Frank Robert Kerouac Jack (127 results)

Condition: Good. Condition: GOOD - Used with some wear from use. May include stickers on cover, missing or wear to dustcover, inside cover, spine, slight curled corners, stains, and wear to the fore edge. All orders ship via UPS Mail Innovations - MAY TAKE UP TO 10 BUSINESS DAYS from first scan to be delivered.

Soft cover. Condition: Very Good. 1st Edition. Large format paperback with illustrated front cover, 240 pages an anthology of authors related to the city of Berkeley, California. Ink name, inscription and date on front end paper, else Fine.

hardcover. Condition: Good. exlibrary hardcover book with dust jacket, usual library markings, has some light wear throughout.

Tapa dura. Condition: Muy bien. EXCELENTE ejemplar. S/p.

Paper. Condition: Good ++. Robert Frank (cover) (illustrator). First Thus. The author begins this 183 page autobiographical with a personal picture - a kind of Name, Rank and Serial Number list, that includes a work history. First glimpses of a tonge-in-cheek style. Then we move from the West Coast seaports of America to the streets of Paris, France, to Tangier White City - Morocco. Concludes with a piece on the American hobo. UNillustrated. Mix in a bit of drink and marijuana. Read more about : Arkansaw Charley, Notre Dame, Mt. Baker National Forest, defawdle, Chinese laundries, denny Blue, Arab Negress maid, Frisco of Walkup and Sherman Local. Cond : Paper wrapper is white with black lettering. Front cover graphic is a photo portrait of Jack by Frank. Condition has been down-graded by the heavy under-lining and note making of p/o. P/o name verso front cover. Light cover crease. Binding tight, volume square, light soiling. No tears. Very good reading copy only. Quote (p. 57) : " . that made kicked cars keep going and you had to ride them brake them and stop them up with blocks. Lessons I learned there, like, `Put , tie a good brake on him, we don't want to start chasin' the sonofabitch back to the City when we ._._._.' .".

paperback. Condition: Good.

Paperback. Condition: As New. Stated First Edition; First Printing. Softcover. Limited edition. Illustrated cover, pristine. Book is firm in binding - As New. A lovely copy, crisp and clean. Co-published by the Museum of Fine Arts, Houston; edited by Anne Wilkes Tucker. With text by Jonas Mekas, Jack Kerouac, Walker Evans, and others; includes letters by Frank. Free of any markings, not ex-library.; 4to 11" - 13" tall; 111 pages.

Condition: Neuf.

Softcover, 244 pages; in French; as new condition; clean and crisp; signed by JOhn Cohen under his printed name on fist page; no other internal marks. Foreign shipping may be extra.

Soft cover. Condition: Fine. 1st edition. Near Fine. 4to, 96pp, printed wrappers. Nice copy of a peak sixties issue of this important little magazine, includes the first installment of Kerouac's Satori in Paris, plus writing by Beckett and Robbe-Grillet, other interesting content. Unmarked copy with light wear and toning. Not Signed.

Soft cover. Condition: Very Good. 1st Edition. Grove Press: 1961. Octavo. Soft cover. First printing. Sticker residue to the front cover. Some rubbing and wear to the wraps. On the lower end of very good condition.

Cloth. Condition: New. Dust Jacket Condition: New. B & W photographs; 8.2 X 0.75 X 7.2 inches; 180 pages.

Paperback. The catalogue for a sale of 287 lots from the estates of Allen Ginsberg, William Burroughs, and Jack Kerouac at Sotheby's in 1999. Fascinating document, which reproduces photos of Ginsberg, Burroughs, Kerouac, and the other Beat writers by photographers such as Robert Frank (7), Richard Avedon, Hank O'Neal, Linda McCartney, Fred McDarrah, and Ginsberg himself, as well as others. There is also art by various artists such as Ralph Steadman, Burroughs, Bartlett F. Kenny, Harold Chapman, Peter Le Blanc, Kevin Dean, Robert La Vigne, Keith Haring, Roy Lichenstein, Brion Gysin, and others reproduced as well as artifacts from the writers' lives. First edition. 144 pages; b&w reproductions throughout; 8 x 10.5 inches. Condition: Very Good paperback with light rubbing to the edges, small bits of rubbing to the back cover and three penned letters to the front. Books ship the next business day, wrapped in padding, in a box.

