Borremans Michael (49 results)

Condition: New.

Paperback. Condition: New. "Michaël Borremans may be the greatest living figurative painter." -John Vincler, The New York Times "'The Acrobat' provides an opportunity - all too rare on this side of the Atlantic - to see the genius of Borremans in the flesh.It's painterly magic. A major New York museum retrospective is long overdue." -John Vincler, The New York Times Recalling classical painting, both through technical mastery and choice in subject matter, Borremans's depictions of the surprising and the bizarre invites a second look. Uncanny scenes of figures looking at blurred acrobatic displays, hooded subjects rendered in Rembrandt-esque lighting, or solemn portraits demonstrate Borremans's unique vision. In this recent body of work, Borremans continues to draw the viewer in closer with his intimately scaled paintings of mysterious figures in peculiar arenas. Accessible yet full of rich detail, this pocket-size book features fifteen masterful works offering a mystifying narrative. An illuminating text by Katya Tylevich mines the scenes Borremans sets, conjuring the multidimensionality of the works' emotional power and their unique place in the lineage of art history.

Condition: As New. Unread copy in mint condition.

Paperback. Condition: new. Paperback. "Michael Borremans may be the greatest living figurative painter." -John Vincler, The New York Times "'The Acrobat' provides an opportunity - all too rare on this side of the Atlantic - to see the genius of Borremans in the flesh.It's painterly magic. A major New York museum retrospective is long overdue." -John Vincler, The New York Times Recalling classical painting, both through technical mastery and choice in subject matter, Borremans's depictions of the surprising and the bizarre invites a second look. Uncanny scenes of figures looking at blurred acrobatic displays, hooded subjects rendered in Rembrandt-esque lighting, or solemn portraits demonstrate Borremans's unique vision. In this recent body of work, Borremans continues to draw the viewer in closer with his intimately scaled paintings of mysterious figures in peculiar arenas. Accessible yet full of rich detail, this pocket-size book features fifteen masterful works offering a mystifying narrative. An illuminating text by Katya Tylevich mines the scenes Borremans sets, conjuring the multidimensionality of the works' emotional power and their unique place in the lineage of art history. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Original hardcover, 6 x 9, no jacket as issued - with paper wrap-around half jacket. 79 pages, many color plates. Minimal wear. Almost unread.

First edition. Hardcover. 79 pages. Exhibition catalog for a show that ran January 27 through March 10, 2018 at David Zwirner's in Hong Kong. Features text by Michael Bracewell. Includes numerous color illustrations. A fine copy in illustrated boards and with a fine wraparound partial dust jacket as issued.

Condition: As New. Unread copy in mint condition.

Condition: New. Brand New.

Softcover, staple-bound small booklet, 8 pages; as new condition; clean and crisp; no internal marks. This is NOT the Hatje Cantz book.

Condition: New.

Condition: New.

Condition: New. In.

Hardcover. Condition: Brand New. 79 pages. 10.00x7.00x0.50 inches. In Stock.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. 64 pages. 7.50x4.25x0.16 inches. In Stock.

Exhibition invite, 8 x 8 inches; very good condition; an unmailed copy.

Paperback. Condition: new. Paperback. "Michael Borremans may be the greatest living figurative painter." -John Vincler, The New York Times "'The Acrobat' provides an opportunity - all too rare on this side of the Atlantic - to see the genius of Borremans in the flesh.It's painterly magic. A major New York museum retrospective is long overdue." -John Vincler, The New York Times Recalling classical painting, both through technical mastery and choice in subject matter, Borremans's depictions of the surprising and the bizarre invites a second look. Uncanny scenes of figures looking at blurred acrobatic displays, hooded subjects rendered in Rembrandt-esque lighting, or solemn portraits demonstrate Borremans's unique vision. In this recent body of work, Borremans continues to draw the viewer in closer with his intimately scaled paintings of mysterious figures in peculiar arenas. Accessible yet full of rich detail, this pocket-size book features fifteen masterful works offering a mystifying narrative. An illuminating text by Katya Tylevich mines the scenes Borremans sets, conjuring the multidimensionality of the works' emotional power and their unique place in the lineage of art history. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condition: new. Paperback. "Michael Borremans may be the greatest living figurative painter." -John Vincler, The New York Times "'The Acrobat' provides an opportunity - all too rare on this side of the Atlantic - to see the genius of Borremans in the flesh.It's painterly magic. A major New York museum retrospective is long overdue." -John Vincler, The New York Times Recalling classical painting, both through technical mastery and choice in subject matter, Borremans's depictions of the surprising and the bizarre invites a second look. Uncanny scenes of figures looking at blurred acrobatic displays, hooded subjects rendered in Rembrandt-esque lighting, or solemn portraits demonstrate Borremans's unique vision. In this recent body of work, Borremans continues to draw the viewer in closer with his intimately scaled paintings of mysterious figures in peculiar arenas. Accessible yet full of rich detail, this pocket-size book features fifteen masterful works offering a mystifying narrative. An illuminating text by Katya Tylevich mines the scenes Borremans sets, conjuring the multidimensionality of the works' emotional power and their unique place in the lineage of art history. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condition: New. "Michaël Borremans may be the greatest living figurative painter." -John Vincler, The New York Times "'The Acrobat' provides an opportunity - all too rare on this side of the Atlantic - to see the genius of Borremans in the flesh.It's painterly magic. A major New York museum retrospective is long overdue." -John Vincler, The New York Times Recalling classical painting, both through technical mastery and choice in subject matter, Borremans's depictions of the surprising and the bizarre invites a second look. Uncanny scenes of figures looking at blurred acrobatic displays, hooded subjects rendered in Rembrandt-esque lighting, or solemn portraits demonstrate Borremans's unique vision. In this recent body of work, Borremans continues to draw the viewer in closer with his intimately scaled paintings of mysterious figures in peculiar arenas. Accessible yet full of rich detail, this pocket-size book features fifteen masterful works offering a mystifying narrative. An illuminating text by Katya Tylevich mines the scenes Borremans sets, conjuring the multidimensionality of the works' emotional power and their unique place in the lineage of art history.

