Brittin Charles (19 results)

Paperback. Condition: Very Good.

Hardcover. Condition: Very Good. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 24 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. Book in near fine condition; faint damp stamp corner top of spine; faint soil mark back board; faint toning to clean interior; binding sound. Dust jacket in very good condition; faint to light scuffing; slight sunning along spine; faint damp stain reverse side at top of spine. 183 numbered pages. Red cloth boards with black stamped on front board and yellow stamped lettering on spine. 9 5/8 x 6 5/8 in. Inv. SS031.

Condition: Good. Introduction by Walter Hopps: Foreword by Craig Krull; Interview with Christine McKenna. Perfect binding. 85 plates. 8.5 x 11 inches.

4to. Hardbound in photo-illustrated boards. First edition. Brilliant photos by Brittin of the LA art scene in the '50s including Wallace Berman and his friends, early shots of the Venice scene, as well as photos from the '60s civil rights struggle, and more. Few pin-head-size specks of wear to covers, else fine.

EA, 33x25 cm, 216 S., OPbd., sehr gut erhalten Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.

cartonato illustrato. Condition: ottimo stato. 216 b/nin. Lingua: inglese.

Unbound. Condition: Near Fine. Black and white silver gelatin measuring 8" x 10". Slight curling and edgewear else near fine with captions on the verso. A photo by photojournalist Charles Brittin capturing police brutality against anti-war protests at Century Plaza in Los Angeles on June 23, 1967. According to the LA Times, "President Lyndon Johnson arrived at Century City to deliver a speech at a Democratic Party fundraiser. Ten thousand anti-Vietnam War protesters also arrived." The protests soon turned violent and this image captures that with views of protesters on the ground with their hands over their heads while police with batons are in mid-attack.

350 handmade copies. Printed folder 18.8 x 12.3 cm closed, with a printed pocket inside the rear cover containing 18 (i.e., 21) printed poems and visual works, ranging in size from 9.9 x 9 cm to 16.3 x 9.3 cm and 12 x 12.5 cm. There are two duplicates of Philip Lamantia's "Memoria." The copy in the pocket is on lightweight tan paper and folded; the two duplicates are on heavier stock of a slightly warmer color, and one of those is folded in half. The other contributors are: Antonin Artaud, John Chance, Sor Juana de la Cruz, Kirby Doyle, John Hoffman, Larry Jordan, Robt. Kaufman. Christofer Maclaine, William Margolis, Michael McClure, Anne McKeever, David Melzer, John Reed, Ruth Weiss, John Wieners, Pantale Xantos, and an unsigned drawing of a woman standing inside what appears to be a rough-hewn wooden crate. A few of the various papers have stained their neighbors, as to be expected. The two lower images on the fifth scan are the extra copies of Lamantia's "Memoria." **Free domestic or international shipping with direct order.

[18] pp.; 18.7 x 12.2 cm.; tipped in image[s]; duotone; edition size 350; unsigned and unnumbered; letterpress Issue number five of Semina, published and edited by Wallace Berman. Issue five features folded covers housing a printed manila pocket housing 18 loose poems and images. Artists include Wallace Berman, John Wieners, David Meltzer, Ruth Weiss, Sor Juana Ines De La Cruz, Christopher Maclaine, Anne McKeever, Antonin Artaud, Larry Jordan, Kirby Doyle, Philip Lamantia, John Chance, Robt. Kaufman, Michael McClure, John Reed, Wm. Margolia, and John Hoffman. Cover photo by Charles Brittin. Type was handset and done on 5 x 8 inch handpress. All images in it are in Cancun Mexico. Verso features a portrait of Sor Juana Ines de la Cruz. Poor / Good. This copy contains 17 of the 18 inserts: missing photograph of Philip Lamantia injecting heroin by Wallace Berman (aka Pantale Xantos). Includes a two-sided handwritten letter by Wallace Berman to previous owner introducing the issue. Significant rubbing and wear to covers (as noted by Berman himself in his letter noting it had even been through mudslides). Rubbing, staining, and creasing across covers, 8 mm. fold/surface tear to bottom right corner of recto. 1.5 cm. crease to bottom left corner of verso. Wear to edges of contents with staining, dog-ears, and handling wear.

Folded pictorial covers with interior printed manila pocket housing 18 loose poems and images. 18.5x12 cm (7 1/2" x 5"). One of 350 copies. Contents complete. Near Fine, light wear and soiling to wrappers; some pieces with toning or offsetting, a few with creases at corner tips The fifth installment of Wallace Berman's legendary artist's magazine. Contributors include Berman, John Wieners, David Meltzer, Ruth Weiss, Sor Juana Ines De La Cruz, Christopher Maclaine, Anne McKeever, Antonin Artaud, Larry Jordan, Kirby Doyle, Philip Lamantia, John Chance, Bob Kaufman, Michael McClure, John Reed, Wm. Margolia, and John Hoffman. Semina was published for nine issues, between 1955 to 1964. All are now rare.

[18] pp.; 18.7 x 12.2 cm.; tipped in image[s]; duotone; edition size 350; unsigned and unnumbered; letterpress Issue number five of Semina, published and edited by Wallace Berman. Issue five features folded covers housing a printed manila pocket housing 18 loose poems and images. Artists include Wallace Berman, John Wieners, David Meltzer, Ruth Weiss, Sor Juana Ines De La Cruz, Christopher Maclaine, Anne McKeever, Antonin Artaud, Larry Jordan, Kirby Doyle, Philip Lamantia, John Chance, Robt. Kaufman, Michael McClure, John Reed, Wm. Margolia, and John Hoffman. Cover photo by Charles Brittin. Type was handset and done on 5 x 8 inch handpress. All images in it are in Cancun Mexico. Verso features a portrait of Sor Juana Ines de la Cruz. Very Good. Complete copy featuring all 18 inserts. Rubbing and bumping off cover edges. 4.8 cm. dog-ear to bottom left corner of verso, 2.4 cm. crease to bottom right corner of verso, and 12 inch long crease parallel to bottom edge of verso. Very light creasing to 3 of the 18 inserts, 2.1 cm. dog-ear to top right corner of uncredited illustration of a woman, and light yellowing to Peyote Poem by John Wieners. Contents otherwise clean and unmarked.