Higgins Rob (168 results)

Trade Paperback. Condition: Used - Good.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. Higgins, Joshua (illustrator). The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. DJ by Rob Wood (illustrator). 1st Edition. 756 shelf. Unread. Gold-stamped black spine w/ deep pumpkin bds. No names, clean text. Unblemished dust jacket. Giftworthy! 310 p. Book.

Condition: As New. Higgins, Joshua (illustrator). Unread book in perfect condition.

Condition: New. Various (illustrator).

Condition: As New. Various (illustrator). Unread book in perfect condition.

Condition: New. Higgins, Joshua (illustrator).

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Condition: Very Good. William De Morgan designed and manufactured ceramics from 1870 to 1907, and lifelong friendships with William Morris and Edward Burne-Jones placed him at the heart of the Arts and Crafts revolution. After designing stained glass for William Morris, De Morgan set up his own pottery works. His personal vision was for intense underglaze colours and shimmering lustres to show off his designs of fabulous animals, rich florals, and flowing Persian curves. De Morgan was unquestionably the Arts and Crafts Movement's most important potter. Today his work is part of some of the world's major art collections. This is the only book available that looks at the man and his works. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Very Good. ***please read*** no marks - name has been cut out of the second page - my shelf location bn8-c-58*.

Condition: New.

Paperback. Condition: new. Paperback. The Ruskin Pottery operated from around 1898 to 1935. Founded by William Howson Taylor and his father Edward (Superintendent of the Birmingham School of Art) the pottery used simple forms and new glaze technologies in contrast to highly decorated majolica and earthenware that had been popular in the second half of the nineteenth century.The Ruskin Pottery was one of the most important potteries of the Arts and Crafts Movement, and William Howson Taylor was pre-eminent among a group of chemist potters at the start of the twentieth century.The most important glaze effect was the reduction of copper and iron oxides during firing, to produce rich red, blue, lavender and green hues. This technique was also called high-fired ware and the red glaze, sang de boeuf. The Chinese had used reduction firing in previous centuries, but it fell out of use and was re-introduced by several European ceramicists during the late nineteenth century. William Howson Taylor became the greatest exponent of the technique, and won major awards at successive International Exhibitions, the first being at St Louis in 1904. This initiated an important export business to the USA, with stores that retailed his wares including Tiffanys.The pottery closed in 1933 with some pots being fired until final closure in 1935. William Howson Taylor, then ill, burnt all the glaze recipes and died soon after. This is the first book devoted to Ruskin Pottery, one of the most important potteries of the Arts and Crafts movement. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New.

Paperback. Condition: Fine. Fast Despatch Soft Covers - will send out 1 st class post within 12 hours of receipt of order.