344 pp.; 26.9 x 20.1 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show "4th berlin biennial for contemporary art," Berlin, Germany, March 25 - June 5, 2006. Exhibition curated and catalogue edited by Massimiliano Gioni, Maurizio Cattelan, and Ali Subotnick on behalf of the KW Institute for Contemporary Art and funded by the Kulturstiftung des Bundes. Contributions by Nancy Spector. Artists include Tomma Abts, Viktor Alimpiev, Pawel Althamer, Kai Althoff and Lutz Braun, Ulf Aminde, Micol Assaël, Roger Ballen, Thomas Bayrle, Michael Beutler, Michaël Borremans, Bouchet, Tobias Buche, Anthony Burdin, Mircea Cantor, Bruce Conner, Benjamin Cottam, Martin Creed, Oliver Croy with Oliver Elser, Roberto Cuoghi, Tacita Dean, Jeremy Deller, Berlinde De Bruyckere, Gino De Dominicis, Nathalie Djurberg, Trisha Donnelly, Marcel van Eeden, Saul Fletcher, Roland Flexner, Felix Gmelin, Aneta Grzeszykowska, Sebastian Hammwöhner / Dani Jakob / Gabriel Vormstein, Rachel Harrison, Pravdoliub Ivanov, Sergej Jensen, Dorota Jurczak, Tadeusz Kantor, Ian Kiaer, Christopher Knowles, Robert Kusmirowski, Erik van Lieshout, Klara Liden, Ján Mancuska, Mike Mandel & Larry Sultan, Mark Manders, Kris Martin, Paul McCarthy, Corey McCorkle, Michaela Meise, Matthew Monahan, Otto Mühl, Bruce Nauman, Damián Ortega, Diego Perrone, Susan Philipsz, Jorge Queiroz, Reynold Reynolds with Patrick Jolley, Ricarda Roggan, Aïda Ruilova, Anri Sala, Markus Schinwald, Michael Schmidt, Thomas Schütte, Norbert Schwontkowski, Tino Sehgal, Shirana Shahbazi, Steven Shearer, Florian Slotawa, Christiana Soulou, Jaan Toomik, Paloma Varga Weisz, Gillian Wearing, Clemens von Wedemeyer with Maya Schweizer, Andro Wekua, Cathy Wilkes, Francesca Woodman, and Thomas Zipp. "A mysterious object, somewhere between an illustrated anthology of short stories and a scrapbook preserving the experience of visiting a biennial exhibition, this book presents the works of more than sixty artists in a montage of images, mixing historical photos, newspaper clippings, and other reference materials with installation shots and photographs of art works included in the show. Not simply a textual complement to the exhibition but also an unusual combine of art works, this book is much more than just a documentation of an exhibition, it's an exhibition in book form. In spite of its classical design and hardcover binding, it is an artists' book with a truly unusual use of texts and reprints. The book will also feature sections with visual reminders and references for all of the 4th berlin biennial activities including Checkpoint Charley, Gagosian Gallery in Berlin, and the columns presented by the bb4 in Zitty magazine." -- publisher's statement. New. In publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.

