Buhlungu (36 results)

Condition: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Paperback. Condition: Very Good. Very Good with moderate wear to covers and no marks to text. Previous owner's name on inside front cover. Annex 1; 8.19 X 5.59 X 0.71 inches; 224 pages.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1100grams, ISBN:9780796921666.

Condition: As New. Unread book in perfect condition.

Softcover. Condition: Bon. Petite(s) trace(s) de pliure sur la couverture. Pages cornées. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Slightly creased cover. Dog-eared pages. Ammareal gives back up to 15% of this item's net price to charity organizations.

paperback. Condition: Good. Dust Jacket Condition: No Dust Jacket. First Edition. Soft cover in good clean condition. Bottom of page block is grubby. Pen marks on some pages. One dog-eared page. Used.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Condition: Very Good. 1st Edition. The wraps are slightly shelf rubbed.Internally clean and tightly bound.Due to weight postal adjustments may be required.[RF17]EK. Our orders are shipped using tracked courier delivery services.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: Good. wraps are shelf rubbed and creased. light marks. 69 pages. fairly good copy.[SK]. Our orders are shipped using tracked courier delivery services.

Paperback / softback. Condition: Good. Used copy in good condition - Usually dispatched within 3 working days.

Paperback. Condition: New. "In her most expansive publication to date, Simnikiwe Buhlungu takes the site of the ubiquitous water puddle as her starting point. With contributions from musicians, artists, curators, and scientists from around the world, the publication draws upon research related to hygrosummons (iter.01)-commissioned by Chisenhale Gallery, London and Kunstinstituut Melly, Rotterdam-and gathers an intertextual conversation around the literal and metaphorical possibilities of the water cycle. The artist's original writing uses the footnote as an editorial style to trace personal anecdotes and literary references that have informed her commission. Situated amongst original drawings, texts, song lyrics, posters and correspondences, a series of research images reveal geographical sites and experimental processes that have shaped the development of a new body of work.Delving into puddle microbiology amongst disciplines of art, science, geography, and history, Buhlungu questions the language of standardized scientific expression. Her ongoing inquiries into sensing instruments and invisible systems of knowledge, positions the puddle as a body of water with agency, exploring how knowledge is created, by who, and the ways in which it is encountered. With these ideas woven into the publication's design and materials, the book acts as an index to concepts within Buhlungu's practice, whilst continuing her experimentation with how conversations are disseminated in exhibition and publishing-form.besides Puleng; dontsa-ring and roving preoccupations is co-published by Chisenhale Gallery, London, Kunstinstituut Melly, Rotterdam, and Mousse Publishing, Milan.".

Soft cover. Condition: Very Good. The wraps are slightly shelf rubbed.Some annotating.Excellent binding.EK. Our orders are shipped using tracked courier delivery services.

Soft cover. Condition: Very Good. 1st Edition. The wraps are slightly shelf rubbed.Internally clean.Well bound.Very good copy.[R.K]. Our orders are shipped using tracked courier delivery services.

Paperback. Condition: Very Good. First Edition. may require extra postage. mild shelf wear on wraps, there appears to be a neatly repaired tear on the spine. a clean copy. excellent binding. [SK]. Our orders are shipped using tracked courier delivery services.

Paperback. Condition: new. Paperback. "In her most expansive publication to date, Simnikiwe Buhlungu takes the site of the ubiquitous water puddle as her starting point. With contributions from musicians, artists, curators, and scientists from around the world, the publication draws upon research related to hygrosummons (iter.01)commissioned by Chisenhale Gallery, London and Kunstinstituut Melly, Rotterdamand gathers an intertextual conversation around the literal and metaphorical possibilities of the water cycle. The artists original writing uses the footnote as an editorial style to trace personal anecdotes and literary references that have informed her commission. Situated amongst original drawings, texts, song lyrics, posters and correspondences, a series of research images reveal geographical sites and experimental processes that have shaped the development of a new body of work.Delving into puddle microbiology amongst disciplines of art, science, geography, and history, Buhlungu questions the language of standardized scientific expression. Her ongoing inquiries into sensing instruments and invisible systems of knowledge, positions the puddle as a body of water with agency, exploring how knowledge is created, by who, and the ways in which it is encountered. With these ideas woven into the publications design and materials, the book acts as an index to concepts within Buhlungus practice, whilst continuing her experimentation with how conversations are disseminated in exhibition and publishing-form.besides Puleng; dontsa-ring and roving preoccupations is co-published by Chisenhale Gallery, London, Kunstinstituut Melly, Rotterdam, and Mousse Publishing, Milan." Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: Very Good. First Edition. Heavy Book may require extra postage unless posted within South Africa. The wraps are a little shelf rubbed, minor creases and edge worn. The text within the book is clear and bright. The binding is excellent. GK. Our orders are shipped using tracked courier delivery services.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780796921277.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780796921277.

