Arbus Amy (73 results)

Condition: good. Fast Free Shipping â" Good condition book with a firm cover and clean, readable pages. Shows normal use, including some light wear or limited notes highlighting, yet remains a dependable copy overall. Supplemental items like CDs or access codes may not be included.

Hardcover. Condition: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. Former library book; Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. Used book that is in clean, average condition without any missing pages.

Hardcover. Condition: Used.

Condition: acceptable. Book is considered to be in acceptable condition. The actual cover image may not match the stock photo. Book may have one or more of the following defects: noticeable wear on the cover dust jacket or spine; curved, dog eared or creased page s ; writing or highlighting inside or on the edges; sticker s or other adhesive on cover; CD DVD may not be included; and book may be a former library copy.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condition: Near Fine. Faint foxing to top page edge. ; Priority and international shipping will be extra, please inquire. ; 8 1/4 x 11 1/4"; Unpaginated pages.

Hardcover. Condition: Near Fine. No Jacket. First Edition. 4to - over 9¾" - 12" tall. Slight rubbing to covers (boards; chiefly at edges); else a near fine copy internally. [64] pages (unpaginated). Selected portrait studies of infants of both sexes, and in various attitudes, taken between 1994 and 1999; with the photographer's short introduction and acknowledgments. 'First Edition' (page [4]).Arbus, Amy (photographer); About 50 b/w Photographs (portraits).

Hardcover. Condition: Near Fine. 1st Edition. We will request additional shipping costs after your order for this specific book due to its rarity based on actual shipping costs to your destination. Currently media mail within the US is $6.92 plus $1.00 for packaging for a total of $7.92. This will not slow down the shipping of the book.Thank you for understanding.

Paperback. The Spring 1998 issue of Aperture magazine, No. 151, with seven portfolios of work by photographers chosen by other, more well-known, photographers: Martine Franck chosen by and with commentary by Eve Arnold; Amy Arbus, by Richard Avedon; Emmet Gowin, by Harry Callahan; Ferdinando Scianna, by Henri Cartier-Bresson; Antonio Turok, by Eikoh Hosoe; Bill Arnold, by Helen Levitt; and Anthony Suau, by Inge Morath. Also in the issue are the usual back-of-the-book sections. Edited by Michael L. Sand. First edition. Perfect-bound stiff card covers; 80 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches. Condition: Very Good+ with a couple of thumbing creases to the covers and rub-off to the inside front cover. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Hardcover. Condition: Very Good.

Pictorial Trade Paperback Orig. Condition: Near Fine. First Edition. 158 p., fully illustrated [otob: 20] Size: Oversize.

Magazine. First edition. Near Fine magazine with an address to the mailing panel and a touch of handling. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The July/August 2008 issue of American Photo magazine (Vol. 19, No. 4), with: the first of a series of columns by Matthew Rolston; photographs by Patti Boyd of Eric Clapton, George Harrison, and the Beatles; a survey of photography workshops including ones run by Amy Arbus, John Sexton, and Greg Gorman; editors choices for the best cameras of the year; exhibition reviews; book reviews; tech tips; equipment reviews; how-to articles; and much more. Edited by David Schonauer. Perfect-bound; 88 pages; color and b&w illustrations throughout; 8.5 x 10.75 inches.

Hardcover. Condition: Good. No Jacket. 1st Edition. No dust jacket. Tight binding, solid boards with bumped upper corners, clean, unmarked pages throughout. 1st edition, 1st printing.

Decorative Boards. Condition: Fine. unpaginated [64] pp. To quote Richard Avedon " In Amy Arbus' unlikely babies, something new has entered the world with irreversible impact of raw feeling made visible ". Amy is the daughter of Diane Arbus. 1881270351 4to.

Magazine. First edition. Near Fine magazine with a light stain to the front and a hint of handling. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The June 26, 2005, issue of the Sunday New York Times Magazine with: children born with the AIDS virus also aren't born with the knowledge that they carry it so what do you tell them? by Jonathan Dee with portraits by Amy Arbus; in the Style section, a fashion pictorial photographed by Jeff Riedel, with film directors of photography as models, text by Sandra Ballentine; a feature essay by Michael Ignatieff titled "Who Are Americans to Think That Freedom Is Theirs to Spread?;" a profile of Nic Harcourt, disc jockey and host of the music program, "Morning Becomes Eclectic," by Jaime Wolf with a portrait by Joaquin Trujillo; Matt Bai on what Democrats can learn from 'King of the Hill'; an interview with Bruce Ratner; a profile of Etgar Keret by Nancy Updike with a portrait by Gillian Laub; and much more. Staple-bound magazine; 66 pages; color and b&w reproductions throughout; 9.5 x 11.5 inches.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Like New. First Edition. First Edition, First Printing. Not price-clipped. Published by Welcome Books, 2008. Quarto. Hardcover. Book is like new with very light toning to the top page ends. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Hardcover. Condition: Very Good-. Large hardback covers with light shelf wear to the spine and corners.; 11.38 X 0.96 X 12.64 inches; 160 pages.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. 1st edition. Hardbound, no dust jacket, as issued.

