Kander Nadav (68 results)

Magazine. First edition. Fine magazine with hints of handling/shelving. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The Women's Fashion Spring 2009, issue of T, the Sunday New York Times Style Magazine (February 22, 2009), with: the "T" logo that leads the feature well created by Assume Vivid Astro Focus (Eli Sudbrack and Christophe Hamaide Pierson); a fashion pictorial with Milla Jovovich modeling photographed by Jean-Baptiste Mondino; a profile of Oscar de la Renta by Cathy Horyn and a portrait by Nadav Kander; a profile and pictorial with Rosario Dawson, photographed by Solve Sundsbo; a feature on the African artist El Anatsui by Alexi Worth and photos by Jodi Bieber; fashion portfolios photographed by Camilla Akrans, Willy Vanderperre, Chad Pitman, Coppi Barbieri, and Mark Segal; a Profile in Style with India Hicks; Beth Ditto photographed by Robert Maxwell; pieces on Katie Grand and Giambattista Valli; Kate Moss Versace ads; and much more. Perfect-bound magazine with a gatefold front cover; 188 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches.

Magazine. First edition. Near Fine magazine with light wear at the spine. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The Design & Living, Winter 2007, issue (November 4, 2007) of the Sunday New York Times Style Magazine with: the furniture designer Tom Dixon by Edward Helmore with photographs by Nadav Kander; Armand Limnander talks to Tomas Maier about Bottega Veneta's crossover appeal with photographs by Raymond Meier; a tour of Sean MacPherson's new West Village home by Christine Muhlke with photos by Martyn Thompson; a night out with the Parisian art and fashion elite by Elisabeth Franck-Dumas with photos by Sofia Sanchez and Mauro Mongiello; Sao Paulo's design paradise with the Campana brothers, Alexandre Herchcovitch, and Oscar Niemeyer; the landscape designer Edwina von Gal photographed by Robert Maxwell; Profile in Style with Carla Sozzani, the owner of 10 Corso Como; the artist Toland Grinnell; Georg Jensen's Caravel flatware; wine cellars and wine bottle racks; eco-terrorists at dinner parties by Alexandra Jacobs; shopping in Berlin; home furnishing portfolio of photographs by Marcus Gaab; Hamish Bowle's living room; Charles and Ray Eames's aluminum group chair at 50; and much more. Perfect-bound magazine; 138 pages; color and b&w reproductions throughout; 9.5 x 11.5 inches.

Magazine. First edition. Fine magazine with a hint of handling. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The Summer 2008, issue of the Sunday New York Times Style Travel Magazine with: photo-essays by Todd Hido, Nadav Kander, Robert Maxwell, and others; exotic destinations such as the Ontario lakes, Provence, Copenhagen, Ladahk, and Namibia; articles on Tori Amos, Australia's Kangaroo Island, an unlikely artistic revival in Paducah KY, Beijing, Kerala perfume, Ischia, and much more. Perfect-bound magazine; 168 pages; color and b&w reproductions throughout; 9.5 x 11.5 inches.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Magazine. The August 2002 issue of Photo District News (PDN) magazine (Vol. XXII, No. 8), the award-winning publication for professional photographers, with: a cover story/interview with Martin Parr, by Reuel Golden, and Parr on Chris Killip; cameraless photographic techniques make a comeback, with Christopher Bucklow, Adam Fuss, Nadav Kander, and others; photojournalist Travis Fox and sports shooter Neil Leifer embrace Digital Video; a look at Michael Eastman's naturalistic approach to fine art and advertising; National Geographic is sued for willfully infringing photographers' work, by David Walker; articles on Chris Steele-Perkins, Aleksandr Glyadyelov, Mark Maio, Lewis Carroll, Frank Dina, Bart Nagel, and others; the celebrity/event photography agency Wirelmage; Patrick Mitchell and Inc. magazine; product news, industry gossip, book reviews, calendar of events, professional services directory, and much more. Edited by Holly Stuart Hughes. Perfect-bound magazine; 128 pages; color and b&w illustrations throughout; 10.25 x 11.5 inches. Condition: Near Fine with light signs of handling/storage. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Magazine. First edition. Near Fine magazine with a touch of rubbing to the spine and a couple of spots of wrinkling from exposure to moisture. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The August 11, 2002, issue of the Sunday New York Times Magazine with: why the complex science of coincidence is a conspiracy theorist's worst nightmare by Lisa Belkin; between 9/11 and the player's strike, Mike Piazza, the New York Mets and the season that wasn't by William Berlind with a portrait by Jeff Reidel; a profile of the British comedian Steve Coogan by Marshall Sella with a portrait by Nadav Kander; Jeffrey Rosen on why it's so difficult to get the Senate to approve a federal appeals court nominee; photographs of girls softball teams by Eric Payson; the subject of a photograph by Sage Sohier discusses what he was thinking when the photo was taken; a tour of the home of Mats Gustafson, the artist and a renowned fashion illustrator, with photos by Christoph Kircherer; interview with Marion C. Blakey; and much more. Staple-bound magazine; 64 pages; color and b&w reproductions throughout; 9.5 x 11.5 inches.

