
hardcover. Condition: Very Good. Loyal, 2005. Hard cover, first edition. VG condition with no dust jacket, as issued.
Condition: New.
Condition: New.
Condition: As New. Unread book in perfect condition.
Condition: As New. Unread copy in mint condition.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Condition: New.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Condition: As New. Unread copy in mint condition.
Language: English
Published by David Zwirner Books 10/21/2025, 2025
ISBN 10: 1644231689 ISBN 13: 9781644231685
Seller: BargainBookStores, Grand Rapids, MI, U.S.A.
Hardback or Cased Book. Condition: New. Mamma Andersson: Adieu Maria Magdalena. Book.
Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!
Hardback. Condition: New. Andersson's works embody a new genre of landscape painting that recalls late nineteenth-century romanticism while also embracing a contemporary interest in layered, psychological compositions. Her panoramic scenes draw inspiration from a wide range of archival photographic source materials, filmic imagery, theater sets, and period interiors, as well as the sparse topography of northern Sweden, where she grew up. The paintings utilize a selection of motifs from throughout her career: barren branches and thick-barked pine trees, domestic interiors, horses, and young women. Resembling still lifes, they further a tradition of quiet, dreamlike domestic scenes by Scandinavian artists such as Vilhelm Hammershøi (1864-1916) and Edvard Munch (1863-1944). Part of a self-conscious effort to capture an experience rather than a specific event, the compositions are freer and more abstract. Splendid color reproductions bring the textured brushstrokes, loose washes, and stark graphic lines to life on the page. The book also features a new essay by critically acclaimed author Karl Ove Knausgaard. The Lost Paradise is published on the occasion of an eponymous exhibition presented at David Zwirner, New York, in 2020.
US$ 33.31
Quantity: 10 available
Add to basketHRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Hardcover. Condition: new. Hardcover. Andersson's works embody a new genre of landscape painting that recalls late nineteenth-century romanticism while also embracing a contemporary interest in layered, psychological compositions. Her panoramic scenes draw inspiration from a wide range of archival photographic source materials, filmic imagery, theater sets, and period interiors, as well as the sparse topography of northern Sweden, where she grew up. The paintings utilize a selection of motifs from throughout her career: barren branches and thick-barked pine trees, domestic interiors, horses, and young women. Resembling still lifes, they further a tradition of quiet, dreamlike domestic scenes by Scandinavian artists such as Vilhelm Hammershoi (1864-1916) and Edvard Munch (1863-1944). Part of a self-conscious effort to capture an experience rather than a specific event, the compositions are freer and more abstract.Splendid color reproductions bring the textured brushstrokes, loose washes, and stark graphic lines to life on the page. The book also features a new essay by critically acclaimed author Karl Ove Knausgaard. The Lost Paradise is published on the occasion of an eponymous exhibition presented at David Zwirner, New York, in 2020. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Hardback. Condition: New. Andersson's works embody a new genre of landscape painting that recalls late nineteenth-century romanticism while also embracing a contemporary interest in layered, psychological compositions. Her panoramic scenes draw inspiration from a wide range of archival photographic source materials, filmic imagery, theater sets, and period interiors, as well as the sparse topography of northern Sweden, where she grew up. The paintings utilize a selection of motifs from throughout her career: barren branches and thick-barked pine trees, domestic interiors, horses, and young women. Resembling still lifes, they further a tradition of quiet, dreamlike domestic scenes by Scandinavian artists such as Vilhelm Hammershøi (1864-1916) and Edvard Munch (1863-1944). Part of a self-conscious effort to capture an experience rather than a specific event, the compositions are freer and more abstract. Splendid color reproductions bring the textured brushstrokes, loose washes, and stark graphic lines to life on the page. The book also features a new essay by critically acclaimed author Karl Ove Knausgaard. The Lost Paradise is published on the occasion of an eponymous exhibition presented at David Zwirner, New York, in 2020.
Hardcover. Condition: new. Hardcover. Works from the past two decades and a new series from the Swedish master of the oneiric and the unsettlingMamma Andersson (born 1962) ranks as one of the most important painters of her generation. The Swedish artist is an eminent interpreter of the unique language of painting. With a sharp sense of mood, color and materiality, she has developed a personal take on the classical genres of painting: still lifes, interiors and landscapes are at the crux of her work. Her signature aesthetic is the result of repeated applications and overpainting. Oil on canvas is covered in spray paint, paint is dragged in thin bands across the surface, producing a material fullness and variety.This catalog accompanies the Louisianas exhibition Mamma Andersson: Humdrum Days, and contains contributions from the author Karl Ove Knausgard, the playwright Magnus Florin and the art writer and poet Barry Schwabsky, in addition to a conversation between Mamma Andersson and the exhibitions curator, Marie Laurberg. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Condition: New.