Original Wraps. Condition: Very Good. McDarrah, Fred (illustrator). First Edition. Touch of edgewear else near fine -- photogr. wraps. Anthology of 45 NYC Beat writers. Photographs by Fred McDarrah'. $1.95 cover price.

hardcover. Condition: Very Good. Hardback--name inside cover--otherwise, excellent condition.

Soft cover. Condition: Very Good. First Edition Thus. 1st edition thus. Paperback. Minor wear to wrappers, otherwise very good.

Soft cover. Condition: Very Good. 1st edition. VG+. 8vo, 160pp, printed wrappers. Poet Douglas Blazek's copy, with his ownership signature on first interior page (no other markings). Early issue of Evergreen Review, featuring a Robert Frank cover and writing by Kerouac, Ginsberg, Olson, et al. Subscription card laid in. Light wear and toning. Signed by Author(s).

Softcover. Condition: Fine. A sharp copy of the trade paperback Issue from 1986.; 9.80 X 9 X 0.25 inches; 174 pages.

Couverture souple. Condition: Très bon. Dust Jacket Condition: Très bon. Edition originale. Grand in-8° broché. C est certainement une des plus grandes revues de cinema de la fin du XXeme siecle. La revue Trafic s'est éteinte, après 30 ans d'existence et 120 numéros. Fondée en 1991 par Serge Daney, quelques mois avant sa mort, et Jean-Claude Biette, elle était reconnaissable grâce à sa couverture en papier Kraft et son absence totale d'illustrations. L'omniprésence du texte et la qualité de son comité de rédaction - parmi lesquels Raymond Bellour, Sylvie Pierre, Patrice Rollet ou encore Marcos Uzal qui a rejoint la revue en 2016 - en ont fait une référence en matière de réflexion critique et de pensée sur le cinéma.En plus du comité fixe, la revue est assortie d'un conseil de rédaction, comprenant en 2020 Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer et Marcos Uzal. - - - - Large in-8° paperback. It is certainly one of the greatest film reviews of the end of the 20th century. The magazine Trafic has died out, after 30 years of existence and 120 issues. Founded in 1991 by Serge Daney, a few months before his death, and Jean-Claude Biette, it was recognizable thanks to its Kraft paper cover and its total absence of illustrations. The omnipresence of the text and the quality of its editorial board - including Raymond Bellour, Sylvie Pierre, Patrice Rollet and Marcos Uzal who joined the journal in 2016 - have made it a reference in terms of critical reflection and thought on the cinema. In addition to the fixed committee, the review is accompanied by an editorial board, including in 2020 Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer and Marcos Uzal. - - - - - Rústica grande en 8°. Sin duda es una de las mejores críticas cinematográficas de finales del siglo XX. La revista Trafic se ha extinguido, después de 30 años de existencia y 120 números. Fundado en 1991 por Serge Daney, unos meses antes de su muerte, y Jean-Claude Biette, era reconocible gracias a su cubierta de papel Kraft y su ausencia total de ilustraciones. La omnipresencia del texto y la calidad de su consejo editorial -incluidos Raymond Bellour, Sylvie Pierre, Patrice Rollet y Marcos Uzal que se incorporaron a la revista en 2016- la han convertido en un referente en términos de reflexión crítica y pensamiento sobre el cine. al comité fijo, la revista está acompañada por un consejo editorial, que incluye en 2020 a Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer y Marcos Uzal. SOMMAIRE : - Les haillons du réalisme par Pierre Léon - Bleu Antonioni par Adriano Aprà - L'imitation de la Parole selon Oliveira par Xavier Carrère - L'écran et le scénario par Frédéric Sabouraud - Sauver l'image par Raymond Bellour - La vingt-cinquième image par Chantal Akerman - Schefer analyste (éloge) par Jacques Aumont - Interpréter, lire, commenter par Jean Louis Schefer - Il faut sortir de la forêt par Serge Bozon - À mes parents par Sylvie Pierre - « Raconte-moi des histoires » par Leslie Kaplan - Grand Hôtel Solitude par Eric de Kuyper - Hollywood, inventaire critique (4) par Tag Gallagher - Sur la route de la Floride par Jack Kerouac - Lettres de New York par Robert Frank - Qui voit Dieu meurt par P. Adams Sitney.