Magazine. First edition. Fine magazine with light signs of handling. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The July 27, 2008, issue of the Sunday New York Times Magazine with: cover story on the women of the Fundamentalist Church of Jesus Christ of Latter-day Saints by Sara Corbett with a photo-essay by Stephanie Sinclair; interview with Doris Lessing; the actor Matthew Goode models a fashion portfolio photographed by Zoe Cassavetes; a profile of the Formula One racer Lewis Hamilton by Cathy Horyn with a portrait by Nadav Kander and a photo by Martha Camarillo; Afghanistan as a narco-state by Thomas Schweich; The Murder of the Terminal Patient comic strip, chapter 5, by Rutu Modan; photograph by David Levinthal; and much more. Staple-bound magazine; 66 pages; color and b&w reproductions throughout; 9.5 x 11.5 inches.

Magazine. First edition. Fine magazine with light signs of handling/shelving. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The May 3, 2009, issue of the Sunday New York Times Magazine, with: an interview with President Barack Obama on life after the Great Recession, conducted by David Leonhardt and with portraits by Nadav Kander; Alex Witchel on writer Colm Toibin with a portrait by David Armstrong; an interview with James McGreevey; a tour of the house of Tom Colicchio of Top Chef; the mash-up artist Kutiman; and more. Also, a special section on the Cannes Film Festival with: an interview with Quentin Tarantino and Diane Kruger with fashion photographs of the two by Jean-Baptiste Mondino; a profile of Pedro Almodovar; portraits by Inez van Lamsweerde and Vinoodh Matadin of seven actors whose lives were changed by Cannes including Bjork, Jim Jarmusch, Uma Thurman, and Maggie Cheung; and two more articles. Staple-bound magazine; 90 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches.

Magazine. The Fall 2006 Men's Fashion issue of the Sunday New York Times Style Magazine, "T," (September 17, 2006) with: a full-page portrait of Ed Ruscha by Robert Maxwell; fashion portfolios photographed by Paolo Roversi and Matthew Brookes; a fashion portfolio/profile of Peter Scanavino with photographs by Jack Pierson; a profile of Giorgio Armani by Alice Rawsthorn with a portrait by Nadav Kander; fashion portfolio featuring the French actors Romain Duris, Mathieu Amalric, and Gaspard Ulliel modeling, photographed by Jean-Baptiste Mondino; vampire-themed fashion portfolio photographed by Jean-Baptiste Mondino; Herbert Muschamp on a big nose, illustrated by Maira Kalman; Malcolm McLaren on the trench coat; a heavily illustrated essay on Luchino Visconti and his vision of luxury, elegance and erudition, by Horacio Silva; accessories photographed by Coppi Barbieri; extreme sportswear portfolio photographed by Mark Segal; articles on Alan Aldridge, ivy league style, grits, a knitwear factory in rural Scotland, the British DJ John Lycett Green, books about football, belts, and much more. Perfect-bound magazine; 220 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches. Condition: Fine with perhaps a touch of handling/storage. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Magazine. First edition. Fine magazine with a touch of handling/shelving. The Spring 2007 Women's Fashion issue of the Sunday New York Times Style Magazine, T, (February 25, 2007) with: fashion portfolio by Paolo Roversi, Jean-Baptiste Mondino, Stephen Gill, Greg Kadel, Nick Haymes, Coppi Barbieri, Willy Vanderperre, and Sofia Sanchez & Mauro Mongiello; Taryn Simon photographed by Robert Maxwell; Ingrid Sischy on the failure of fashion to confront the big questions, with artwork by Annette Messager; Herbert Muschamp on Queen Elizabeth's handbag with a stitched illustration by Maira Kalman; an interview with Thierry Mugler; Holly Brubach interviews and profiles David Lynch with a portrait by Nadav Kander; a profile of Robin Wright Penn by Lynn Hirschberg with portraits by Raymond Meier; Stefano Pilati has found it's not easy designing for Yves Saint Laurent, whose founder is still alive, by Cathy Horyn; a short piece on Adrienne Fidelin--Man Ray's lover, model and muse; articles on Patricia Field, showgirls, weddings, cosplay fans, Gucci Westman and Sandra Ballentine, and much more. Perfect-bound magazine; 288 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Magazine. First edition. Fine magazine with hints of handling/shelving. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The Women's Fashion Winter 2008, issue of T, the Sunday New York Times Style Magazine (October 19, 2008), The French Issue, with: an interview with Sophie Calle by Daphne Merkin, portrait by Nadav Kander; cover and inside interview with Eva Green, photographed by Paolo Roversi; a portfolio of portraits of French personalities also photographed by Roversi; Cathy Horyn profiles Balmain's Christophe Decarnin with photos by Maciek Kobielski; a Profile in Style of Agnes b.; Farida Khelfa photographed by Robert Maxwell; a fashion portfolio by Daniel Jackson; also, articles on Vincent Cassel, Clemence Poesy, Madeleine Castaing, and Catherine Deneueve; and much more. Perfect-bound magazine; 106 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches.