Paperback. Condition: new. Paperback. William De Morgan was the principal ceramic designer and maker in the Arts and Crafts Movement. Heavily influenced by the art of the Middle East, he was active for nearly thirty years from the 1870s onwards and was never content with an existing technical process if he thought it could be improved. He is famous for his vases and decorative chargers, but it is arguably his tiles still to be found in homes and museums around Britain and the world that have made the greatest impact.His tiles portray iconic images of animals, ships and floral designs, blending style influences to produce designs that featured new, stylized interpretations and a whimsical character. He combined a strong design style with rich glaze colours, making blue and green, and a deep orangey red into visual trademarks. There were important commissions from royalty and industry, and his ceramics were marketed to the growing middle classes by William Morris, the founder and leading light of the Arts and Crafts Movement.The tiles of the Arts and Crafts Movement are now highly collectible, and none more so than those made at William De Morgans Chelsea, Merton Abbey and Fulham potteries. This highly illustrated book, by acknowledged experts on De Morgan, presents the first study of the tiles to be published in over thirty-five years and features an examination of De Morgans lustre glazes using high sensitivity X-ray analysis. William de Morgan is one of the greatest names of the Arts & Crafts movement of the late nineteenth century. This is the perfect introduction to his iconic tiles. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: new. Paperback. The Arts and Crafts Movement was a reaction to the brutality of working life and the sterility of industrial design in Victorian Britain. Although Arts and Crafts was initially a mediaeval revival, the movement was always about the artist craftsman and the appropriate use of materials, rather than any single design tradition.The movement was inspired and led by William Morris, whose company was founded in 1861 and produced a full range of interior furnishings, including tiles. These were designed by Morris himself, and also by leading artists and architects of the day such as Edward Burne Jones and Philip Webb. The term Arts and Crafts was formalised in the late 1880s, and many designers, artists and craftsmen joined Morris in this new movement, and leading designers including Walter Crane and C. F. A. Voysey produced distinctive and now highly collectable ceramic tiles that were used to decorate the bathrooms and the fireplaces of the wealthy and discerning.This book, with its companion on the work of William de Morgan, is the first complete introduction to British Arts and Crafts tiles from 1860 to 1920. This is the first book devoted to the tiles of the British Arts and Crafts, including tiles designed by some of the greatest names associated with the movement. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: new. Paperback. This book showcases British decorative tiles from 1945 to 1975. 'Mid-Century Modern' had its roots in the 1930's, with influences especially from California and Europe. Pioneers include the architect Frank Lloyd Wright in the USA, and in Europe the Milan designers Gio Ponti and Piero Fornasetti, who derived inspiration from artists such as Picasso and Miro. British designers hardly had time to embrace the new style before the Second World War, but the decades after 1945 saw it flourish in the UK. Bold, sweeping curves in the manner of sculptures by Barabara Hepworth flowed into interior design, and the graphic style of Graham Sutherland was adopted by ceramic manufacturers. British tile producers developed a Mid Century Modern character of their own, not simply derivative of American and European or even other British designers. Tiles were widely used inside the home, and also as key features of architectural projects. The DIY movement of the 1960s took the choices about interior tiling away from builders and architects and allowed homeowners to adopt their own style of the day. Among the important tile manufacturers were Carter and Company based in Poole, who used screen printing to great effect in both the home and in major architectural projects. Kenneth and Ann Clark, working in London and then Lewes in Sussex, decorated tiles through the 1950s and 1960s with Ann's detailed calligraphy and new glaze effects including wax resist and 'reactive' glazes. A host of other companies and small producers created a rich catalogue of powerful designs. Few ceramic tiles are more popular with collectors than those modernist products of mid-twentieth century potteries. This book is the perfect introduction to them. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: New. William De Morgan was the principal ceramic designer and maker in the Arts and Crafts Movement. Heavily influenced by the art of the Middle East, he was active for nearly thirty years from the 1870s onwards and was never content with an existing technical process if he thought it could be improved. He is famous for his vases and decorative chargers, but it is arguably his tiles - still to be found in homes and museums around Britain and the world - that have made the greatest impact.His tiles portray iconic images of animals, ships and floral designs, blending style influences to produce designs that featured new, stylized interpretations and a whimsical character. He combined a strong design style with rich glaze colours, making blue and green, and a deep orangey red into visual trademarks. There were important commissions from royalty and industry, and his ceramics were marketed to the growing middle classes by William Morris, the founder and leading light of the Arts and Crafts Movement.The tiles of the Arts and Crafts Movement are now highly collectible, and none more so than those made at William De Morgan's Chelsea, Merton Abbey and Fulham potteries. This highly illustrated book, by acknowledged experts on De Morgan, presents the first study of the tiles to be published in over thirty-five years and features an examination of De Morgan's lustre glazes using high sensitivity X-ray analysis.

Paperback. Condition: New. The Arts and Crafts Movement was a reaction to the brutality of working life and the sterility of industrial design in Victorian Britain. Although Arts and Crafts was initially a mediaeval revival, the movement was always about the artist craftsman and the appropriate use of materials, rather than any single design tradition.The movement was inspired and led by William Morris, whose company was founded in 1861 and produced a full range of interior furnishings, including tiles. These were designed by Morris himself, and also by leading artists and architects of the day such as Edward Burne Jones and Philip Webb. The term Arts and Crafts was formalised in the late 1880s, and many designers, artists and craftsmen joined Morris in this new movement, and leading designers including Walter Crane and C. F. A. Voysey produced distinctive and now highly collectable ceramic tiles that were used to decorate the bathrooms and the fireplaces of the wealthy and discerning.This book, with its companion on the work of William de Morgan, is the first complete introduction to British Arts and Crafts tiles from 1860 to 1920.

Paperback. Condition: New. The Ruskin Pottery operated from around 1898 to 1935. Founded by William Howson Taylor and his father Edward (Superintendent of the Birmingham School of Art) the pottery used simple forms and new glaze technologies in contrast to highly decorated majolica and earthenware that had been popular in the second half of the nineteenth century.The Ruskin Pottery was one of the most important potteries of the Arts and Crafts Movement, and William Howson Taylor was pre-eminent among a group of 'chemist potters' at the start of the twentieth century.The most important glaze effect was the reduction of copper and iron oxides during firing, to produce rich red, blue, lavender and green hues. This technique was also called 'high-fired' ware and the red glaze, 'sang de boeuf'. The Chinese had used reduction firing in previous centuries, but it fell out of use and was re-introduced by several European ceramicists during the late nineteenth century. William Howson Taylor became the greatest exponent of the technique, and won major awards at successive International Exhibitions, the first being at St Louis in 1904. This initiated an important export business to the USA, with stores that retailed his wares including Tiffany's.The pottery closed in 1933 with some pots being fired until final closure in 1935. William Howson Taylor, then ill, burnt all the glaze recipes and died soon after.