Chantal Joffe (22 results)

Softcover, 56 pages; in English and Italian; very good condition, small crease to upper left corner of cover; no internal marks.

Condition: New. Picture Shown is For Illustration Purposes Only : CONDITION : NEW.

hardcover. Condition: New.

Soft cover. Condition: Good. Exhibition catalogue; Victoria Miro, 2016. 84 pages. A few water stains to the back cover and a few small paint marks. Internally in excellent unmarked condition.

Two softcover books, about 62 pages each; in English and Italian, new condition, still sealed in shrinkwrap with "Ritratto di Donne" printed white cloth wrapped around books; clean and crisp. Foreign shipping may be extra.

Softcover, staple-bound, 16 pages; very good condition, covers are blank blue; may be missing a dustjacket; no internal marks.

Hardback. Condition: New. Painting Writing Texting chronicles the friendship between painter Chantal Joffe and writer Olivia Laing, which began in 2016 when Joffe approached Laing to ask if they would sit for a portrait. From this unexpected encounter, the two embarked on an expansive and ranging collaboration, fuelled by high-speed conversations about art, books, and their shared attempts to understand the world. 'It feels like we both use portraiture to get at something deeper', Laing writes in one of the ten essays collected here. Combining these texts with a dazzling sequence of paintings by Joffe, Painting Writing Texting explores the strange and risky process by which everyday life is converted into art. More than a record of two artists' lives, it is an account of friendship itself, and the magical cross-pollination that can occur between words and images.

Poster. This is not a book. The original announcement poster for an exhibition of work by Chantal Joffe held at Cheim & Read, NYC, May 7 - June 13, 2009. It was the artist's first solo show at the gallery. Pictured on the poster is "Topless in Purple Gloves" (2009.) Single sheet, printed both sides; 18.5 x 29 inches. Condition: Fine, machine-folded as issued. Laid-in is the gallery press release. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Poster. This is not a book. The original announcement poster for an exhibition of work by Chantal Joffe held at Cheim & Read, NYC, May 4 - June 23, 2012. Single sheet, printed both sides; 18 x 24 inches. Condition: Fine, machine-folded as issued, perhaps with a touch of flaking at the folds, with mailing tabs at three edges; unmailed. Laid-in is the gallery press release. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Softcover. Condition: Gut bis sehr gut. 2 Pappbände. Alessandra Ariatti, Legami: Chantal Joffe, Moll. 61, 53 Seiten mit Illustrationen. Texte in italienisch/englisch. Einbände mit minimalen Gebrauchsspuren. Sehr sauber. Mit einer betitelten Bauchbinde aus Stoff. Diese leicht angestaubt. Wir versenden versichert mit Hermes. Auf Anfrage ist eine alternative Versandart möglich. Wir versenden versichert mit Hermes. Auf Anfrage ist eine alternative Versandart möglich.

Softcover, unpaginated; very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: New.