Paperback. First edition. Fine with a touch of edge wear. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The Fall 2007 Men's Fashion issue of The New York Times Style Magazine, T, with: fashion portfolios by Nan Goldin (8 pgs on English youth--disaffected but well-dressed,) Jean-Baptiste Mondino, Nadav Kander, and Deborah Turbeville; portraits by Robert Maxwell; articles on Helmut Lang, Joseph Gordon-Levitt, Stefano Pilati at Yves Saint Laurent and Melvil Poupaud; and much more. Edited by Stefano Tonchi. Perfect-bound magazine; 212 pages; color and b&w reproductions throughout; 9.5 x 11.5 inches.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

LN. / cloth. Condition: Sehr gut. 136 p. ISBN: 9783775734493 Sprache: Englisch Gewicht in Gramm: 1989.

Condition: Wie neu. Illustrated. 96 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Die Ausgabe des gelieferten Exemplars kann um bis zu 10 Jahre vom angegebenen Veröffentlichungsjahr abweichen und es kann sich um eine abweichende Auflage handeln. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Sprache: Englisch Gewicht in Gramm: 1100 Gebundene Ausgabe, Maße: 27.64 cm x 1.37 cm x 37.29 cm.

Hardcover. Condition: New.

Condition: New.

Condition: new.

Very Good. Dust Jacket Condition: Very Good. Pages remain clean, unmarked and undamaged. Dust jacket is intact and there is minor outer wear to cover.

Hardcover. Condition: new. Hardcover. Regardless of his sitter-whether family member or influential celebrity-Nadav Kander's portraiture shows what makes that particular individual human. His aim is to move beyond capturing an accurate likeness-to access the emotions within, the uncertainty, the shadow as much as the light, the complex sense of self that otherwise lays hidden. "Revealed and concealed, beauty and destruction, ease and disease, shame and shameless," explains Kander, "These paradoxes are essential to all my work and represent what is common to all my varied subject matter." This collection, the first book dedicated his portraiture, shows the range and nuance of Kander's work.With his minimal and intuitive approach, Kander shows his interest in universal experience, which transcends the specificity of public persona or status. His enigmatic depictions of actors, artists, musicians, authors, sports icons and political leaders-from Barack Obama, John le Carre, Alexander McQueen, to Tracey Emin, Robert Plant and Prince Charles-are layered and penetrating, revealing unexpected moments of reverie and vulnerability.What I look to expose is what lies beneath the image, that which is below the surface of what is seen. - Nadav Kander Regardless of his sitter--whether family member or influential celebrity--the portraiture of London-based photographer Kander shows what makes that particular individual human. His aim is to move beyond capturing an accurate likeness--to access the emotions within, the uncertainty, the shadow as much as the light, the complex sense of self that otherwise lays hidden.se lays hidden. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Soft cover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. Kander's on-going series, Dark Line The Thames Estuary, is a personal reflection of the River Thames at its point of connection with the sea, through atmospheric images of its slow-moving dark waters and seemingly infinite horizons. Travelling to the estuary alone over a period of three years, engaging in his process of slow photography, Kander focuses on the cycle of the river, as well as its historical and mystical implications. Immersive, the resulting images explore photography's ability to encapsulate time and physical borders. Once known as the busiest trading route in the world, the estuary waters of the River Thames have been shaped by the history of human experience. Images of heavy skies and dark, turbulent waters summon memories of the toil and grit of the many thousands who have worked the river since Roman times of pirates roaming the waters, soldiers and ships sunk in battle and, more recently, migrants embarking on dangerous journeys across the North Sea. With small figurative elements, such as disused artillery forts, quarries and other abandoned structures and ruins, Kander's photographs evoke the grimness of the river's history, as well as a contemporary sense of desolation.

