Greenblat Rodney (93 results)

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 0.95.

Paperback. Condition: As New. Illustrated. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

Condition: Very Good. 1st. Used book that is in excellent condition. May show signs of wear or have minor defects.

Hardcover. Condition: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 0.9.

Soft cover. Condition: Near Fine. 1st Edition. V13.

Condition: Good. Book may have visible use and some wear. It may have minor creases on the cover and some folded pages. This is a used book but in good condition.

hardcover. Condition: Good.

Exhibition invite that unfolds, 6 x 9 inches; very good condition; an unmailed copy.

Exhibition invite, 4 x 7 inches; very good condition; a mailed copy with address and postal marks on reverse.

Soft cover. Condition: Near Fine. First Edition. A near fine copy of the presumed first softcover edition (no explicit edition or printing statement). The text is wholly unmarked, pristine, and the binding is bright and fresh in appearance, with slight bump to bottom corner of rear cover panel. A brilliant copy. [Please note: Due to the size of the volume extra shipping may be required depending on the destination and speed of delivery requested. Quotations gladly provided.].

Exhibition invite, 5 x 7 inches; very good condition; an unmailed copy.

Exhibition invite, 4 x 6 inches; very good condition; an unmailed copy.

Hardcover. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.05.

Exhibition invite that unfolds, 4 x 6 inches; very good condition; an unmailed copy.

Exhibition invite, 4 x 6 inches; very good condition; an unmailed copy.

Exhibition invite, 4 x 6 inches; very good condition; an unmailed copy.

Exhibition invite, 5 x 8 inches; very good condition; an unmailed copy.

Exhibition folded invite, unfolds to 9 x 18 inches; very good condition; a mailed copy with address and postal marks on reverse.

64 pp.; 24 x 23 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held October 12 - December 2, 1984. Text by Janet Kardon, Irving Sandler, and Carlo McCormick. Artists in exhibition are Jean-Michel Basquiat, Gretchen Bender, Mike Bidlo, Keiko Bonk, Frederick Brathwaite, Arch Connelly, Claudia De Monte, John Fekner, Luis Frangella, Dan Friedman, Futura 2000, Rodney Alan Greenblat, Richard Hambleton, Keith Haring, E.F. Higgins III, Mark Kostabi, Stephen Lack, Cheryl Laemmle, Peter Nagy, Kenny Scharf, David Wojnarowicz, and Rhonda Zwillinger. Profusely illustrated in black-and-white. With catalogue of the exhibition, chronology of exhibitions in the East Village, and selected bibliography. Fine. Covers and contents clean and unmarked.

Flier, measuring 11 x 17 inches; very good condition; clean and crisp.

[8] pp.; 22.8 x 15.3 cm.; accordion; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition brochure / catalogue published in conjunction with show held January 21 - February 18, 1984. Foreword by Linda Shearer. Curated and with a text by Helene Winer. Galleries include Cash, Christminster Fine Art, Civilian Warfare, East 7th Street Gallery, Executive Gallery, 51 X, Fun Gallery, Tracey Garet, International With Monument, Gracie Mansion, Nature Morte, The New Math Gallery, Oggi - Domani, Pat Hearn, Piezo Electric, PPOW, and Sharpe Gallery. Artists include Stephen Aljian, Alan Belcher, Paul Benney, Zeke Berman, Ellen Berkenblit, Keiko Bonk, Tom Brazelton, Barry Bridgwood, Nancy Brooks Brody, Chris Chevins, Craig Coleman, Rich Colicchio, Michael Collins, George Condo, Gregory A. Crane, Mark Dean, Jimmy de Sana, Futura, Robert Garratt, Dana Garrett, Judith Glantzman, Arthur Gonzalez, Rodney Alan Greenblat, Kathleen Grove, Richard Hambleton, Kiely Jenkins, Sermin Kardestuncer, Elizabeth Koury, Stephen Lack, Leora Laor, Robert Loughlin, Paul Marcus, Frank Moore, Peter Nagy, Michael Ottersen, Steven Parrino, Rick Prol, Hope Sandrow, Michael Sangaris, Bruno Schmidt, Peter Schuyff, Huck Snyder, Ahbe Sulit, Frederick Sutherland, Meyer Vaisman, Oliver Wasow, Dondi White, David Wojnarowicz, Robert Yarber, Zephyr, and Rhonda Zwillinger. "The exhibition includes work from seventeen galleries located in the East Village or the area east of Second Avenue, just below Houston Street: CASH, Christminster, Civilian Warfare, East 7th Street Gallery. Executive Gallery, 51 X, Fun Gallery, Garet/ Kohn Gallery, Gracie Mansion. International with Monument, Nature Morte, New Math, Oggi-Domani, Pat Hearn. Piezo Electric, P.P.O.W. and Sharpe Gallery. Work by artists associated with the galleries have been selected by the individual gallery directors, and Helene Winer, organizer of the exhibition. Helene Winer is a past Director of Artists Space and currently co-owner of Metro Pictures a commercial gallery in SoHo. As part of Artists Space''''s celebration of its 10th anniversary season, she has organized this exhibition to examine a growing number of artist organized commercial exhibition spaces. Ms. Winer''''s past experience with the non-profit art community and her present position in the commercial art world offer a unique outlook on this new trend. In keeping with Artists Space''''s support of new art through both its Exhibition Program and Grants Program, NEW GALLERIES OF THE LOWER EAST SIDE is a look at a new outlet for emerging art: an outlet which straddles the lines between the artists cooperative, the non-profit alternative space, the artist organized independent exhibition and the commercial gallery. NEW GALLERIES OF THE LOWER EAST SIDE acknowledges the recent appearance and rapid proliferation of more than twenty commercial art galleries that are introducing new artists and art. This phenomenon has created overnight, it seems, active new exhibition outlets for artists, an on-going vehicle for massive social opening events, a Sunday activity for the art audience, a new map in the Gallery Guide and a new focus of excitement and energy in the art community. The galleries are now numerous and offer more than the aesthetic that was first presented by the pioneers (Gracie Mansion, Fun Gallery and 51 X) and which has come to be associated with the East Village. They are very professional enterprises that intend to provide serious support and attention to the artists they show. Many of the galleries are artist owned. The artist/owners who converted storefronts to studios have now converted these studios to galleries. Most of these owners work at jobs separate from the gallery to support the activity and many live ''''behind the shop." The East Village Eye and New York Beat play the role that the SoHo News and the Village Voice did for SoHo and Tribeca. The East Village and the Lower East Side of New York has been an area many artists moved to, since SoHo and then Tribeca have been increasingly gentrified, a fate that may now befall the East Village itself. Over the years the art community has found ''''alternative'''' means of creating needed opportunities for artists to exhibit their work to at least their peers, and occasionally to a broader audience. In the fifties. New York artists opened cooperative galleries on Tenth Street. Later, alternative spaces opened with government funding: commercial galleries moved from Uptown to Downtown for both space and accessibility to the artists. community artists organized their own temporary exhibitions such as the Times Square Show, and now, in a period of two years, some 25 commercial galleries have opened on the Lower East Side, the majority in 1983."--from exhibition press release Very Good / Fine. Light yellowing of cover edges, otherwise Fine. Contents clean and unmarked.