Hardcover without dustjacket as issued, 112 pages; in English and German; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

First edition and first printing. Softcover. 183 pages. Text in English. Monograph on the paintings of Belgian artist Michael Borremans. Features an essay by Jeffrey Grove. Includes numerous color illustrations and a checklist. A clean very near fine copy in wrappers. Lacking the slipcase. Still a very fresh copy of this nicely printed book.

Hardcover. Condition: gut. 2005. Die auffallend virtuos ausgeführten, in zurückhaltend-tonigen Farben gehaltenen Gemälde von Michaël Borremans (*1963 in Geraardsbergen, Belgien) zeigen zumeist einzelne Figuren oder kleine Gruppen, die sehr konzentriert und mit betonter Gestik agieren. Da nicht erkennbar ist, was genau die Protagonisten tun, wirken diese Bilder mysteriös und surreal; vor nur sparsam ausgeführtem Hintergrund führen sie in ihrer deutlich zeitlosen, an Stillleben gemahnenden Welt letztlich sinnlose Handlungen aus - ein durchaus ironischer Kommentar des Malers auf bürgerliche Normierungen und Zwänge. Vorlagen und Einflüsse für seine komplexen und faszinierenden Arbeiten findet Borremans in alten Fotografien aus den 1930er und 1940er Jahren, Porzellan-Kitschfiguren, bekannten TV-Serien wie in der Literatur. Diese disparaten Elemente führt er, in einer mit Joseph Cornell vergleichbaren Art und Weise, in seine intimen und poetischen Tableaux zusammen. Ausstellungen: S.M.A.K., Stedelijk Museum voor Actuele Kunst, Gent 5.2.-10.4.2005 Parasol Unit, London 3.5.-30.6.2005 The Royal Hibernian Academy, Gallagher Gallery, Dublin 14.7.-4.9.2005 If you are a lover of painting and art books, this first work on Belgian artist Michael Borremans is well worth adding to your collection. I think Borremans has something quite new to bring to the figurative tradition. His subtle, subdued, gorgeous works seem to come from the 1930s or 40s, yet they express the anxiety of our era. The book is small, just 9.75 x 6 inches, so the reproductions are small too. Most are well-presented, though the color on some looks iffy. Some works have been enlarged to cross the gutter, which can be frustrating. But this is still a painter worth getting to know, and thus the book is worth it. A decade from now you'll be glad that you have this first book on the artist on your shelf. Borremans's Zeichnungen/Tekeningen/Drawings is an excellent book, but it's harder to get and his drawings are quite different from the paintings. I recommend both books. Contemporary artist Michael Borremans. Published for the exhibition at the Royal Hibernian Academy, Gallagher Gallery, Dublin, Eire Ausstellungskataloge Kunst Borremans, Michael Borremans, Michaël Borremans, Michal contemporary Art Dublin Museen Gent London Malerei painting Parasol unit foundation for contemporary art Royal Hibernian Academy Dublin Stedelijk Museum voor Actuele Kunst Gent Zeitgenössische Kunst ISBN-10 3-7757-1589-4 / 3775715894 ISBN-13 978-3-7757-1589-8 / 9783775715898 Ausstellungskataloge Kunst Borremans, Michael Borremans, Michaël Borremans, Michal contemporary Art Dublin Museen Gent London Malerei painting Parasol unit foundation for contemporary art Royal Hibernian Academy Dublin Stedelijk Museum voor Actuele Kunst Gent Zeitgenössische Kunst In englischer Sprache. 112 pages. 24,6 x 17,5 x 1,8 cm.

hardcover oblong; 18x12.5cm Nederlands, Frans, Duits, Engels *Condition; NEW. ISBN 9789491843044. Michaël Borremans royal Collection of Belgium. 0 g.

Erste Auflage. 30 x 24 cm. 221 S. Illustrierter OPappband. Innen papierbedingt wenig nachgedunkelt. Winzige Beschabung Buchdeckel verso Kante. Sonst gutes Exemplar. Durchgehend mit meist farbigen Abbildungen versehen. Texte in Deutsch und Englisch. Mit Beiträgen von Hans D. Christ und Hans Rudolf Reust. Erschien anlässlich der Ausstellungen Württembergischer Kunstverein Stuttgart, February 20-May 1, 2011; Mücsarnok / Kunsthalle Budapest, May 14-June 26, 2011. Sprache: Deutsch und Englisch.

hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

Erste Auflage. 31 x 24 cm. 183 S. Illustrierter, flexibler OKarton mit recto montierter Farbabbildung in OPappschuber. Schuber liegt beschädigt bei. Winzige Knitterspur und kleine Stauchung Deckel recto. Sonst sehr gutes Exemplar. Durchgehend mit meist farbigen Abbildungen versehen. Texte in englischer Sprache.