Bordi Giulia (31 results)

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Condition: NEW. Roma: Viella, 2017 9788867287819 Etudes lausannoises d'historie de l'art 23 1505 540 p. : ill. b/n, fotografie, indice, bibliografia ; 24 cm. Dedicato a Serena Romano, professore di Storia dell'arte medievale, questo libro vorrebbe restituirle un po' di quel tanto che ha offerto, in vari modi, a tutti quelli che hanno avuto la fortuna di conoscerla e di frequentarla. L'argomento generale, quello delle continuità di lunga durata, dei ritorni in generale, e delle rinascite dell'antico, le è caro da sempre. Lei stessa lo ha esplorato in contributi fondanti e i numerosi autori che hanno accolto l'invito a partecipare al volume ne hanno dato declinazioni diverse. La decisione di dare un tema unitario a questo volume miscellaneo si giustifica anche per un'altra ragione: figlia del '68, Serena Romano ha sempre avuto una certa reticenza nei confronti di onorificenze troppo accademiche, staccate a volte dalla dimensione concreta della ricerca. Da qui il desiderio di costruire un volume che possa essere un prolungamento tangibile di un modo di guardare la storia cui Serena Romano ha contribuito per anni. Bock,Nicolas - Foletti,Ivan - Tomasi,Michele.

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Hardcover. Condition: new. Hardcover. The Santa Maria Antiqua Complex in the Forum in Rome was probably established at the foot of the Palatine Hill in the 6th century. Over the following 600 years it was decorated with a unique series of frescoes bearing evidence of imperial, papal and monastic influences. Abandoned in the 9th century, limited use probably continued up to the 11th century. By the 17th century the complex was completely buried under the rising floor of the Forum. Excavations in 1900 exposed a largely intact complex containing hundreds of 6th-11th century frescoes, in some places over four layers deep and a unique Chapel of Medical Saints which suggests this was also an incubation site. The English Press hailed the site as the 'Sistine Chapel of the Ninth century'. Lavish illustrations of these frescoes, following recent restoration, make this book an indispensible resource, not only for those working on the church but also for those interested in contemporaneous material in medieval sites especially in Rome, Europe and Byzantium. This monograph contains the proceedings of an International Conference held at the British School at Rome on 4-6 December, 2013. It reports results of the major project of preservation and research led by the Soprintendenza and carried out over the last 12 years on the fabric of the church, its frescoes, floor, wall and ceiling mosaics, its drainage and infrastructure. Much of the restoration was funded by the World Monuments Fund. The conference also marked the 75th anniversary of the death of Gordon Rushforth, the first Director of the British School at Rome and the author of one of the earliest key papers on the S. Maria Antiqua site. Lavishly illustrated and containing the most recent images and research on this unique church, this is an essential resource for early medieval historians and archeologists working on Rome, the medieval West and Byzantium. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Rilegato. Condition: nuovo. Dust Jacket Condition: nuovo. prima edizione. Harvey Miller Studies in Medieval and Early Renaissance Art History (HMSAH) Santa Maria Antiqua: The Sistine Chapel of the Early Middle Ages E. Rubery, G. Bordi, J. Osborne (eds.) approx. 508 p., 50 b/w ill. + 125 colour ill., 30 b/w tables, 220 x 280 mm, 2021 ISBN: 978-1-909400-53-5 Languages: English Hardback The publication is available. Retail price: EUR 280,00 Lavishly illustrated and containing the most recent images and research on this unique church, this is an essential resource for early medieval historians and archeologists working on Rome, the medieval West and Byzantium. The Santa Maria Antiqua Complex in the Forum in Rome was probably established at the foot of the Palatine Hill in the 6th century. Over the following 600 years it was decorated with a unique series of frescoes bearing evidence of imperial, papal and monastic influences. Abandoned in the 9th century, limited use probably continued up to the 11th century. By the 17th century the complex was completely buried under the rising floor of the Forum. Excavations in 1900 exposed a largely intact complex containing hundreds of 6th - 11th century frescoes, in some places over four layers deep and a unique Chapel of Medical Saints which suggests this was also an incubation site. The English Press hailed the site as the 'Sistine Chapel of the Ninth century'. Lavish illustrations of these frescoes, following recent restoration, make this book an indispensible resource, not only for those working on the church but also for those interested in contemporaneous material in medieval sites especially in Rome, Europe and Byzantium. This monograph contains the proceedings of an International Conference held at the British School at Rome on 4-6 December, 2013. It reports results of the major project of preservation and research led by the Soprintendenza and carried out over the last 12 years on the fabric of the church, its frescoes, floor, wall and ceiling mosaics, its drainage and infrastructure. Much of the restoration was funded by the World Monuments Fund. The conference also marked the 75th anniversary of the death of Gordon Rushforth, the first Director of the British School at Rome and the author of one of the earliest key papers on the S. Maria Antiqua site. Since completing her MA at the Courtauld Institute of Art in 2004, Eileen Rubery has worked on the frescoes at S. Maria Antiqua, especially interpreting the mid-7th Century frescoes on the apsidal arch, identified by Rushforth as linked to the Lateran Synod that Pope Martin I had presided over in Rome in 649 before being martyred for treason by Emperor Constans II. She has drawn attention to the roles played of the 'Greek' monks, John Moschus, Sophronius of Jerusalem and Maximus Confessor in events surrounding the martyrdom of Pope Martin I for treason by Emperor Constans II. Images of the healing saints Cyrus and John, whose miracles were recorded in a panegyric by Sophronius of Jerusalem, figure prominently amongst the medical saints depicted in this church, linking it to Cyril of Alexandria who championed these saints. She teaches at Cambridge and Oxford Universities, Birkbeck and the Courtauld Institute within London University and the Victoria and Albert Museum and has led many tours to Early Christian Rome. Giulia Bordi teaches Medieval Art History at the Roma Tre University. Her research interests lie in the field of medieval wall painting and the interaction between architecture, liturgical furnishings and wall painting in the churches of Rome and Byzantium (4th-13th centuries AD). Since 2003 she has been a member of the project: "Medieval painting in Rome, 312-1431. Corpus e Atlante", edited by M. Andaloro and S. Romano, publishing numerous papers therein. She began to work at S. Maria Antiqua in 2000. Exploring its intriguing and complex- Language : english text - codice articolo 012903.