Hardcover. Condition: New. 1st Edition. Nadav Kander (born 1961) is an Israeli-born, London-based artist, director and photographer, internationally renowned for his landscapes and portraiture. His latest photographic series, Bodies, consists of nudes painted white against a black backdrop, their faces tuned away from the viewer. Accessories are minimal, as is the aesthetic; yet, at the same time, the arrangement makes the sitters mostly voluptuous bodies seem baroque. Despite the abundance of flesh on display, however, the images lack a superficial sense of the erotic; the white makeup and lack of eye contact function as barriers, and the massiveness of the limbs recalls the work of Hans Bellmer and Lucian Freud. Like Bellmer and Freud, Kander presents us with a simulacrum of sensuality, questioning our images of the human body as well as the concept of beauty itself.

Condition: New. 2019. 01st Edition. Hardcover. . . . . .

Condition: New. 2019. 01st Edition. Hardcover. . . . . . Books ship from the US and Ireland.

Condition: NEW.

Hardcover. Condition: new. Hardcover. Regardless of his sitter-whether family member or influential celebrity-Nadav Kander's portraiture shows what makes that particular individual human. His aim is to move beyond capturing an accurate likeness-to access the emotions within, the uncertainty, the shadow as much as the light, the complex sense of self that otherwise lays hidden. "Revealed and concealed, beauty and destruction, ease and disease, shame and shameless," explains Kander, "These paradoxes are essential to all my work and represent what is common to all my varied subject matter." This collection, the first book dedicated his portraiture, shows the range and nuance of Kander's work.With his minimal and intuitive approach, Kander shows his interest in universal experience, which transcends the specificity of public persona or status. His enigmatic depictions of actors, artists, musicians, authors, sports icons and political leaders-from Barack Obama, John le Carre, Alexander McQueen, to Tracey Emin, Robert Plant and Prince Charles-are layered and penetrating, revealing unexpected moments of reverie and vulnerability.What I look to expose is what lies beneath the image, that which is below the surface of what is seen. - Nadav Kander Regardless of his sitter--whether family member or influential celebrity--the portraiture of London-based photographer Kander shows what makes that particular individual human. His aim is to move beyond capturing an accurate likeness--to access the emotions within, the uncertainty, the shadow as much as the light, the complex sense of self that otherwise lays hidden.se lays hidden. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

hardcover. Condition: As New. Prima edizione (First Edition). Un testo di Ian McEwan, alcuni stralci di scritti di David Lynch. Intervista di David Campany al fotografo. 296 fotografie a colori e in bianco e nero e un testo di Nadav Kander ("The Triangle") . Cm 33,5x27,5. pp. 336. . Perfetto (Mint). . Prima edizione (First Edition). . Indipendentemente dal suo soggetto, che sia un membro della famiglia o una celebrità influente (per es. Barack Obama, John le Carré, Alexander McQueen, a Tracey Emin, Robert Plant e il Principe Carlo), la ritrattistica di Nadav Kander mostra ciò che rende quel particolare individuo umano. Il suo obiettivo è quello di andare oltre la cattura di una somiglianza accurata, per accedere alle emozioni all'interno, l'incertezza, l'ombra così come la luce, il complesso senso di sé che altrimenti rimane nascosto. "Rivelato e nascosto, bellezza e distruzione, facilità e malattia, vergogna e spudoratezza", spiega Kander, "Questi paradossi sono essenziali per tutto il mio lavoro e rappresentano ciò che è comune a tutti i miei vari soggetti." Questa collezione, il primo libro dedicato alla sua ritrattistica, mostra la gamma e le sfumature del lavoro di Kander. Book.

Hardcover. Condition: Brand New. 01 edition. 217 pages. French language. 13.50x11.00x2.75 inches. In Stock.

Hardback. Condition: Very Good+. Dust Jacket Condition: Very Good+. Transparent plastic dust jacket is superficially scratched and shelf-marked; photo-illustrated boards are bright and unmarked, lower corners minimally bumped, two very small grooves to lower edge of front board; binding is tight; pages are lightly age-toned but unmarked with colour photographic illustrations throughout, Kander's ink signature and dedicated message on title page. ; 10 X 1 X 12.25 inches; 192 pages; Signed by Author.

Hardback. Condition: Very Good. Cloth boards are faintly marked on front and rear, corners sharp, small (approx 1cm long) raised area on lower edge of front board, titling on spine ever so slightly rubbed; binding is tight; pages are unmarked with bright photographic illustrations throughout. ; 10.9 X 0.7 X 13.5 inches; 120 pages.