Bordo Jonathan (26 results)

Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good- Dust Jacket. First Edition. 1st printing of 1st edition, with complete number line. Very good+ hardcover with very good- DJ, from a personal collection (NOT ex-library). Binding is tight, sturdy, and square; boards also very good+. Text and photos are unmarked, pages crisp. Unclipped dust jacket has rubbing, light wear to edges and corners. Ships same or next business day from Dinkytown in Minneapolis, Minnesota. Due to the size/weight of this book extra charges may apply for international shipping.

Hardcover. Condition: Near fine condition. Dust Jacket Condition: Very good+ condition (DJ). First Edition. xii, 131 pages. Hardcover cloth binding in almost new condition. Unclipped dustjacket in almost new condition; protected in archival mylar. Illustrated with over 100 black & white photographs; observation and reflection on the battlefields of World War I, the Nazi death camps, and the Berlin Wall. Signed and inscribed by the photographer on the title page "For Michael - March 2009 - All Good Wishes [signed] Alan Cohen." First edition. Size: Square quarto (4to). Signed by Author(s). Book.

paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Hardcover. Condition: Fine condition. Dust Jacket Condition: Near fine condition (DJ). First Edition. xii, 131 pages. Hardcover cloth binding in almost new condition. Unclipped dustjacket in almost new condition; protected in archival mylar. Illustrated with over 100 black & white photographs; consider the battlefields of World War I, the Nazi death camps, and the Berlin Wall. Signed and inscribed by the photographer on the title page "In honor of Chicago 2002 - Living the Legacy [autographed] Alan Cohen #18/50." Included is a five inch by five inch (image area) black and white photographs, pencil signed, titled and numbered on the back by the photographer. This photograph is titled "Now" and is of the Death Camps at Buchenwald, taken in 1994. Size: Square quarto (4to). Signed by Author(s). Book.

Softcover. Condition: Good. 67 p. 23 x 28 cm. Colour illustrations. Light wear.

Soft cover. Condition: Near Fine. Catalogue from a traveling exhibition of the work of the GTA-based multi-disciplinary artist (sculpture, installation, photography and painting). Oblong 8vo (9 1/8" x 11"). black, illustrated wraps. Minor corner wear.

Condition: New.

Paperback. Condition: new. Paperback. A place comes into existence through the depth of relationships that underwrite a physical location with layers of sedimented names. In Place Matters scholars and artists conduct varied forms of place-based inquiry to demonstrate why place matters. Lavishly illustrated, the volume brings into conversation photographic projects and essays that revitalize the study of landscape. Contributors engage the study of place through an approach that Jonathan Bordo and Blake Fitzpatrick call critical topography: the way that we understand critical thought to range over a place, or how thought and symbolic forms invent place through text and image as if initiated by an X marking the spot. Critical topography's tasks are to mediate and to diminish the gap between representation and referent, to be both in the world and about the world; to ask what place is this, what are its names, where am I, how and with what responsibilities may I be here? Chapters map the deep cultural, environmental, and political histories of singular places, interrogating the charged relation between history, place, and power and identifying the territorial imperatives of place making in such sites as Colonus, Mont Sainte-Victoire, Chomolungma/Everest, Hiroshima, Fort Qu'Appelle, Donetsk airport, and the island of Lesbos. With contributions from the renowned artists Hamish Fulton and Edward Burtynsky, the Swedish poet Jesper Svenbro, and others, the collection examines profound shifts in place-based thinking as it relates to the history of art, the anthropocene and nuclear ruin, borders and global migration, residential schools, the pandemic, and sites of refuge. In his prologue W.J.T. Mitchell writes: "Places, like feasts, are moveable. They can be erased and forgotten, lost in space, or maintained and rebuilt. Both their appearance and disappearance, their making and unmaking, are the work of critical topography." Global in scope, Canadian in spirit, and grounded in singular sites, Place Matters presents critical topography as an approach to analyze, interpret, and reflect on place. Bordo and Fitzpatrick coin the term critical topography to describe how thought and symbolic forms invent place through text and image. International in scope, Canadian in spirit, and grounded in singular sites, Place Matters presents critical topography as an approach to analyze, interpret, and reflect on place. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. 2022. Paperback. . . . . .