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Condition: New. 2021. Hardcover. . . . . .

Condition: New. 2021. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condition: new. Hardcover. The Santa Maria Antiqua Complex in the Forum in Rome was probably established at the foot of the Palatine Hill in the 6th century. Over the following 600 years it was decorated with a unique series of frescoes bearing evidence of imperial, papal and monastic influences. Abandoned in the 9th century, limited use probably continued up to the 11th century. By the 17th century the complex was completely buried under the rising floor of the Forum. Excavations in 1900 exposed a largely intact complex containing hundreds of 6th-11th century frescoes, in some places over four layers deep and a unique Chapel of Medical Saints which suggests this was also an incubation site. The English Press hailed the site as the 'Sistine Chapel of the Ninth century'. Lavish illustrations of these frescoes, following recent restoration, make this book an indispensible resource, not only for those working on the church but also for those interested in contemporaneous material in medieval sites especially in Rome, Europe and Byzantium. This monograph contains the proceedings of an International Conference held at the British School at Rome on 4-6 December, 2013. It reports results of the major project of preservation and research led by the Soprintendenza and carried out over the last 12 years on the fabric of the church, its frescoes, floor, wall and ceiling mosaics, its drainage and infrastructure. Much of the restoration was funded by the World Monuments Fund. The conference also marked the 75th anniversary of the death of Gordon Rushforth, the first Director of the British School at Rome and the author of one of the earliest key papers on the S. Maria Antiqua site. Lavishly illustrated and containing the most recent images and research on this unique church, this is an essential resource for early medieval historians and archeologists working on Rome, the medieval West and Byzantium. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condition: NEW. Roma: Viella, 2023 9791254692035 609 192 p. : ill. col., indice, biografia ; 24 cm. Questo volume è una riflessione corale riguardo ad alcune entità materiali che compongono il patrimonio culturale (documenti, sigilli, fotografie, dipinti, monumenti, codici miniati) che si concentra sui metodi e sui processi critici della loro rappresentazione, nonché sulla loro analisi nell'ambiente digitale. Si tratta di un settore difficile da studiare, da valorizzare, da comunicare e finanche da rendere accessibile, e che pone problemi nuovi per l'organizzazione della ricerca sul piano sia scientifico-ermeneutico, sia di integrazione disciplinare, sia logistico-finanziario. La duplice e diversa prospettiva, quella della storia della documentazione e della storia dell'arte offerta in questa sede, dimostra nel complesso come l'applicazione integrata e strutturata dei saperi umanistici e della tecnologia offra soprattutto al settore medievistico la preziosa possibilità di ricostruire virtualmente contesti fortemente frammentati e al contempo di ricontestualizzare opere e fonti, attualmente dispersi tra archivi, collezioni e musei, nel loro ambito di produzione, consentendone maggiore comprensione e intellegibilità. Ambrosio,Antonella - Vitolo,Paola.

