Published by Manchester University Press, 2003
ISBN 10: 0719066743 ISBN 13: 9780719066740
Seller: Amazing Books Pittsburgh, Pittsburgh, PA, U.S.A.
Paperback. Condition: Very Good. clean and sturdy copy, unmarked. jn.
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Published by Los Angeles County Museum of Art and Harry Abrams, 2001
ISBN 10: 0810967278 ISBN 13: 9780810967274
Seller: ANARTIST, New York, NY, U.S.A.
Hardcover with dustjacket, 192 pages, ver good condition; pages lightly wavy at top edge; no internal marks. Foreign shipping may be extra.
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Published by Fundación Juan March, 2015
ISBN 10: 847075629X ISBN 13: 9788470756290
Seller: booksXpress, Bayonne, NJ, U.S.A.
Hardcover. Condition: new.
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Published by Berghahn Books, 2015
ISBN 10: 1782389261 ISBN 13: 9781782389262
Seller: Books Unplugged, Amherst, NY, U.S.A.
Condition: Good. Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within 0.6.
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Published by Royal Academy of Arts, 2004
ISBN 10: 1903973422 ISBN 13: 9781903973424
Seller: ANARTIST, New York, NY, U.S.A.
Hardcover with dustjacket, 142 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.
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Published by Los Angeles County Museum of Art / Harry N. Abrams, 2000., 2001
ISBN 10: 0810967278 ISBN 13: 9780810967274
First Edition
Hardcover. 4°. Original cloth in the original dust jacket. 191 pages with numerous monochrome and colored illustrations. Good condition. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! -- Genießen Sie den Sommer und bestellen Sie was zum Lesen! KuAllg.
Published by Los Angeles County Museum of Art in association with Harry N. Abrams, Inc, Los Angeles, CA and New York, 2001
ISBN 10: 0810967278 ISBN 13: 9780810967274
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
First Edition
First edition. Hardcover. First printing. 191 pages. Published in conjunction with an exhibition at Los Angeles County Museum of Art that ran April 28 through August 5, 2001 and then traveled for additional dates. Features essays by Carol S. Eliel, Francoise Ducros, Tag Gronberg, and with a translation of "After Cubism" by Amedee Ozenfant and Charles-Edouard Jeanneret. Includes 122 illustrations of which 77 are in color. A fine copy in a fine dust jacket.
Published by Harry N Abrams Inc, Boston, 2001
Seller: Karol Krysik Books ABAC/ILAB, IOBA, PBFA, Toronto, ON, Canada
First Edition
Cloth. Condition: As New. Dust Jacket Condition: As New. First Edition. 8" x 10 1/2" Bound in black cloth with blue ink stamped title to front board and spine, black and white illustrated end papers, many black and white and colour reprudctions, and illustrating photographs. Includes the entire text of Jeanneret [Le Corbusier] and Ozenfants "After Cubism", translated by John Goodman. Published to acompany an exhibition at the Los Angeles County Museum of Art and the Musee de Grenoble in 2002.
Published by National Gallery London November 2013, 2013
ISBN 10: 1857095618 ISBN 13: 9781857095616
Seller: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Hardcover. Condition: New. During the great flourishing of modern art in fin-de-siecle''Vienna, artists of that city focused on images of individuals. Their portraits depict artists, patrons, families, friends, intellectual allies, and society celebrities from the upwardly mobile middle classes. Viewed as a whole, the images allow us to reconstruct the subjects' shifting identities as the Austro-Hungarian Empire underwent dramatic political changes, from the 1867 'Ausgleich' (Compromise) to the end of World War I. This is viewed as a time when the avant-garde overthrew the academy, yet 'Facing the Modern 'tells a more complex story of the time through thought-provoking texts by numerous leading art historians. Their writings examine paintings by innovative artists such as Gustav Klimt, Oskar Kokoschka, and Egon Schiele alongside earlier works, blurring the conventionally-held distinctions between 19th-century and early-20th-century art, and revealing surprising continuities in the production and consumption of portraits. This compelling book features works not only by famous names but also by lesser-known female and Jewish artists, giving a more complete picture of the time. An engaging look at how the middle classes of fin-de-siecle''Vienna used innovative portraiture to define their identity Open copy, still in VERY good condition. Interior pages are very clean! Sold as is!.
Published by Royal Academy of Arts, 2004
Seller: Midway Book Store (ABAA), St. Paul, MN, U.S.A.
First Edition
Hardcover. Condition: fine/fine. First edition. Quarto. 11 1/2" x 9". 142pp. Published on the occasion of theis exhibition. May 15 May 13 2004. A fine copy in dust jacket.
Published by Hatje Cantz, 2004
ISBN 10: 3775717986 ISBN 13: 9783775717984
Seller: Antiquariat UEBUE, Zürich, Switzerland
First Edition
Softcover. Condition: Sehr gut. Dust Jacket Condition: Sehr gut. 1. Auflage. Z : 144 Seiten, 131 Abb. 22,80 x 29,70 cm - Das durchgehend farbig bebilderte Buch konzentriert sich auf die ungemein schöpferische Pariser Phase Tamara de Lempickas. Annähernd sechzig zentrale Gemälde aus den Jahren zwischen 1922 und 1935 lassen ihren Rang als eine der bedeutendsten Malerinnen ihrer Generation nachvollziehen.