Paperback. Condition: New. A place comes into existence through the depth of relationships that underwrite a physical location with layers of sedimented names. In Place Matters scholars and artists conduct varied forms of place-based inquiry to demonstrate why place matters. Lavishly illustrated, the volume brings into conversation photographic projects and essays that revitalize the study of landscape. Contributors engage the study of place through an approach that Jonathan Bordo and Blake Fitzpatrick call critical topography: the way that we understand critical thought to range over a place, or how thought and symbolic forms invent place through text and image as if initiated by an X marking the spot. Critical topography's tasks are to mediate and to diminish the gap between representation and referent, to be both in the world and about the world; to ask what place is this, what are its names, where am I, how and with what responsibilities may I be here? Chapters map the deep cultural, environmental, and political histories of singular places, interrogating the charged relation between history, place, and power and identifying the territorial imperatives of place making in such sites as Colonus, Mont Sainte-Victoire, Chomolungma/Everest, Hiroshima, Fort Qu'Appelle, Donetsk airport, and the island of Lesbos. With contributions from the renowned artists Hamish Fulton and Edward Burtynsky, the Swedish poet Jesper Svenbro, and others, the collection examines profound shifts in place-based thinking as it relates to the history of art, the anthropocene and nuclear ruin, borders and global migration, residential schools, the pandemic, and sites of refuge. In his prologue W.J.T. Mitchell writes: "Places, like feasts, are moveable. They can be erased and forgotten, lost in space, or maintained and rebuilt. Both their appearance and disappearance, their making and unmaking, are the work of critical topography." Global in scope, Canadian in spirit, and grounded in singular sites, Place Matters presents critical topography as an approach to analyze, interpret, and reflect on place.

Condition: New.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days. 235.

Paperback. Condition: Brand New. 408 pages. 10.00x8.00x1.00 inches. In Stock.

Condition: New. 2022. Paperback. . . . . . Books ship from the US and Ireland.

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Paperback. Condition: New. A place comes into existence through the depth of relationships that underwrite a physical location with layers of sedimented names. In Place Matters scholars and artists conduct varied forms of place-based inquiry to demonstrate why place matters. Lavishly illustrated, the volume brings into conversation photographic projects and essays that revitalize the study of landscape. Contributors engage the study of place through an approach that Jonathan Bordo and Blake Fitzpatrick call critical topography: the way that we understand critical thought to range over a place, or how thought and symbolic forms invent place through text and image as if initiated by an X marking the spot. Critical topography's tasks are to mediate and to diminish the gap between representation and referent, to be both in the world and about the world; to ask what place is this, what are its names, where am I, how and with what responsibilities may I be here? Chapters map the deep cultural, environmental, and political histories of singular places, interrogating the charged relation between history, place, and power and identifying the territorial imperatives of place making in such sites as Colonus, Mont Sainte-Victoire, Chomolungma/Everest, Hiroshima, Fort Qu'Appelle, Donetsk airport, and the island of Lesbos. With contributions from the renowned artists Hamish Fulton and Edward Burtynsky, the Swedish poet Jesper Svenbro, and others, the collection examines profound shifts in place-based thinking as it relates to the history of art, the anthropocene and nuclear ruin, borders and global migration, residential schools, the pandemic, and sites of refuge. In his prologue W.J.T. Mitchell writes: "Places, like feasts, are moveable. They can be erased and forgotten, lost in space, or maintained and rebuilt. Both their appearance and disappearance, their making and unmaking, are the work of critical topography." Global in scope, Canadian in spirit, and grounded in singular sites, Place Matters presents critical topography as an approach to analyze, interpret, and reflect on place.