Couverture souple. Condition: Très bon. Grand in-8° broché. C est certainement une des plus grandes revues de cinema de la fin du XXeme siecle. La revue Trafic s'est éteinte, après 30 ans d'existence et 120 numéros. Fondée en 1991 par Serge Daney, quelques mois avant sa mort, et Jean-Claude Biette, elle était reconnaissable grâce à sa couverture en papier Kraft et son absence totale d'illustrations. L'omniprésence du texte et la qualité de son comité de rédaction - parmi lesquels Raymond Bellour, Sylvie Pierre, Patrice Rollet ou encore Marcos Uzal qui a rejoint la revue en 2016 - en ont fait une référence en matière de réflexion critique et de pensée sur le cinéma.En plus du comité fixe, la revue est assortie d'un conseil de rédaction, comprenant en 2020 Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer et Marcos Uzal. - - - - Large in-8° paperback. It is certainly one of the greatest film reviews of the end of the 20th century. The magazine Trafic has died out, after 30 years of existence and 120 issues. Founded in 1991 by Serge Daney, a few months before his death, and Jean-Claude Biette, it was recognizable thanks to its Kraft paper cover and its total absence of illustrations. The omnipresence of the text and the quality of its editorial board - including Raymond Bellour, Sylvie Pierre, Patrice Rollet and Marcos Uzal who joined the journal in 2016 - have made it a reference in terms of critical reflection and thought on the cinema. In addition to the fixed committee, the review is accompanied by an editorial board, including in 2020 Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer and Marcos Uzal. - - - - - Rústica grande en 8°. Sin duda es una de las mejores críticas cinematográficas de finales del siglo XX. La revista Trafic se ha extinguido, después de 30 años de existencia y 120 números. Fundado en 1991 por Serge Daney, unos meses antes de su muerte, y Jean-Claude Biette, era reconocible gracias a su cubierta de papel Kraft y su ausencia total de ilustraciones. La omnipresencia del texto y la calidad de su consejo editorial -incluidos Raymond Bellour, Sylvie Pierre, Patrice Rollet y Marcos Uzal que se incorporaron a la revista en 2016- la han convertido en un referente en términos de reflexión crítica y pensamiento sobre el cine. al comité fijo, la revista está acompañada por un consejo editorial, que incluye en 2020 a Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer y Marcos Uzal. SOMMAIRE : - Les haillons du réalisme par Pierre Léon - Bleu Antonioni par Adriano Aprà - L'imitation de la Parole selon Oliveira par Xavier Carrère - L'écran et le scénario par Frédéric Sabouraud - Sauver l'image par Raymond Bellour - La vingt-cinquième image par Chantal Akerman - Schefer analyste (éloge) par Jacques Aumont - Interpréter, lire, commenter par Jean Louis Schefer - Il faut sortir de la forêt par Serge Bozon - À mes parents par Sylvie Pierre - « Raconte-moi des histoires » par Leslie Kaplan - Grand Hôtel Solitude par Eric de Kuyper - Hollywood, inventaire critique (4) par Tag Gallagher - Sur la route de la Floride par Jack Kerouac - Lettres de New York par Robert Frank - Qui voit Dieu meurt par P. Adams Sitney.

FRANK, ROBERT. The Americans. 180 pp., 84 duotone illustrations, and an introduction by Jack Kerouac. Oblong 4to, cloth. New York: Scalo, 2000. A reissue of this classic work from 1959, one of the most famous and influential photography books ever published. Very slight wear to DJ.

Paper. Condition: Fine. No Jacket. First softcover edition.

Hardcover. Condition: Good. Dust Jacket Condition: Good. No markings, some light wear on jacket ,

Soft cover. Condition: Very Good. 1st edition. Near VG. Folio, ~128pp (printed two-column), printed wrappers. Alfred Leslie's unique one-shot review from 1960, containing a delirious amalgam of literary and countercultural contributors (including Fitzhugh Ludlow's The Hasheesh Eater, reproduced in its entirety). Unmarked copy, typical toning of interior newsprint stock, a little toning, soil and wear to covers (1-1/4" closed tear at top of spine). Highly recommended. Not Signed.

