Glusberg Jorge Editor (13 results)

PAPERBACK. Condition: Very Good. 031206229X Clean softcover book inside, light cover wear with original price sticker. DAILY SHIPPING!!

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item for full refund. Ships via media mail.

Paperback. Condition: Good. Ex-library. Text appears unmarked. Architectural Design Profile guest edited by Jorge Glusberg. Illustrated throughout with drawings, plans, plates and photographs. Includes Michael Graves (Center for the Visual Arts, Ohio State University), Arata Isozaki (Okanoymama Graphic Art Museum), Philip Johnson and John Burgee (AT&T Corporate Headquarters), Mario Botta (Family house at Morbio Superiore), and more. 88p. Measures 8.75x11 inches.

Softcover. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. Very good condition; Softcover, illustrated; B000801; sc, vg, illus.

First printing (per publisher's number line upon copyright page). 108 pages. Paperback: H 22.75cm x L 25.5cm. Stiff paper covers rubbed with slight wear at fore-edge corners, a few slight bumps and scuffs at edges, two slender vertical streaks of rippling to rear cover's surface laminate with original bookseller's price and corrected ISBN sticker affixed at lower right. Interior pages are bright and clean. Binding is firm. A very good copy. With Foreword by editor Oscar Riera Ojeda., Introduction by Jorge Glusberg, color photographs throughout, Project Credits, Firm Profile, and Acknowledgements-Credits. Reviews ten Lacroze Miguens Prati [LMP] residential projects, one in Kittery, Maine, eight in Buenos Aires, Argentina, and one in San MartÃn de los Andes, Neuquen, Argentina. ISBN 1564963268.

Soft cover. Condition: Very Good. soft cover in very good to near fine condition.

Condition: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDLimited to 3000 copies. In Spanish. Il encuentro internacional de criticos de arquitectura. 115pp.

96 S., kart., Gr.-Okt., unzählige Abbildungen, wohlerhaltenes Exemplar,

gebundene Ausgabe, Leinen. Condition: Sehr gut. 231 Seiten mit zahlreichen farbigen Abbildungen, Zustand: sehr gut, Original-Schutzumschlag; AR 36204 3211832858 Wenn das Buch einen Schutzumschlag hat, ist das ausdrücklich erwähnt. Rechnung mit ausgewiesener Mwst. Sprache: Englisch Gewicht in Gramm: 1400.

Decorative Wrappers. Condition: Very Good. 96pp richly illustrated. Owners name on title. Very good and clean copy.

Soft cover. Condition: New. No Jacket. 1st Edition. First edition 1996, first printing September 1996. Spanish language. Published by MUSEO NACIONAL DE BELLAS ARTES, BUENOS AIRES, ARGENTINA. Oversized softcover in pictorial wrappers without DJ as issued. Condition new, square and tight book, spine not creased, sharp corners, no edgewear, no markings of any kind, no names, no underlinings, no highlights, no bent page corners. Not a reminder Folio, 312 pages, illustrated throughout. Heavy book will require additional postage for international orders. ASIN ? : ? B00TIP1MT6.

Encuadernación de tapa blanda. Condition: Muy bueno. 1ª Edición. CAyC Centro de Arte y Comunicación, Buenos Aires (Argentina), 1971. 1ª Edición. Publicación editada por Jorge Glusberg para el Centro de Arte y Comunicación de Buenos Aires. Edición de 1000 ejemplares, en español e inglés. Fue publicado por primera vez por Art & Project de Amsterdam en enero de 1971. 21,5x16,5. [32 pp.]. Rústica editorial con grapas.

Buenos Aires: Centro de Arte y Comunicaci?n (CAyC), 1971. Octavo (21 ? 16.5 cm). Original printed staple-stitched cardboard; [24] pp. Leaves and binding somewhat toned; else good or better. Publication in the context of the exhibition ?Arte de Sistemas?, in which the artists V?ctor Grippo, Alberto Pellegrino, and Alfredo Portillo present three ?proposals? (or conceptual works). The third exhibition, organized in July 1971 under the title "Arte de Sistemas" (Systems Art), was important not only because it succeeded in showing numerous renowned international artists such as Vito Acconci, Dan Graham, Hans Haacke, Allan Kaprow, Joseph Kosuth and Dennis Oppenheim, but also because it followed a strict rule: 101 experimental artists used only one specific construction paper in a single format. This was intended to create a standardized system in which all artists could participate on an equal footing. (Jos??Carlos Mari?tegui, Cybernetics and systems art in Latin America: the art and communication center, CAyC, and its pioneering art and technology network, in: Ai & Society 37, 2022, pp. 1071?1084.) Despite this specifically technical paradigm, Glusberg addressed an extraordinarily broad spectrum of contemporary positions and genres of contemporary art at the time (different systems). These included artists from Conceptual Art, Arte Povera, Concrete Art and Poetry, Op Art, Land Art, Fluxus, Mail Art, Cybernetic Art, Installation Art, Process Art, etc. System aesthetics" endeavored to unite the widest possible spectrum. "Arte de Sistemas" was the attempt to realize and depict an understanding of interacting systems in a context. The systems theorist and artist Jack Burnham, whose texts in the magazine "Artforum" played a decisive role in shaping the concept of systems aesthetics, had a formative theoretical influence on this. One of his theories was that art functions as a kind of "information processing device" that mediates between natural phenomena and cultural phenomena. The exhibition was shown at the Museo de Arte Moderno in Buenos Aires, which opened to the public in 1960. (Cf. entry for the CAyC Newsletter 1971 / GT-54 on the page "CAYC Files", ht tps://ica a.mfah. o rg) The best-known artist of the three protagonists of CAyC is V?ctor Grippo. He was strongly influenced by ?Arte povera? and the works by Joseph Beuys. He also mostly used elementary everyday objects such as food, tools and tables for his installations. Grippo became known above all for his use of the potato as a typical crop of the American continent. (AKL, LXII, 2009, p. 343) As of March 2025, OCLC found seven copies in North America.