Paperback. Condition: new. Paperback. A place comes into existence through the depth of relationships that underwrite a physical location with layers of sedimented names. In Place Matters scholars and artists conduct varied forms of place-based inquiry to demonstrate why place matters. Lavishly illustrated, the volume brings into conversation photographic projects and essays that revitalize the study of landscape. Contributors engage the study of place through an approach that Jonathan Bordo and Blake Fitzpatrick call critical topography: the way that we understand critical thought to range over a place, or how thought and symbolic forms invent place through text and image as if initiated by an X marking the spot. Critical topography's tasks are to mediate and to diminish the gap between representation and referent, to be both in the world and about the world; to ask what place is this, what are its names, where am I, how and with what responsibilities may I be here? Chapters map the deep cultural, environmental, and political histories of singular places, interrogating the charged relation between history, place, and power and identifying the territorial imperatives of place making in such sites as Colonus, Mont Sainte-Victoire, Chomolungma/Everest, Hiroshima, Fort Qu'Appelle, Donetsk airport, and the island of Lesbos. With contributions from the renowned artists Hamish Fulton and Edward Burtynsky, the Swedish poet Jesper Svenbro, and others, the collection examines profound shifts in place-based thinking as it relates to the history of art, the anthropocene and nuclear ruin, borders and global migration, residential schools, the pandemic, and sites of refuge. In his prologue W.J.T. Mitchell writes: "Places, like feasts, are moveable. They can be erased and forgotten, lost in space, or maintained and rebuilt. Both their appearance and disappearance, their making and unmaking, are the work of critical topography." Global in scope, Canadian in spirit, and grounded in singular sites, Place Matters presents critical topography as an approach to analyze, interpret, and reflect on place. Bordo and Fitzpatrick coin the term critical topography to describe how thought and symbolic forms invent place through text and image. International in scope, Canadian in spirit, and grounded in singular sites, Place Matters presents critical topography as an approach to analyze, interpret, and reflect on place. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. 2022. hardcover. . . . . .

Hardcover. Condition: Brand New. 301 pages. 10.25x8.25x1.25 inches. In Stock.

Condition: New. 2022. hardcover. . . . . . Books ship from the US and Ireland.

Encuadernación de tapa blanda. Condition: Bien. Dust Jacket Condition: Bien. INDEX4/5 Enrico R. Comi: Mare del Nord / North Sea6 Dmitrij Prigov:Works / Lavori8/9 Maurizio Cucchi:La vetrina del perito / The consultant's shop-window12/13 Gilberto Finzi:Periferia a Milano / Suburbs in Milan16/18 Franco Fortini:L'incontro/ The encounter24/25 Guido Oldani:Polonord / Northpole28/29 Luciano Erba:I guanti viola / The violet gloves33/65 Enrico R. ComiConversazione con Leo Castelli / Conversation with Leo Castelli100/101 Michelle Gershkovich:Friday / Venerdì102 Hamish Fulton:Works / Lavori104 Richard Long:Works / Lavori106 Jonathan Borofsky:Works / Lavori108 Isa Genzken:Works / Lavori110 Michael Jenkins:Works / Lavori112 Matthew McCaslin:Works / Lavori114 Maria Serebrjakova:Works / Lavori116 Anatolij Shuravlev:Works / Lavori118 Tom Otterness:Works / Lavori120 Jon Kessler:Works / Lavori122 Rodney Graham:Works / Lavori124/124/125 Emilio Martinez:Cambio de pagina / Change of paige / Cambio di pagina128/129/130 Serge Gavronsky:Brisure du cercle / Fragmented circle / Rottura del cerchio132 Guillaume Bijl:Works / Lavori134 Marcus Geiger:Works / Lavori136 Jorge Molder:Works / Lavori138 Robert Bordo:Works / Lavori140 Alighiero Boetti:Lavori / Works142 Edward Ruscha:Works / Lavori144/145 Nat Anderson:Aulophobia: Fear of Flutes / Aulophobia: Paura dei Flauti146 Rebecca Horn:Works / Lavori148 Royden Rabinowitch:Works / Lavori150 Susana Solano:Works / Lavori154/156/158 Karl Lubomirski:Zwei Gedichte / Two poems / Due poesie164/165 Ruth Danon: A plot / Una trama.

Signed Limited Book & Print. Condition: Near Fine. Dust Jacket Condition: Fine. First Edition; First Printing. SIGNED Ltd. Edition. Copy 28 of 50. Photographer has SIGNED title page. (130pp. ) ( 9 1/2" X 10 1/4") Comes with 5" x 5" b&w SIGNED print from 1994. Death Camps/Buchenwald. Fine in a near fine dust jacket. (Couple small hints of shelf-wear to jacket. ) ; 9 1/2" X 10 1/4"; 130 pages.