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brossura. Condition: Ottimo (Fine). 263 pagine, illustrato, 26 cm. Brossura 9788833812328 Ottimo (Fine) .

Hardback, iv + 502 pages, Size:220 x 280 mm, Illustrations:50 b/w, 125 col., 30 tables b/w., Language: English. ISBN 9781909400535. Summary The Santa Maria Antiqua Complex in the Forum in Rome was probably established at the foot of the Palatine Hill in the 6th century. Over the following 600 years it was decorated with a unique series of frescoes bearing evidence of imperial, papal and monastic influences. Abandoned in the 9th century, limited use probably continued up to the 11th century. By the 17th century the complex was completely buried under the rising floor of the Forum. Excavations in 1900 exposed a largely intact complex containing hundreds of 6th - 11th century frescoes, in some places over four layers deep and a unique Chapel of Medical Saints which suggests this was also an incubation site. The English Press hailed the site as the 'Sistine Chapel of the Ninth century'. Lavish illustrations of these frescoes, following recent restoration, make this book an indispensible resource, not only for those working on the church but also for those interested in contemporaneous material in medieval sites especially in Rome, Europe and Byzantium. This monograph contains the proceedings of an International Conference held at the British School at Rome on 4-6 December, 2013. It reports results of the major project of preservation and research led by the Soprintendenza and carried out over the last 12 years on the fabric of the church, its frescoes, floor, wall and ceiling mosaics, its drainage and infrastructure. Much of the restoration was funded by the World Monuments Fund. The conference also marked the 75th anniversary of the death of Gordon Rushforth, the first Director of the British School at Rome and the author of one of the earliest key papers on the S. Maria Antiqua site. TABLE OF CONTENTS INTRODUCTION by Eileen Rubery, Giulia Bordi, John Osborne TIMELINE TOPOGRAPHIC REFERENCES LIST OF COLOUR PLATES COLOUR PLATES HISTORIOGRAPHY Oscar Mei 1702: The discovery of Santa Maria Antiqua T.P. Wiseman Gordon McNeil Rushforth and Santa Maria Antiqua Andrea Paribeni 'With Boni in the Forum'. The relationship between Gordon McNeil Rushforth and Giacomo Boni according to archival documentation Ernesto Monaco Measuring Santa Maria Antiqua: from Petrignani to the present Giovanni Gasbarri 'Ce monument est avant tout un t moin': Wladimir de Gr neisen and the multicultural context of Santa Maria Antiqua John Osborne Per Jonas Nordhagen, Santa Maria Antiqua, and the study of early medieval painting in Rome TOPOGRAPHY Henry Hurst The early church of Santa Maria Antiqua David Knipp Richard Delbr ck and the reconstruction of a 'ceremonial route' in Domitian's palace vestibule Robert Coates-Stephens The 'Oratory of the Forty Martyrs' CONSERVATION Giuseppe Morganti "Per meglio provvedere alla conservazione dei dipinti ?". 1984-2014: Santa Maria Antiqua 30 Years Later Werner Schmid Diary of a long conservation campaign The palimpsests of Santa Maria Antiqua Maria Andaloro The Project Giulia Bordi The three Christological cycles in the sanctuary of Santa Maria Antiqua Paola Pogliani, Claudia Pelosi, Giorgia Agresti Palimpsests and pictorial phases in the light of studies of the techniques of execution and the materials employed ICONOGRAPHY Per Olav Folger Expression of Dogma: Text and imagery in the triumphal arch decoration Manuela Gianandrea The fresco with the Three Mothers and the paintings of the right aisle in the Church of Santa Maria Antiqua Maria Grafova The decorations in the left aisle of Santa Maria Antiqua within the context of the political history of the Iconoclastic era Marios Costambeys Pope Hadrian I and Santa Maria Antiqua: Liturgy and patronage in the late eighth century RE-READING THE DECORATIVE PROGRAMME Giulia Bordi The apse wall of Santa Maria Antiqua (IV-IX centuries) Eileen Rubery Monks, Miracles and Healing. Doctrinal Belief and Miraculous Interventions: Saints Abbacyrus and John at Santa Maria Antiqua and related Roman Churches between the sixth and the twelfth centuries Richard Price The frescoes in Santa Maria Antiqua, the Lateran Synod of 649, and pope Vitalian Beat Brenk A new chronology of the worship of images in Santa Maria Antiqua AFTERWORD Maria Andaloro The icon of Santa Maria Nova after Santa Maria Antiqua 0 g.

