Deitch Jeffrey (454 results)

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.01.

Paperback. Condition: Very Good. Oversized (8.5x11") softbound book in very good condition. Light shelfwear to bottom edge and faint beginnings of agetoning to the margins. Otherwise uncreased, wraps and pages bright and glossy, crisp feel overall.

Paperback. Condition: Very Good-. Slight yellowing to edge of pages. - Great overall condition. Minor cosmetic wear. No noteworthy blemishes. No writing. ; - We offer free returns for any reason and respond promptly to all inquiries. Your order will be packaged with care and ship on the same or next business day. Buy with confidence.

Oversized Paperback. Condition: Good. This volume features a wide range of the graphic designer's work. Known for his signature blend of psychedelic abstract with product-oriented representation, McGinness uses a hypnotic personal iconography of symbols and images, which are recontextualized by media as diverse as soccer balls and Agnes B. dress shirts. Included here are works onpaper, drawings, installations, and sketchbook selections. 170 illus. 224 p.

Hardcover. Condition: Acceptable. JUMBO. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Hardcover. Condition: Good. Jumbo-sized. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD.

Condition: good. USED book in GOOD condition. Great binding, pages and cover show normal signs of wear from use.

The cover has mild edge wear. The pages are clean and unmarked.

hardcover. Condition: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Paperback. Condition: Fine. 1st. 181 pages, illustrations (chiefly colour); 28 cm. Editors: Charles Gute, Suzanne Geiss, Leslie Rosa; translation: Emily Ligniti. Firm binding, clean inside copy. Richly illustrated with colour plates. *** "Brad Kahlhamer fuses exuberant Expressionist painting with the visionary tradition of Native American art, resulting in what the critic Michael Cohen describes as 'a new narrative of how the West was won that allows the original inhabitants to live to tell the tale.' Kahlhamer draws in part from visual sources in the country western and Native American rock-music scenes, and his landscapes swirl with an atavistic energy; they seem to have a sound that accompanies their visual rhythm. Their unruly cast of characters, dead and alive, from the artist's life and from his imagination, are visited by the great American bald eagle, who sweeps though the frame as the artist's surrogate. Kahlhamer's immersion into his personal American landscape finds him mixing representations of the real into what he calls a visionary "third place," counted out from the 'first place' of his Native American heritage, and the "second place" of his more conventional American upbringing with his adoptive parents. This, his own personal third America, gleefully mingles the real and the imaginary. This volume is the first complete survey of Kahlhamer's work to date, covering more than 10 years of material." - Publisher. *** CONTENTS: Brad Kahlhamer's friendly frontier, by Jeffrey Deitch; Brad Kahlhamer: almost Arcadian, by Dean Sobel; Ecstacy Americana, by Mariuccia Casadio; Works; List of works; Appendix. Size: 4to. Collectible.

Softcover, 144 pages, very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover, 286 pages; very good condition; except museum library sticker taped around bottom of spine, no internal marks.

Hardcover. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Paperback. Condition: Acceptable. JUMBO. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. PAPERBACK.

Hardcover. Condition: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Hardcover. First edition, 2013, first printing. Very Good quarter-cloth hardcover with light soiling to the covers, tiny bumps to the bottom edges of the boards, and slightly bowed boards; no dj as issued. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. A collection of b&w photographs made by Andy Warhol (1928-1987), documenting his trip to Beijing in 1982, along with a sample of work he made in response to the trip. "Warhol's presence in China electrified Beijing's avant-garde, and his photographs record both his own delight in encountering the city's artists (as well as other sights--he was much impressed by the Great Wall) and their delight in him. These photographs consequently possess both artistic and documentary merit." Essays by Michael Frahm and Tony Godfrey; foreword by Ai Weiwei; preface by Nicholas Chambers; interview with Jeffrey Deitch conducted by Philip Tinari. 312 pages; 420 color and b&w illustrations; 10.5 x 12.5 inches. Thumbnails with captions at the back. Text in English and Chinese. Due to size and weight, international and expedited shipping will be more than quoted.