Original Wraps. Condition: Very Good. No Jacket. Frank, Robert (photographs) (illustrator). First Thus. Very good+ in original wraps, small stain to spine, some yellowing of wraps. 176p., b&w photography by the American master. Great introductory essay by Jack Kerouac. "That crazy feeling in America when the sun is hot on the streets and music comes out of the jukebox or from a nearby funeral." 8vo - over 7¾" - 9¾" tall.

Cloth. Condition: Very Good ++. Dust Jacket Condition: Very good-. Frank, Robert (illustrator). First Thus. First Spanish language edition of the Frank classic with the same Kerouac intro as in the original US edition. Book is clean and bright but is slightly shaky because of it's oblong shape. Internally hinges intact and the only minor flaw of note is a patch of red offsetting on front and back end papers where there was a originally a wrap around band that is no longer present (see images). The jacket is more worn than the book with some dirty marks and scratched indentation on the rear panel. The front panel also has some marks and indentations as well as a scratch just above the boy on the bus. Top edge is a bit dirty and nibbled at across both panels and spine. Bottom corner of front panel has a little loss. Given the recent date the book is surprisingly uncommon. Postage will be confirmed when you enquire or order and for light or very heavy books will vary from the ABE quote which is based on a 1kg parcel. N.B. Postage to the USA will often be quite a bit less than the quote on ABE.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. SCALO PUBLISHERS. 1993 B00K: Fine/ (illustrator). 1st Edition. B00K: Fine/ $54O.12. Reduced From. 18816161OX the AMERICANS FRANK, Robert; KEROUAC, Jack SCAL0 PUBLISHERS 1993 1sT SCAL0 Edition Black Spine With Title White Letters, Dust Jacket: Fine/Very Good/, Sight Shelf, Edge And Corner Wear. One, ½ Inch Bump, Into The Spine, In The Middle Front Edge. Rectangular Hard Cover BooK: Fine/, 179 Numbered Pages, That Were Lightly Read, And Are Clean And Tight To The Spine, Slight Shelf, Edge And Corner Wear. Gift Inscription To Prior Owner, In The Front Of The BooK, As Follows, X-mas, Chanukah 1996 Dearest Lois Than you for giving Birth To A DAUGHTER WHO GAVE BIRTH TO MY Best Friend. I Love You, Peter And A Healthy & Prosperous 97------'. Written In Blue Ink. Printed On Off White Paper. = = Description Applies To This B00K, Only. Which, Is Hard To Find, Will Be Packaged And Shipped = Carefully, To Avoid Shipping Damage And Will Make It, An Excellent Addition To Your Own Personal Library Collection, Or As A Gift, For The Discriminating Reader / Collector. = WORLD WIDE SHIPPING, AVAILABLE. =.

Hardcover. Condition: Good. Dust Jacket Condition: Good. 2nd Edition. New York: Aperture/Grossman, 1969. Oblong octavo. Hardcover with a dust jacket. Revised and enlarged edition. Foxing to the top and bottom edges of the text block. Some trace foxing internally, but not affecting the photographs. Unclipped jacket edge worn and foxed with a bit of chipping. Book and jacket are both in good condition.

Paperback. Condition: Good. Revised and Enlarged Edition. Revised and Enlarged Edition. Spine slant. Creased down spine. Some shelf rubbing and smudging to covers.

Softcover. Condition: Very Good-. Revised and Enlarged Edition. unpaginated. Pictorial wraps. Crease, minimal closed tear on the lower right corner, and a larger crease on the rear panel. Internally fine, unmarked. This copy states "Museum of Modern Art Edition 1968" "In this volume of 83 deeply moving and unconventional photographs, Robert Frank portrays the shops, funeral parlors, and Fourth of July jamborees, of picnics, newsstands, crap tables, cocktail parties, jam sessions, and the drive-in movies. Here is the face of America illuminated by an unusual talent". Size: Oblong 8 1/4" x 7 1/4".