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Published by Royal Academy of Arts, London, 2004
ISBN 10: 1903973430 ISBN 13: 9781903973431
Seller: David Bunnett Books, London, United Kingdom
First Edition
SOFTCOVER. Condition: New. No Jacket. 1st Edition. Large 4to. in colour printed stiff card covers, 142pp, colour plates, bibliography, index etc CONDITION: NEW unread and unmarked copy ] ._ __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box._We Ship in PROTECTIVE CARD PARCELS.
Published by Berghahn Books, 2013
ISBN 10: 0857457640 ISBN 13: 9780857457646
Seller: Books From California, Simi Valley, CA, U.S.A.
Hardcover. Condition: Fine.
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Published by Manchester University Press, Manchester, 1998
ISBN 10: 0719050073 ISBN 13: 9780719050077
Seller: David Bunnett Books, London, United Kingdom
First Edition
HARDCOVER. Condition: New. Dust Jacket Condition: New. 1st Edition. Large Octavo size (8vo) in green faux cloth, gilt lettering to spine. 175pp, plates, bibliography, index CONDITION: An extremely well preserved AS NEW unread copy in an AS NEW Dust Jacket ] ._ ._We Ship in PROTECTIVE CARD PARCELS.
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Bound, hardcover, 216 p., 130 color illus. fine condition !! ISBN 9781857095616. During the great flourishing of modern art in fin-de-siecle Vienna, artists of that city focused on images of individuals. Their portraits depict artists, patrons, families, friends, intellectual allies, and society celebrities from the upwardly mobile middle classes. Viewed as a whole, the images allow us to reconstruct the subjects? shifting identities as the Austro-Hungarian Empire underwent dramatic political changes, from the 1867 Ausgleich (Compromise) to the end of World War I. This is viewed as a time when the avant-garde overthrew the academy, yet Facing the Modern tells a more complex story of the time through thought-provoking texts by numerous leading art historians. Their writings examine paintings by innovative artists such as Gustav Klimt, Oskar Kokoschka, and Egon Schiele alongside earlier works, blurring the conventionally-held distinctions between 19th-century and early-20th-century art, and revealing surprising continuities in the production and consumption of portraits. This compelling book features works not only by famous names but also by lesser-known female and Jewish artists, giving a more complete picture of the time 0 g.
Published by Peter Lang, 2007
ISBN 10: 3039110462 ISBN 13: 9783039110469
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - In Vienna at the turn of the twentieth century the question of what it meant to be modern was a heated topic of debate. Focusing on interior design, fashion and photography, as well as on painting and architecture, this study casts fresh light on the vital role of the arts in these debates. The 'new' art and literature was crucial in defining a distinctive Viennese modernity while at the same time challenging preconceptions about modern urban life. Many artists and writers produced work that questioned and undermined oppositions between city and country, interior spaces and panoramic views, masculinity and femininity. Issues of gender and the representation of the body were particularly important in establishing professional identities for some of Vienna's most prominent figures, including the Secessionist painters Gustav Klimt and Carl Moll, designers such as Adolf Loos and Emilie Flöge, as well as the poet and feuilletonist Peter Altenberg. Intellectual life in turn-of-the-century Vienna has often been characterised as a retreat from the public sphere. This book demonstrates how - even in its ostensibly most private manifestations - Viennese Modernism involved a highly performative set of practices aimed at an international audience.
Published by Hatje Cantz Verlag, 2004
ISBN 10: 3775714340 ISBN 13: 9783775714341
Seller: BUCHSERVICE / ANTIQUARIAT Lars Lutzer, Wahlstedt, Germany
Hardcover. Condition: gut. 2004. »Ikone des Art déco«, »Femme fatale der zwanziger Jahre«, »Göttin des Autozeitalters«Die Namen, die Anhänger für Tamara de Lempicka (1898-1980) fanden, sprechen von der Faszination für eine glamouröse Künstlerpersönlichkeit und ihr nicht minder schillerndes Werk. Berühmt wurde die in Moskau geborene Künstlerin vor allem für ihre kühl-erotischen Porträts von Mitgliedern der Pariser Haute Volée. 1917 war Tamara de Lempicka - nach der Heirat mit dem polnischen Juristen Tadeusz Lempicki - auf der Flucht vor der russischen Oktoberrevolution in die französische Metropole gekommen, in jener Zeit ein pulsierendes Zentrum der europäischen Aristokratie. Bereits Anfang der zwanziger Jahre leuchtete die junge Künstlerin als extravaganter Stern am Pariser Kunsthimmel. 1939 war sie, nun als wiederverheiratete Baronesse Kuffner, erneut gezwungen, Europa zu verlassen. Sie übersiedelte in die Vereinigten Staaten, später nach Mexiko, ohne jedoch an ihre frühen künstlerischen Erfolge anknüpfen zu können. Das durchgehend farbig bebilderte Buch konzentriert sich auf die ungemein schöpferische Pariser Phase Tamara de Lempickas. Mehr als sechzig zentrale Gemälde aus den Jahren zwischen 1922 und 1935 lassen ihren Rang als eine der bedeutendsten Malerinnen ihrer Generation nachvollziehen. In deutscher Sprache. 143 pages. 29,8 x 23 x 2,2 cm.