Hardcover. Condition: new. Hardcover. Thirty-five contemporary artists create their own version of Le Dejeuner sur lherbe.Edouard Manets Le Dejeuner sur lherbe (1863) is generally cited as the first modern painting. The entry slide in art history lectures about modernism, the work remains among the most audacious painting[s] ever seen in France, as Ross King described it in The Judgement of Paris (2006).As Manet did with Le Dejeuner sur lherbe, the most provocative painters today collapse the historical and the contemporary onto one plane. Jeffrey Deitch invited a group of these influential artists to create their own versions, combined here with historical responses to Manets painting. The slim volume features these often biting and satirical works alongside essays discussing Le Dejeuner sur lherbes enduring influence on contemporary figurative painting. Thirty-five contemporary artists create their own version of Le Dejeuner sur l herbe. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Softcover. Condition: Wie neu. Ohne Schutzumschlag. 1. Auflage. fully illustrated in colour.

Condition: As New. Unread book in perfect condition.

Trade Paperback. Condition: Used - Very Good. Somewhere between an artist's book and a catalogue, Installationview provides insight into the works and process of artist Ryan McGinness. The book is a dense collection of new paintings, works on paper, installations, sketches and notes, inspiration snapshots, and pieces made specifically for its pages.'McGinness has developed an expansive vocabulary of eccentric, vaguely familiar symbols drawn from art historical and modern vernacular sources.'--the New York Times'An unusual marriage of abstraction and representation'--Art News'For those inclined to debate the line that separates graphic design from fine art, there is no better case study than Ryan McGinness.'--Metropolis'McGinness is on image overload.'--the Boston Globe'The 33-year-old's recent paintings combine colorful icons drawn from mythology, pop culture, and nature'--Departures Very nice clean, tight copy free of any marks.

Paperback. Condition: Near Fine. 1st. 111 pages, colour illustrations; 30 cm. Exhibition held at the Saatchi Gallery in two parts: January 25 to March 3, 1996 and March 21 to May 12, 1996. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps. Richly illustrated with colour plates. *** Charles Ray and one of his sculptures are depicted on the front cover. *** Includes: Janine Antoni - Gregory Green - Jacqueline Humphries - Sean Landers - Charles Long - Tony Oursler - Richard Prince - Charles Ray - Kiki Smith. Size: 4to. Collectible.

Paperback. Condition: Near Fine. 1st. 141 pages, colour illustrations; 30 x 30 cm. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Profusely illustrated. *** "Live Through This: New York in the Year 2005, brings together over thirty of the most innovative and influential art, music, and fashion people who are changing artmaking now. New art practice is now intimately tied to the lived experience of the artists themselves, and this book-- through more than three hundred color reproductions of artists, artworks, events, zines, concerts, openings and parties-- illustrates and examines the nature of this relationship. Thoughtful criticism is provided by five essays: Larry Rinder writes about the groundbreaking nature of Fort Thunder and Providence scene, Jeffrey Deitch offers an historical and personal look at New York's underground, musician Philip Guichard describes the past five years of music in the city, digital artist Cory Arcangel talks about collectives and new media, while Kathy Grayson provides a behind-the-scenes thesis. Major attention is paid to artists working in New York City, but also in Providence and San Francisco. The list includes several major names in art, fashion and music, but some decidedly underground ones, thus emphasizing community affiliations and working collaborations. This is a most authentic look at what New York's art scene truly is, organized and produced by the members themselves through extensive collaboration" - Publisher. *** CONTENTS: Revenge of the nerds, by Cory Archangel; Sour lightening, by Richard Guichard; Fort thunder, forcefield, and the New York art world, by Lawrence Rinder; Live the art, by Jeffery Deitch; Live through this New York 2005, by Kathy Grayson. Size: 4to. Collectible.

Paperback. Condition: Very Good. 9.5 X 0.5 X 11.25 inches; 181 pages; color and B&W illustrations throughout the book. Very minor shelf rubbing on the covers. Very Good condition otherwise. No other noteworthy defects. No markings. ; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.

Hardcover without dustjacket as issued, 212 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover without dustjacket as issued; unpaginated; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condition: Good. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Condition: Very Good. 1st Edition. Very Good oblong paperback. Exhibition catalog. Light shelf wear to the exterior. The interior is clean and bright. Illustrated.