Bormand Marc (92 results)

Oversized Hardcover. Condition: Good. Published to accompany the exhibition installing @National Gallery of Art, Washington, DC. (2007). Desiderio da Settignano (ca. 1429/30-1464), like most sculptors before Michelangelo, was long overlooked by scholars, who focused their attention almost exclusively on Donatello. His impact is clear in the numerous replicas of his Virgin and Child reliefs as well as copies of the Bambino in the Basilica of San Lorenzo. His work, showing an early interest in sfumato, may even have influenced the paintings of Leonardo da Vinci. Glossary, Biblliography, Index. Hundreds of color/b&w illustrations. 287p.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread copy in mint condition.

Paperback. Condition: new. Paperback. This volume collects the papers presented at the international study conference Sculpting in the Renaissance: an art to (com)move / Sculpter a la Renaissance. Un art pour (e)mouvoir organised by the Musee du Louvre in Paris and the Castello Sforzesco in Milan to accompany the exhibition Le corps et l'ame. De Donatello a Michel-Ange. Scultures italiennes de la Renaissance (Officina Libraria, 2020), held between 2020 and 2021. With the involvement of some of the most important specialists in Renaissance sculpture, the aim was to investigate the interactions, influences and exchanges between the plastic arts and other Renaissance art forms capable of revealing feelings through expressions of the body, trough the works of Agostino di Duccio, Donatello, Michelangelo and other local sculptors. The aim is also to place within their social, devotional and intellectual context the different manifestations of feeling of which sculpture is one of the privileged media. Sacred art themes in particular were addressed, in an attempt to explain their formal evolution in relation to the socio-cultural transformations of the time, but also to local traditions and their dramatisation. Text in English, French and Italian. AUTHORS: Marc Bormand is the conservator of the Louvre sculpture department, responsible for the Italian sculpture of Moyen Age and the Renaissance. Co-commissaire, among others, of the exhibition Desiderio da Settignano - La decouverte de la grace dans la sculpture de la Renaissance (Paris, Louvre, 2006-2007; Florence, Bargello, 2007; Washington, National Gallery of Art, 2007). In 2013, the exhibition TLa primavera del Rinascimento. La scultura e le arti a Firenze 1400-1460 was organised with Beatrice Paolozzi Strozzi at the Bargello National Museum in Florence and, between 2013 and 2014, at the Louvre in Paris. Beatrice Paolozzi Strozzi descendant of the historical Florentine Strozzi family, was the director of the national museum of Bargello in Florence in 2014. She is an ordinary academic of the art of design. These scientific publications are well-known, both in the domain of the Renaissance and in the art of the 20th century. She currently collaborates with the Louvre Museum. Monica Preti is currently the scientific director of Pistoia Museums. Historian of modern art, she worked on the history of the collection and on the relationship between art and literature in the Renaissance era. Francesca Tasso is currently director of the civic museums of Castello Sforzesco in Milan. She studied in particular Late Gothic and Renaissance art and the formation of the collections of the Milan museums. The most recent publications include: Vetri contemporanei al Castello Sforzesco. La collezione Bellini-Pezzoli (with Claudio Salsi, Marsilio, 2017), Leonardo Da Vinci. La sala delle Asse del Castello Sforzesco (with Michela Palazzo, Silvana, 2017). SELLING POINTS: . Studies accompanying a highly successful exhibition at the Louvre in Paris and the Castello Sforzesco in Milan . Essays by eminent specialists in Renaissance sculpture . An international and interdisciplinary perspective that brings different art forms into dialogue, and new readings of a subject that has been very much in vogue in recent years 85 colour illustrations Collection of historical-critical studies on Italian Renaissance sculpture with attention to its meanings and a re-semantisation of its forms. Text in English, French and Italian. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condition: Used-Very Good. Pictorial boards. Quarto. 287 pp. Profusely illustrated. Slight dent to edge of front board.

Softcover. Condition: Très bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Condition: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2008. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2008. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Condition: Très bon. Ancien livre de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Condition: Bon. Légères traces d'usure sur la couverture. Couverture différente. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Slight signs of wear on the cover. Different cover. Ammareal gives back up to 15% of this item's net price to charity organizations.

Paperback. Condition: New. This volume collects the papers presented at the international study conference Sculpting in the Renaissance: an art to (com)move / Sculpter à la Renaissance. Un art pour (é)mouvoir organised by the Musée du Louvre in Paris and the Castello Sforzesco in Milan to accompany the exhibition Le corps et l'âme. De Donatello à Michel-Ange. Scultures italiennes de la Renaissance (Officina Libraria, 2020), held between 2020 and 2021. With the involvement of some of the most important specialists in Renaissance sculpture, the aim was to investigate the interactions, influences and exchanges between the plastic arts and other Renaissance art forms capable of revealing feelings through expressions of the body, through the works of Agostino di Duccio, Donatello, Michelangelo and other local sculptors. The aim is also to place within their social, devotional and intellectual context the different manifestations of feeling of which sculpture is one of the privileged media. Sacred art themes in particular were addressed, in an attempt to explain their formal evolution in relation to the socio-cultural transformations of the time, but also to local traditions and their dramatisation.Text in English, French and Italian.