Brossura. Condition: come nuovo. Dust Jacket Condition: ottimo. prima edizione. Offering unique insight into the world of contemporary art, this book looks at four generations of artists, from the established to the newly emerged. Photographs of each of the artists, taken by Amanda Eliasch during 2002 in the artists' studios, are set alongside examples of their work. The text by Gemma de Cruz provides a brief overview of who the artists are, what they do and how their work and ideas fit into the art world at this time. This book draws attention to a particular selection of artists who together form a strong idea of what is happening now in contemporary art in London, featuring artists who are influential alongside those they have influenced. Descrizione bibliografica Title: British Artists at Work Author: Gemma De Cruz (Texts by) Other Authors: with additional material by Kay Hartenstein-Saatchi and Martin Maloney Photographs by: Amanda Eliasch Original concept by: Franca Sozzani Publisher: New York: Assouline, 2003 Physical Description: 192 pagine; 28 cm; Fully illustrated; In shrink wrap (In pellicola termoretraibile) Weight: 2,4 Kilograms; hundreds of b/w and colour illustrations ISBN: 2843235057, 9782843235054 Language: English Soggetti: Arte contemporanea, Young British Artists, Concettuale, Collezionismo, Libri illustrati, Artisti emergenti, Opere, Collezioni, Installazioni, Mostre, Astrattismo, Pittura, Scultura, Plastica, Esposizioni, Personali, Trend, Cultura, Edizioni pregiate, Moda, Fotografia, Inghilterra, Gran Bretagna, Various, Contemporary British Painting, Modern Art, Peter Thomas Blake, Britannique, Groupe d'artistes, Peintures, Aquarelles, Dessins, Gravures, Dipinti, Acquerelli, Disegni, Incisioni, Olio, Tele, Ritratti, Paesaggio, Video, Cinema, Sessualità, Pop, Fumetti, Postmoderno, Giovani, Quotazioni, Oggetti, Kartell, Design, Monument, Incisioni, Incisori, Sculture geometriche, Biomorfiche, Granito, Pietra calcarea, Marmo, Pigmenti, Malta, Acciaio inossidabile, Colori, Decorazioni, Progetti architettonici, Scenografie, Testi, Frasi, Superblack, Nero, Vantablack, Damien Hirst, Formaldeide, Stile, Prêt-à-porter, YBAs, Brit Pack, Britart, Visual, Goldsmiths College, Tattiche shock, Materiali di recupero, Charles Saatchi, Tracey Emin, Fine Art, Freeze, Videoarte, Immagini, Readymade, Turner Prize, Sensation, Biennale, Venezia, Vogue Italia, Vitrine, Tate, Anni Ottanta, Anni Novanta, Anni Duemila, Gallerie commerciali, My Bed, Femminismo, The Physical Impossibility Of Death In the Mind Of Someone Living, Libri fuori catalogo, Contemporary art, Conceptual, Collecting, Illustrated books, Emerging artists, Works, Collections, Installations, Exhibitions, Abstractionism, Painting, Sculpture, Plastic, Exhibitions, Personal, Culture, Fine editions, Fashion, Photography, England, Great Britain, Paintings, Watercolors, Drawings, Engravings, Oil, Canvases, Portraits, Landscape, Video, Cinema, Sexuality, Comics, Postmodern, Young people, Quotes, Objects, Engravings, Engravers, Geometric sculptures, Biomorphic, Granite, Limestone, Marble, Pigments, Mortar, Steel stainless steel, Colors, Decorations, Architectural projects, Scenography, Texts, Phrases, Black, Formaldehyde, Style, Shocking tactics, Recycled materials, Video art, Images, Venice, Italy, Eighties, Nineties, Years 2000, Commercial galleries, Feminism, Out of print books Parole e frasi comuni abstract painting ACRYLIC ON CANVAS ANTONY GORMLEY history world body CHANTAL JOFFE colour contemporary create D.J. SIMPSON Damien decorative DETAIL DEXTER DALWOOD dress emotional exhibition feel figures film FIONA RAE Gagosian GARY HUME GAVIN TURK gestures GILBERT & GEORGE GILLIAN WEARING girl Goldsmiths College GRAYSON PERRY HOUSEHOLD GLOSS PAINT HOWARD HODGKIN huge IAN DAVENPORT images installation Jay Jopling White Cube JENNY SAVILLE JIM LAMBIE JUN HASEGAWA KIRSTEN GLASS landscape LISA MILROY look magazines MARC QUINN MARTIN MALONEY MARTIN MCGINN MAT COLLISHAW MICHAEL CRAIG-MARTIN MICHAEL RAEDECKER NEIL RUMMING objects OIL BOARD White Cube I know nothing about the art world but I have been involved in making a book for Italian Vogue for Franca Sozzani, the editor. I suppose I became interested in art about ten years ago when I met Charles Saatchi at the Amanpuri Hotel in Thailand. I was sitting by the swimming pool and he was sitting with the film director David Puttnam. He asked me where I lived and I told him in Chester Square. "Well, introduce me to your husband because we need clever young people like him." So we became friends, but not within the art world. Johan was his "cleaner," as he called him, he'd clean up his mess and he cleaned up the Saatchi deal between the old and new companies. I really appreciated Charles's help recently as he assisted me with my photographic shows of nudes. The last one he came to he said, "Oh, definitely, definitely commercial, stick to 1930s Paris." I had been working with Martin Maloney and doing some colour photographs, and Martin said, "Keep on with them." Charles said, "If you keep on with them you'd better go into magazines." So I went to New York and took my book round and I got a call back from Visionaire. I then telephoned Katy Barker who was the only photographic agent I knew and asked her advice. She told me that I couldn't show nudes and that I should do some fashion photographs. So I was introduced to a girl named Rushka Bergman who helped me take the correct photographs for my book. I showed them to the photographer Michel Comte, who took me to Italian Vogue. I then did one or two jobs for Franca, including the Kartell Catalogue, which many photographers did. It showed artists in their chairs. She liked the pictures and suggested I do a book on artists in their studios. I asked for a writer, and Martin suggested Gemma de Cruz, and we drew up a list together. The list in the book is quite varied: It is Young British Artists and a few of the Establishment who actually made the young artists or helped to make them. I liked the older guys because I think as a cu.

Condition: New. Picture Shown is For Illustration Purposes Only : CONDITION : NEW -16 Page Exhibition Stapled Catalogue.

Paperback. Condition: New. BRAND NEW.

Hardback. Condition: New. Painting Writing Texting chronicles the friendship between painter Chantal Joffe and writer Olivia Laing, which began in 2016 when Joffe approached Laing to ask if they would sit for a portrait. From this unexpected encounter, the two embarked on an expansive and ranging collaboration, fuelled by high-speed conversations about art, books, and their shared attempts to understand the world. 'It feels like we both use portraiture to get at something deeper', Laing writes in one of the ten essays collected here. Combining these texts with a dazzling sequence of paintings by Joffe, Painting Writing Texting explores the strange and risky process by which everyday life is converted into art. More than a record of two artists' lives, it is an account of friendship itself, and the magical cross-pollination that can occur between words and images.

hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condition: Brand New. 168 pages. German language. 10.87x9.33x0.83 inches. In Stock.

Soft Cover. Condition: Fine. This is a fine softcover copy with no wear at all. Completely clean. This catalog was prepared to accompany the exhibition at Cheim & Read in New York in 2015. Text by Louise Yellin 'Chantal Joffe: the Work of Self-Fashioning in the Age of the Selfie'. Also interview with the artist. Illustrated throughout in color with reproductions of Chantal Joffe's paintings. 14" high X 12" wide. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.

Soft cover. Condition: Very Good. Signed by Miles Aldridge to front cover. 8" x 10.75" softcover book, staple bound in card wraps. Unpaginated with color illustrations, approx. 25pp. Clean and unmarked save for the autograph. Traces of rubbing and occasional tiny spots particularly to rear cover. Page interiors bright. Bit of toning to covers by staples. Collected editorial photographs and illlustrations of the model Krsiten, photographed by Miles Aldridge and illustrated by Chantal Joffe. Special copy of this rare supplement to Paradis Magazine No. 5.

Condition: New. Herausragende Kuenstlerinnen wie Kaethe Kollwitz, Paula Modersohn-Becker, Gabriele Muenter oder Marianne Werefkin praegten die Entwicklung des Expressionismus in Deutschland in den ersten Jahrzehnten des 20. Jahrhunderts ganz wesentlich. In einer Zeit grosser ge.

Condition: new.