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condition: new. Hardcover. Adieu Maria Magdalena considers recurring themes and motifs from Mamma Andersson's oeuvre and suggests complex and potent feelings related to loss. Finding inspiration in work by other Scandinavian painters, including Carl Fredrik Hill and Vilhelm Hammershoi, Andersson explores the tension between interiority and the external world, imbuing her compositions with a haunting stillness and introspection. Departing from earlier oil-on-board paintings, the paintings in this body of work primarily utilize canvas, a support that allows Andersson to create at a larger scale and expand compositional possibilities within the pictorial space. Employing trompe l'oeil, the artist produces a subtly claustrophobic effect in domestic spaces by layering uncanny interior scenes taken from her own home and her imagination, an interplay of surfaces and imagery that probes the nature of representation. This catalogue, published on the occasion of the artist's first solo exhibition in Paris, at David Zwirner, and a companion to three other volumes of recent work, marks a metaphorical farewell to a previous phase in her life. The author Karl Ove Knausgaard, a frequent collaborator of Andersson's, provides an accompanying text, offering an oneiric perspective on the artist's evocation of layered dimensions. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Hardback. Condition: New. Adieu Maria Magdalena considers recurring themes and motifs from Mamma Andersson's oeuvre and suggests complex and potent feelings related to loss. Finding inspiration in work by other Scandinavian painters, including Carl Fredrik Hill and Vilhelm Hammershøi, Andersson explores the tension between interiority and the external world, imbuing her compositions with a haunting stillness and introspection. Departing from earlier oil-on-board paintings, the paintings in this body of work primarily utilize canvas, a support that allows Andersson to create at a larger scale and expand compositional possibilities within the pictorial space. Employing trompe l'oeil, the artist produces a subtly claustrophobic effect in domestic spaces by layering uncanny interior scenes taken from her own home and her imagination, an interplay of surfaces and imagery that probes the nature of representation. This catalogue, published on the occasion of the artist's first solo exhibition in Paris, at David Zwirner, and a companion to three other volumes of recent work, marks a metaphorical farewell to a previous phase in her life. The author Karl Ove Knausgaard, a frequent collaborator of Andersson's, provides an accompanying text, offering an oneiric perspective on the artist's evocation of layered dimensions.
Seller: Majestic Books, Hounslow, United Kingdom
Condition: New.
US$ 41.35
Quantity: 15 available
Add to basketHRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
US$ 48.71
Quantity: Over 20 available
Add to basketHardback. Condition: New. Adieu Maria Magdalena considers recurring themes and motifs from Mamma Andersson's oeuvre and suggests complex and potent feelings related to loss. Finding inspiration in work by other Scandinavian painters, including Carl Fredrik Hill and Vilhelm Hammershøi, Andersson explores the tension between interiority and the external world, imbuing her compositions with a haunting stillness and introspection. Departing from earlier oil-on-board paintings, the paintings in this body of work primarily utilize canvas, a support that allows Andersson to create at a larger scale and expand compositional possibilities within the pictorial space. Employing trompe l'oeil, the artist produces a subtly claustrophobic effect in domestic spaces by layering uncanny interior scenes taken from her own home and her imagination, an interplay of surfaces and imagery that probes the nature of representation. This catalogue, published on the occasion of the artist's first solo exhibition in Paris, at David Zwirner, and a companion to three other volumes of recent work, marks a metaphorical farewell to a previous phase in her life. The author Karl Ove Knausgaard, a frequent collaborator of Andersson's, provides an accompanying text, offering an oneiric perspective on the artist's evocation of layered dimensions.
Condition: new.
Language: English
Published by David Zwirner Books 2021-09-02, 2021
ISBN 10: 1644230569 ISBN 13: 9781644230565
Seller: Chiron Media, Wallingford, United Kingdom
US$ 30.45
Quantity: 10 available
Add to basketHardcover. Condition: New.
Condition: new.
US$ 37.41
Quantity: 1 available
Add to basketCondition: New. In.
US$ 33.30
Quantity: 1 available
Add to basketCondition: New.
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
First Edition
Condition: New. 2021. 01st Edition. Hardcover. . . . . .
Language: English
Published by David Zwirner Books 2021-09-02, 2021
ISBN 10: 1644230569 ISBN 13: 9781644230565
Seller: Chiron Media, Wallingford, United Kingdom
US$ 33.46
Quantity: 1 available
Add to basketHardcover. Condition: New.