Joel Sternfeld (320 results)

Condition: New. 170 pp., paperback, brand new, still in shrink wrap. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Hardcover. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Paperback. Condition: Very Good. Crisp, tight, unmarked copy. Bottom edge is shelf worn.

Paperback. Condition: Very good. Paperback. Unpaginated. Lightly rubbed , else very good in publisher's French fold wraps.

Paperback. First edition, first printing. Fine/As New paperback with French flaps. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. Photographs by Stuart Hawkins; introduction by Joel Sternfield. Unpaginated [80 pages]; 32 full-page color plates; 11 x 9.5 inches. Inviting friends and strangers in Nepal to pose for the camera, Blue Eyes includes three photographic series and three video projects that reveal the ubiquity of American media culture while underscoring certain behaviors as they pertain to global capitalism and race.

Soft cover. Condition: Fine. Bright softcover, with no marks or flaws. 80 pages. No sign of wear.

Paperback. The Winter 1993 issue of Aperture magazine, No. 130, with 10 portfolios of work by Dore Gardner, Teun Hocks, Mary Kocol, Michiko Kon, Annette Messager, Lu Nan, Rocky Schenck, Thomas Tulis, Anne Turyn, and Christian Walker. Also: reviews of lunar maps by Richard B. Woodward, Joel Sternfeld's Campagna Romana, Brett Weston 1911-1993, and much more. Edited by Melissa Harris. First edition. Perfect-bound stiff card covers; 80 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches. Condition: Near Fine with hints of shelf wear. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Paperback. Condition: new. Paperback. "Future generations are going to wonder about us, the inhabitants of the Earth when the climate began to change. If seas are rising and at the same time drinking water is scarce, they are going to want to know what scientific evidence was before us and what we did in response to it. It is difficult to imagine a time in the past without an image, so I went to Montreal in 2005 to photograph the participants in the eleventh United Nations conference on climate change." Joel Sternfeld The resulting 53 color portraits of participants at the conference form the heart of this book. The mezzo busto close-ups fit within a tradition of portraiture that dates back to the Renaissance but the anxiety on each face seems like something only modernity and the advent of ecological collapse could produce. A text culled from newspapers and journals and presented in the form of wire service transmissions provides a chronology of climate change as it has occured in the past 20 years - in the thinking and predictions of scientists and climatologists; in the actions of governments and non-governmental organizations, and in the landscape where dramatic and catastrophic events are occuring. By the title When It Changed Sternfeld may be referrring to a more hopeful turning point. In the past few years increasing recognition of the danger has led to many positive responses across the globe to confront humanity's greatest challenge. If these efforts are successful then this period will be noted as the historic time when the human-earth relationship changed. From 1978 to 1987, Sternfeld set out to explore and photograph the country. Working largely on the interface between town and country, he photographed ordinary scenes and people, discovering the extraordinary within them, making a study of the American character and condition. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Paperback. William Eggleston (illustrator). The Fall 1984 issue of Aperture magazine, No. 96, focusing on color photography, with: portfolios of photographs by William Eggleston (unpublished Berlin Series) with writings by Peter Schneider, Joel Sternfeld (social landscapes), William Christenberry (Klan Room), Luis Medina (Chicago's painted walls), Patrick D. Pagnano (street photography), Jan Staller (city streets at night), and Len Jenshel (the natural world); Mark Holborn essay on Graceland by William Eggleston and the art of Cindy Sherman; Peter Plagens on Lucas Samaras; Danny Lyon reviews El Salvador and A Vanishing World; a long essay by Lewis Baltz titled "Konsumerterror: Late-Industrial Alienation;" and much more. First edition. Perfect-bound stiff card covers; 80 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches. Condition: Near Fine paperback with light shelf wear. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Paperback. First edition, first printing. In July 2001, the G8 summit was held in Genoa, Italy, sparking massive street demonstrations and a furious response from the Italian police which left one dead and many injured. Sternfeld presents portraits of participants in the demonstrations from around the world opposite their statements to the question of why they're there. Photographs by Joel Sternfeld; essays by Alexander Stille and Stefania Galante. 88 pages; 39 color plates; 9 x 11 inches. List of captions. Condition: Fine paperback with French flaps. Ships the next business day, wrapped in padding, in a box.

First edition. Softcover. 87 pages. Published on the occasion of a show at White Box in New York that ran March 22 through April 27, 2002. Features essays by Alexander Stille and Stefania Galante. Includes color images by Sternfeld of the protesters, all taken during the G8 summit in Genoa. A fine copy in French style wrappers.

Condition: new.

Hardcover. Condition: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: New. 1 v (unaged) Illus. (Mostly Col.).

Softcover, 88 pages; very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Paperback. First edition, first printing. Good+ paperback with a cloth spine with a small chip to the tip of the front cover and a light dog-ear to the first ten leaves or so, otherwise clean. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. Portraits of the attendees at the eleventh United Nations conference on climate change held in Montreal in 2005, each accompanied by the subject's statements about the evidence of shifts in his or her home country's weather and wildlife. Despite the US efforts to undermine the meeting, this was the moment when "the nations of the world joined together without them and agreed to take a step forward." Photographs by Joel Sternfeld. 170 pages; 55 full-page color illustrations; 8.75 x 6 inches.

Hard cover. Condition: Near fine. Dust Jacket Condition: Near fine. Joel Sternfeld. (illustrator). Second edition. 8 3/4'' x 10 1/2''. 71pp.

Hardcover. Condition: Near Fine. Clean and solid. ; Color Photographs; Oblong 8vo; 95 pages.

hardcover. Condition: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Condition: new.

Cloth. Condition: Fine. Dust Jacket Condition: Very Good. 2nd Edition. Large oblong 8vo, 71 pp., color photographs. Fine, nearly As New, in lightly edgeworn dust jacket. The second edition, which is greatly expanded, including a timeline through 2009.

Paperback. Condition: New.

Hardback. Condition: New. As Paris and its shopping arcades were to the 19th Century, Dubai and its wondrous malls may be to the new millennium. The Baudelarian flâneur, is replaced by the phoneur, a wired wanderer who uses the cell phone to text and call and access the internet, all the while snapping digital images on the fly. If the arcades were representative sites of early capitalism, then perhaps the postmodern shopping playgrounds of Dubai are exemplars of advanced capitalism. With this in mind, when Joel Sternfeld visited these malls in 2008, he documented them with the consumer fetish object of the moment - the iPhone. In the process, he achieves a very particular unity of form and content; the object that encapsulates the spirit of an era is used to document that era. The ramifications of a profusion of mobile phone cameras around the globe are numerous. We have already witnessed this phenomenon becoming a platform for news construction with civilian journalism changing the documentation of events. In Dubai, Joel Sternfeld uses his iPhone camera to get past mass media images of the Emirate as Disney World on the Persian Gulf, and find a human component.

Condition: New. Brand New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. 1 v (unaged).

Magazine. First edition. Fine/As New magazine, a newsstand copy with half-wrapper promotional flap. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The May 21, 2001, issue of the The New Yorker magazine, with: a feature article on the photographer William Klein by Anthony Lane; "A Walk on the High Line" by Adam Gopnik illustrated with a photograph by Joel Sternfeld (this was before it became an urban park); is the testimony on L.A.P.D. police misconduct, which ignited the biggest scandal in the history of the department, a real story?; review of the movie "Shrek;" golf in Morocco; fiction by Kazuo Ishiguro; poetry by John Ashberry; Gary Giddins on Moss Hart; John Adams; and much more. Staple-bound; 110 pages; color and b&w illustrations throughout; 8 x 10.75 inches.

Hardcover. Condition: Good.