Condition: New. New - Please allow 3-6 working days for delivery, 6-10 in Europe and USA.

Magazine. First edition. Fine magazine with a hint of handling. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The March 30, 2008, issue of the Sunday New York Times Magazine with: fashion portfolio by Jenny Gage and Tom Betterton featuring Sean Lennon, Shirin Neshat, and others as models; Republicans lost ground after being trounced in the 2006 elections, is it the end of Karl Rove's GOP America? by Benjamin Wallace-Wells with a portrait of Tom Cole by Amy Arbus; Ivy League students deferring sex until marriage; politicizing the Olympics or how a small number of activists (including Mia Farrow) shook things up over Chinese policy in Darfur and Tibet by Ilan Greenberg; interview with Paul O'Neill; Low Moon comic by Jason, chapter 7; interview with Dita Von Teese; online auctions and antique web sites and collecting by Virginia Heffernan; and much more. Staple-bound magazine; 76 pages; color and b&w reproductions throughout; 9.5 x 11.5 inches.

Condition: New.

Hardcover. Condition: new. Hardcover. An "after image" is an impression of a vivid image retained by the eye after the stimulus has ceased. For her fifth book of portraits, Amy Arbus has borrowed ideas from iconic modernist paintings by artists including Picasso, Cezanne, Munch, Schiele, and Modigliani, and transferred their visceral energy and psychological intensity to live staged scenes to be photographed. In order to replicate the powerful effects of the original paintings, she painted costumes, props, and the models themselves. What has materialized is a series of hybrid images that challenges the thin line between painting and art photography. Chiaroscuro lighting and lush colours produce dark trompe l'oeil portraits in which the live models appear to be trying to escape the confines of the two-dimensional world that holds them captive. AUTHOR: Amy Arbus has had twenty-two solo exhibitions worldwide, and her photographs are featured in the permanent collections of The National Theater in Norway, The New York Public Library, and The Museum of Modern Art in New York. SELLING POINTS: .Twenty-four photos pay homage to paintings by ten modern masters .These "hybrid" portraits blur the line between painting and art photography .Modern masterpieces reinvigorated through this photographer's vision 24 colour photographs An "after image" is an impression of a vivid image retained by the eye after the stimulus has ceased. For her fifth book of portraits, Amy Arbus has borrowed ideas from iconic modernist paintings by artists including Picasso, Cezanne, Munch, Schiele, and Modigliani, and transferred their visceral energy and psychological intensity to live staged scenes to be photographed. In order to replicate the powerful effects of the original paintings, she painted costumes, props, and the models themselves. What has materialised is a series of hybrid images that challenges the thin line between painting and art photography. Chiaroscuro lighting and lush colours produce dark trompe l'oeil portraits in which the live models appear to be trying to escape the confines of the two-dimensional world that holds them captive. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good+ (Slipcase). First Edition. First edition, slipcased hardcover with related material laid in, inscribed by Arbus and dated 9.25.15 on the dedication page. The book has a tiny lean to the binding, mild wear to the spine ends and cover corners, and moderate rubbing to the covers. Otherwise, this is a solid, tight, Very Good+ copy in a like slipcase, which has mild bumps to the corners, a touch of peeling starting along the tail edge of the left panel, and moderate rubbing to the panels.

Hardback. Condition: New. An "after image" is an impression of a vivid image retained by the eye after the stimulus has ceased. For her fifth book of portraits, Amy Arbus has borrowed ideas from iconic modernist paintings by artists including Picasso, Cezanne, Munch, Schiele, and Modigliani, and transferred their visceral energy and psychological intensity to live staged scenes to be photographed. In order to replicate the powerful effects of the original paintings, she painted costumes, props, and the models themselves. What has materialized is a series of hybrid images that challenges the thin line between painting and art photography. Chiaroscuro lighting and lush colors produce dark trompe l'oeil portraits in which the live models appear to be trying to escape the confines of the two-dimensional world that holds them captive.

Hardcover. Condition: New.