Paperback. Condition: New. This volume collects the papers presented at the international study conference Sculpting in the Renaissance: an art to (com)move / Sculpter à la Renaissance. Un art pour (é)mouvoir organised by the Musée du Louvre in Paris and the Castello Sforzesco in Milan to accompany the exhibition Le corps et l'âme. De Donatello à Michel-Ange. Scultures italiennes de la Renaissance (Officina Libraria, 2020), held between 2020 and 2021. With the involvement of some of the most important specialists in Renaissance sculpture, the aim was to investigate the interactions, influences and exchanges between the plastic arts and other Renaissance art forms capable of revealing feelings through expressions of the body, through the works of Agostino di Duccio, Donatello, Michelangelo and other local sculptors. The aim is also to place within their social, devotional and intellectual context the different manifestations of feeling of which sculpture is one of the privileged media. Sacred art themes in particular were addressed, in an attempt to explain their formal evolution in relation to the socio-cultural transformations of the time, but also to local traditions and their dramatisation.Text in English, French and Italian.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: Very Good. Signed Copy . Signed/Inscribed by editor Nicholas Penny and signed by contributor Allison Luchs on title page. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: NEW.

Hardcover. Condition: Near Fine. 100s of color illustrations. Clean and unmarked in the interior. 4to.

Oversized Hardcover. Condition: Good.

Brossura. Condition: new. A cura di Beatrice Paolozzi Strozzi, Marc Bormand, Francesca Tasso e Monica Preti.Testo Italiano, Inglese e Francese.Milano, 2024; br., pp. 224, 85 ill. col., cm 16,5x24.(Saggi in Officina). Nella mostra e nel catalogo "Il Corpo e l'anima" si era cercato di sintetizzare la complessa storia della scultura in Italia a cavallo del Cinquecento, raccontata attraverso l'alternanza proposta da Aby Warburg tra l'ethos «apollineo» e il pathos «dionisiaco». Le giornate di studio che l'hanno accompagnata, tenutesi a Parigi e a Milano, hanno offerto l'opportunità a numerosi storici dell'arte e studiosi di approfondire alcuni argomenti e hanno dato vita a questo libro. Philippe Toussaint, prendendo spunto dalle interpretazioni warburghiane sull'antica figura del centauro, analizza il rito funebre nel rilievo della tomba di Francesco Sassetti in Santa Trinita a Firenze, evidenziandone il sincretismo tra mondo pagano e cristiano che ha dato origine a una «immortalità scolpita». Ulrich Pfisterer esplora la scultura come veicolo di piacere, sensualità ed emozione negli studioli, i luoghi in cui gli umanisti e i letterati si dedicavano allo studio, mentre Philippe Morel mostra come la figura della menade, in preda all'antica trance dionisiaca, sintetizzi dolore ed erotismo nell'opera di Agostino di Duccio e Bertoldo di Giovanni. Patricia Lee Rubin si concentra sulla scultura come espressione della malinconia associata alla morte a Roma, sia negli Schiavi per la tomba di Giulio II di Michelangelo sia nella tomba Tornabuoni di Andrea del Verrocchio. La rappresentazione del pathos e il tema dell'obbedienza a Dio e dell'atteggiamento nei confronti della morte sono i temi al centro dello studio di Gabriela Mazzon sul sacrificio di Isacco. Ludmila Acone, dal canto suo, mostra la natura virtuosa della danza nell'Italia del Quattrocento, dove l'immaginazione del movimento coreutico permetteva di dar forma a un mondo ideale. Nel suo studio sul teatro sacro nella Firenze del Quattrocento, Paola Ventrone dimostra come le innovazioni spaziali di Brunelleschi abbiano reso possibile una nuova efficacia espressiva del messaggio visivo per gli spettatori/credenti. Infine, Anne Lepoittevin mette in luce i legami tra il teatro sacro e i gruppi scultorei del Sacro Monte di Varallo. Libro.

Condition: New. 2025. ?dition standard. paperback. . . . . .

Condition: New. In English.

paperback. Condition: New.

. In-4. Broché. Couverture illustrée à rabats. 135 pages. Illustrations in et hors texte NB et couleurs. Texte en français, anglais et italien. Bon état.

Hardcover. Condition: Near Fine. Edited by Marc Bormand, Beatrice Strozzi, and Nicholas Penny. Washington: National Gallery of Art, (2007). 11.5 x 8.5 in. 287pp, Index, Bibliography, Glossary. Illustrated blue boards, near fine condition (miniscule brief wear to an edge). ISBN 9788874393657. Catalogue for the first exhibition devoted the work of Desiderio da Settignano, one of the finest sculptors of 15th century Florence. Illustrated in full color and b&w. ; 11.5 x 9.75 inches; 288 pages.

Paperback. Condition: Brand New. 800 pages. 9.50x6.50x9.45 inches. In Stock.

Condition: New. 2025. Édition standard. paperback. . . . . . Books ship from the US and Ireland.

Condition: new.