Couverture souple. Condition: Neuf. Dust Jacket Condition: Neuf. Edition originale. L' Officina dello sguardo : scritti in onore di Maria Andaloro Editore: Gangemi Editore, Roma(2014) ISBN 10: 8849227302?ISBN 13: 9788849227307 Nuovi Quantità: 1 Prezzo: EUR 140,00 Descrizione libro: Gangemi Editore, ROma, 2014. Condizione libro: NEW. 2 v. (1243 pagine .) : ill. col., indice ; 24 cm. I due volumi raccolgono contributi di autorevoli studiosi italiani e stranieri che, partendo dalla pluralità di orizzonti di interesse di Maria Andaloro, avviano inediti percorsi critici e storiografici. Se I luoghi dell'arte, titolo della prima serie di saggi, s'incentra sulla geografia artistica della Sicilia e del Mediterraneo, di Roma e di Bisanzio nel Medioevo, raggiungendo però anche territori ?altri', dall'Anatolia preistorica fino alla Cina, la seconda raccolta, Immagine, memoria, materia, sviluppa una varietà di affondi tematici che comprende gli sguardi dell'estetica, della critica d'arte, della diagnostica e del restauro, in omaggio al pensiero della studiosa, sempre volto a riunificare e al contempo a distinguere i molteplici ambiti del sapere artistico, in un'ottica di vitale complessità creativa. Bordi,Giulia - Carlettini,Iole - Fobelli,Maria Luigia. Codice libro della libreria 008422 Language : Italian,english,spanish.

Condition: Good. Paperback, numerous illustrations (mostly photographs) in colour, 4to.

Couverture souple. Condition: Neuf. Dust Jacket Condition: Neuf. Edition originale. Editore: Electa - Mondadori (2016) ISBN 10: 8891807761 ISBN 13: 9788891807762 Nuovi Brossura Quantità: 1 Prezzo: EUR 280,00.- Descrizione libro: Electa - Mondadori, 2016. Condizione libro: new. Roma, Chiesa di Santa Maria Antiqua nel Foro Romano, 17 marzo - 11 settembre 2016. A cura di Andaloro Maria, Bordi Giulia, Morganti Giuseppe. Milano, 2016; br., pp. 415, 250 ill. b/n e col., cm 21,5x27. (Cataloghi di Mostre). Il volume indaga finalmente in maniera esaustiva il complesso di Santa Maria Antiqua a Roma, cuore superstite del Foro cristiano, oggetto di importanti studi e di impegnativi lavori di scavo e restauro, volti a restituire il volto più fedele agli edifici e ai dipinti di quello che è un vero e proprio museo della pittura altomedievale Numerosi saggi perlustrano diacronicamente il contesto topografico (le preesistenze imperiali, le trasformazioni medievali e moderne, la demolizione di Santa Maria Liberatrice, i restauri) con uno straordinario focus sull'architettura e sulle pitture murali dei diversi ambienti (la chiesa, la cappella dei SS. Quirico e Giulitta, la cappella di Teodoto, l'oratorio dei Quaranta Martiri) che rivivono nelle pagine grazie a uno straordinario e aggiornato apparato iconografico, realizzato per l'occasione insieme a rendering 3D che mirano a ricostruirne virtualmente, nella loro interezza, i partiti decorativi. Il progetto della mostra, ideato da una delle maggiori specialiste dell'arte medievale italiana, Maria Andaloro, prevede circostanziati approfondimenti su temi che completano il quadro storicoculturale: i ritratti di V e VI secolo, i cantieri di Giovanni VII con l'oratorio di San Pietro e i suoi preziosi e dispersi mosaici per la prima volta riuniti come i frammenti di pitture pertinenti alla chiesa oggi in collezioni private e la sublime Icona di Santa Maria Nova. Naturalmente presente il catalogo delle opere d'arte custodite nella chiesa come i sarcofagi pagani e cristiani e dei materiali rinvenuti durante gli scavi di Giacomo Boni finora inediti. Interessante anche il capitolo sulla fortuna di Santa Maria Antiqua nei secoli con la documentazione delle pitture a partire dal Settecento fino alle suggestive impressioni dei viaggiatori e degli artisti del Novecento. Codice libro della libreria 009838 - Language : Italian text - Coll. C 9.

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