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Ginsberg Allen Kenneth Koch and Ron Padgett (5 results)
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NOS LO INVENTAMOS TODO (EDICION BILINGÜE)
Published by KRILLER 71 EDICIONES, 2020
ISBN 10: 8412138058ISBN 13: 9788412138054
Book
Encuadernación de tapa blanda. Condition: Nuevo.
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Making it Up: Poetry Composed at St. Mark's Church on May 9, 1979
Published by Catchword Papers, 1994
Book
Soft cover. Condition: Fine. Fine copy in softcover. 8vo. 33 pages.
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Making it Up: Poetry Composed at St. Mark's Church on May 9, 1979
Published by Catchword Papers
Seller: Wonder Book, Frederick, MD, U.S.A.
Seller Rating:
Condition: Very Good. New York: Catchword Papers, 1994. 1st trade paperback. 8vo. vii,35pp. Very Good book. (poetry, improvisation, collaboration) Inquire if you need further information.
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Making It Up: Poetry Composed at St. Marks Church on May 9, 1979
Published by Catchword Papers, New York, 1994
First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition, First Printing. vii, 35 p ; 24 cm. Hardcover. Publisher's original pale gray-green linen over boards, gilt lettering and white paper label lettered in black to spine. Book Condition: Fine. Dust Jacket Condition: Fine. A sharp copy. (Though not marked in any way this copy comes from the library of Brigid Berlin).
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C: A Journal of Poetry. Volume 1: No. 9 (signed by William S. Burroughs)
Published by Lorenz and Ellen Gude, New York, 1964
Seller: Honey & Wax Booksellers, ABAA, Brooklyn, NY, U.S.A.
Seller Rating:
First Edition Signed
Summer 1964 number of Ted Berrigan's C: A Journal of Poetry, signed by contributor William S. Burroughs. In 1963, administrators at Columbia University pulled one of Berrigan's poems from The Columbia Review, objecting to his use of the word "fuck." In response, Berrigan and his friend Ron Padgett borrowed an off-campus mimeograph to print their own literary magazine, The Censored Review. That act of protest gave rise to C: A Journal of Poetry, a cornerstone of the Mimeo Revolution in New York City. Between 1963 and 1967, Berrigan published a freewheeling mix of New York School poets, Beat writers, and downtown artists; Andy Warhol's first experiments with silkscreened Polaroids serve as the covers of the September 1963 number. In addition to Berrigan and Padgett, contributors to this Summer 1964 number include John Ashbery, Kenneth Koch, Frank O'Hara, Barbara Guest, Allen Ginsberg, and William S. Burroughs, who has signed this copy. The issue contains two pieces by Burroughs, including "Givers of Winds Is My Name," which is accompanied by pages of scrawled hieroglyphics. Throughout his career, Burroughs was fascinated by the energy of visual writing systems, including "mathematical formulae which are nothing but glyphs after all:" "Now take dates for instance the Mayans and the Egyptians wrote their dates as pictures You can do the same . . . You can make the dates sing you can make the numbers sing." This copy from the collection of Alan Arikian, Gregory Corso's publisher at Death Press. Collated complete, per Birmingham. For more on C, see Clay and Phillips, A Secret Location on the Lower East Side. A near-fine example, signed by William S. Burroughs. Side-stapled volume, measuring 14 x 8.5 inches: cover and 67 mimeographed leaves, printed recto only. Cover design by Joe Brainard; hand-pasted collage element on leaf 29. Leaves 38-43 and 55-58 stapled out of order, leaf 39 stapled upside down, all present. Signed by William S. Burroughs at his name in the table of contents.