Soft cover. Condition: Near Fine. 6" x 9", xii + 210pp. Perfect bound book in laminated printed card stock cover. Minor shelf wear, edge wear to cover, and the fore-edge appears to be somewhat sun-faded, although this may be a feature of the graphic design. Original bookseller's sticker still affixed to back cover (Clarkes Bookshop, Cape Town, SA). Binding is square and tight, pages are clean and bright and unmarked; appears to be an unread copy.

paperback. Condition: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Condition: New. 2025. paperback. . . . . .

Condition: New.

Condition: New. 2025. paperback. . . . . . Books ship from the US and Ireland.

Condition: As New. Unread book in perfect condition.

paperback. Condition: Very Good. First Edition. shelf wear on the wraps. a bit marked. book remains neat, intact and presentable. [SK]. Our orders are shipped using tracked courier delivery services.

Taschenbuch. Condition: Gut. 272 Seiten Sprache: Englisch Gewicht in Gramm: 359.

Paperback. Condition: new. Paperback. "In her most expansive publication to date, Simnikiwe Buhlungu takes the site of the ubiquitous water puddle as her starting point. With contributions from musicians, artists, curators, and scientists from around the world, the publication draws upon research related to hygrosummons (iter.01)commissioned by Chisenhale Gallery, London and Kunstinstituut Melly, Rotterdamand gathers an intertextual conversation around the literal and metaphorical possibilities of the water cycle. The artists original writing uses the footnote as an editorial style to trace personal anecdotes and literary references that have informed her commission. Situated amongst original drawings, texts, song lyrics, posters and correspondences, a series of research images reveal geographical sites and experimental processes that have shaped the development of a new body of work.Delving into puddle microbiology amongst disciplines of art, science, geography, and history, Buhlungu questions the language of standardized scientific expression. Her ongoing inquiries into sensing instruments and invisible systems of knowledge, positions the puddle as a body of water with agency, exploring how knowledge is created, by who, and the ways in which it is encountered. With these ideas woven into the publications design and materials, the book acts as an index to concepts within Buhlungus practice, whilst continuing her experimentation with how conversations are disseminated in exhibition and publishing-form.besides Puleng; dontsa-ring and roving preoccupations is co-published by Chisenhale Gallery, London, Kunstinstituut Melly, Rotterdam, and Mousse Publishing, Milan." Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condition: new. Paperback. "In her most expansive publication to date, Simnikiwe Buhlungu takes the site of the ubiquitous water puddle as her starting point. With contributions from musicians, artists, curators, and scientists from around the world, the publication draws upon research related to hygrosummons (iter.01)commissioned by Chisenhale Gallery, London and Kunstinstituut Melly, Rotterdamand gathers an intertextual conversation around the literal and metaphorical possibilities of the water cycle. The artists original writing uses the footnote as an editorial style to trace personal anecdotes and literary references that have informed her commission. Situated amongst original drawings, texts, song lyrics, posters and correspondences, a series of research images reveal geographical sites and experimental processes that have shaped the development of a new body of work.Delving into puddle microbiology amongst disciplines of art, science, geography, and history, Buhlungu questions the language of standardized scientific expression. Her ongoing inquiries into sensing instruments and invisible systems of knowledge, positions the puddle as a body of water with agency, exploring how knowledge is created, by who, and the ways in which it is encountered. With these ideas woven into the publications design and materials, the book acts as an index to concepts within Buhlungus practice, whilst continuing her experimentation with how conversations are disseminated in exhibition and publishing-form.besides Puleng; dontsa-ring and roving preoccupations is co-published by Chisenhale Gallery, London, Kunstinstituut Melly, Rotterdam, and Mousse Publishing, Milan." Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.