Rodney Alan Greenblat "Milos Prom" artist T-Shirt; numbered 35/1000 on front, Size XL with "Screen stars" tag and "214 Art NYC" stamp above tag; very good condition; clean and crisp; seems never worn; although shirt is a bit wrinkly. Screen Stars clothing company stops making t-shirts in 1989.

Rodney Alan Greenblat The Tricentennial Club 1776-2076 artist T-shirt; Size Large with Sportswear tag; very good condition; image is still very clean but perhaps a little faded; there are some scattered tiny stains below the image; and shirt is a bit wrinkly.

[1] pp.; 27.8 x 21.5 cm.; black-and-white; edition size unknown; unsigned and unnumbered; photocopy / xeroxed Press release for the opening of "The Seven Year Itch" at Gracie Mansion Gallery in the East Village featuring the work of Harry Kondoleon, Stephen Lack, Eva Lundsager, Ed McGowin, David Sandlin, Ken Warneke and Rhonda Zwillinger. Press release also announces the gallery will be moving out of the East Village on April 29, 1989 to a new location at 532 Broadway as well as staff changes and the representation of Gary Panter and Louis Sciullo. Artists represented by Gracie Mansion Gallery were (at time of press release): Buster Cleveland, Claudia DeMonte, Rodney Alan Greenblat, Al Hansen, Bruce Houston, Stephen Lack, Gary Panter, David Sandlin, Hope Sandrow, Louis Sciullo and Rhonda Zwillinger. Very Good. Folded in three as issued. Light handling wear and 2.5 cm. bend to upper left corner and additional light edge-wear. 3.4 cm. yellow staining to verso, otherwise clean and unmarked.

Wristwatch with Rodney Alan Greenblat image on face of two kids looking at sand in an hourglass; the watch comes in its original Artworx box; the paper on 1 side of the box is starting to detach; watch seems as new but has not been tested if it still works. Foreign shipping may be extra.

The red barn is cardboard painted with red and white acrylic and with a gray and blue roof; the silo is a piece of wood painted blue; the silo was once glued to the barn but has detached along the glue line; the artist has initialed the outside and inside of barn, dated it 1981 and attached a label from Gracie Mansion Gallery inside the barn with the artist, title, date and mediums ; From the collection of Gracie Mansion who represented the artist in her NYC gallery in the 1980s. Foreign shipping may be extra.

Condition: As New. "Christina's World" by Rodney Greenblat, Signed Serigraph printed in 1988 from an edition size of 225. The overall size of the Serigraph is 33 x 42.25 inches. The condition of this piece has been graded as A: Mint. Here is some supplemental information about the Serigraph: Large silkscreen printed in over 20 colors, signed and numbered out of 225 in pencil by Rodney Greenblat. Blind stamped by Martin Lawrence Galleries. Signed.

Condition: As New. "Research Pays Off" by Rodney Greenblat, Signed Serigraph printed in 1989 from an edition size of 225. The overall size of the Serigraph is 33 x 42.25 inches. The condition of this piece has been graded as A: Mint. Here is some supplemental information about the Serigraph: Large silkscreen printed in over 20 colors, signed and numbered out of 225 in pencil by Rodney Greenblat. Blind stamped by Martin Lawrence Galleries. Greenblat's body of work often explores themes of technology and modern life through a humorous and lighthearted lens. In this context, "Research Pays Off" depicts robots interacting in a contemporary setting, reflecting on the benefits of technological advancement and the positive outcomes of diligent inquiry. The piece likely embodies Greenblat's signature playful style, using comical, colorful characters to convey its message. Signed.

Condition: Fine. "Mini golf Circus" by Rodney Greenblat, Signed Serigraph printed in 1988 from an edition size of 225. The overall size of the Serigraph is 32 x 42.5 inches. The condition of this piece has been graded as A-: Near Mint, very light signs of handling. Here is some supplemental information about the Serigraph: Large silkscreen printed in over 20 colors, signed and numbered out of 225 in pencil by Rodney Greenblat. Blind stamped by Martin Lawrence Galleries. Signed.