Klipa Jan (17 results)

paperback. Condition: As New. Never read, no marks or highlighting in the book. Our copy is paperback showing light shelf-wear.

Condition: New.

Condition: NEW.

Condition: As New. Unread book in perfect condition.

Brossura. Condition: new. Edited by Foletti I. and Palladino A.English Text.Roma, 2020; paperback, pp. 200, b/w ill., cm 13x19,5.(Parva convivia. 6). Libro.

Condition: NEW.

Brossura. Condition: new. A cura di Foletti I., Nokkala Miltová R. e Jakubec O.Roma, 2021; br., pp. 248, ill., cm 18x24,5.(I Libri di Viella. Arte. 11). Libro.

Condition: New. 2019. paperback. . . . . .

Condition: NEW. Roma: Viella, 2020 9788833133102 Parva convivia 3 409 197 p. : indice ; 20 cm. Is it possible to "invent" the past? Through a series of studies, this volume explores the history of how this process occurred in Czechoslovakia within the period from about the end of the First World War until the 1960s. It focuses specifically on the re-invention of the "national" Middle Ages at the background of the meeting of different linguistic and ethnic groups Czechs, Slovaks, Germans, and Russians where one group would often negate, reshape, and ignore the point of view of the other, within an increasingly fractured political geography of the country. The presented case studies show how research on medieval artworks and objects could become a fertile ground for the creation of ideological tools and narratives. In this way, understanding the historiography of art history also contributes to redefining Central Europe as a place of transcultural encounters and dialogues, beyond historical ruptures. Is it possible to "invent" the past? Through a series of studies, this volume explores the history of how this process occurred in Czechoslovakia within the period from about the end of the First World War until the 1960s. It focuses specifically on the re-invention of the "national" Middle Ages at the background of the meeting of different linguistic and ethnic groups Czechs, Slovaks, Germans, and Russians where one group would often negate, reshape, and ignore the point of view of the other, within an increasingly fractured political geography of the country. The presented case studies show how research on medieval artworks and objects could become a fertile ground for the creation of ideological tools and narratives. In this way, understanding the historiography of art history also contributes to redefining Central Europe as a place of transcultural encounters and dialogues, beyond historical ruptures. Palladino,Adrien - Foletti,Ivan.

Condition: New. 2019. paperback. . . . . . Books ship from the US and Ireland.

Condition: NEW. Roma: Viella, 2021 9788833138459 I libri di Viella. Arte 11 809 248 p. : ill. col., indice, biografia ; 24 cm. The end of World War I in 1918 meant a radical transformation of Central Europe: the multicultural space of former empires became divided into individual nation-states. This altered all spheres of life, deeply impacting the discipline of art history as well. The cosmopolitan vision of art history developed by figures from the Vienna School such as Franz Wickhoff and Alois Riegl was gradually replaced by new self-referential narratives. This nationalist tendency was reinforced by the division of Europe after World War II. In the wake of Jirí Kroupa's pioneering studies, this volume takes a truly transcultural approach to art produced in the Central European region from the 12th to the 20th century. Freed from national prejudices, a region shaped by the constant movement of people, ideas, and objects emerges. The end of World War I in 1918 meant a radical transformation of Central Europe: the multicultural space of former empires became divided into individual nation-states. This altered all spheres of life, deeply impacting the discipline of art history as well. The cosmopolitan vision of art history developed by figures from the Vienna School such as Franz Wickhoff and Alois Riegl was gradually replaced by new self-referential narratives. This nationalist tendency was reinforced by the division of Europe after World War II. In the wake of Jirí Kroupa's pioneering studies, this volume takes a truly transcultural approach to art produced in the Central European region from the 12th to the 20th century. Freed from national prejudices, a region shaped by the constant movement of people, ideas, and objects emerges. Foletti,Ivan - Jakubec,Ondrej - Miltová,Radka Nokkala.

Condition: neu. Führer zur gleichnamigen Ausstellung (Prag, Vald?tejnská jízdárna, 7. 11. 2014-15. 3. 2015), OBrosch., 127 Seiten mit zahlr. farbigen Illustrationen, 4° (22 x 27 cm), neu. // short exhibition guide, 127 pages with many illustrations, 4to, brand-new c Book Language/s: Czech, English.

Condition: NEW.

4°, OKarton, Broschiert. Auflage: 1. 491 Seiten Sehr gutes frisches Exemplar. Sprache: Englisch Gewicht in Gramm: 3500.

Brossura. Condition: new. Edited by S. Romano, Foletti I. and Gianandrea M.English Text.Roma, 2018; paperback, pp. 468, col. ill., cm 17x24.(Études Lausannoises d'Histoire de l'Art. 27). Libro.

4°, OKarton, Broschiert. Auflage: 1. 491 Seiten Noch original eingeschweißt ! Sprache: Englisch Gewicht in Gramm: 3500.

Condition: NEW. Roma: Viella, 2018 9788867289134 Études lausannoises d'histoire de l'art 27 1409 468 p. : indice ; 24 cm. If there is one constant in the history of Christianity and especially of the Western Church, it is its deep desire to be connected with its own past. From the perspective of the longue durée, it might even be possible to state that a meditation on Christian origins was a common and widespread response used throughout history in the face of each great moment of crisis within the Church. In those situations, the rhetoric produced by the Church was always aimed at emphasizing a desire to return to these mythical roots, the ideal community, a pure and radical Christianity. The question underlying this book is the way in which this desire for the past provides the occasion to re-live, re-think and re-create Christian origins. More precisely, the crux of our work is to understand how this desire can transform and rewrite the past both in materiality with restorations of ancient monuments and in ideas writing history. In this book, the main focus of attention is dedicated to three key moments, corresponding more or less to three crucial episodes in the history of the Catholic Church in the modern era. The first of these three is the Reformation and subsequent Counter-Reformation, between the sixteenth and seventeenth centuries. Second comes the moment in which the Catholic Church lost its temporal power during the Unification of Italy and the "spiritual" reaction culminating with the First Vatican Council (1869-1870). Lastly is the period before and after the Second. If there is one constant in the history of Christianity and especially of the Western Church, it is its deep desire to be connected with its own past. From the perspective of the longue durée, it might even be possible to state that a meditation on Christian origins was a common and widespread response used throughout history in the face of each great moment of crisis within the Church. In those situations, the rhetoric produced by the Church was always aimed at emphasizing a desire to return to these mythical roots, the ideal community, a pure and radical Christianity. The question underlying this book is the way in which this desire for the past provides the occasion to re-live, re-think and re-create Christian origins. More precisely, the crux of our work is to understand how this desire can transform and rewrite the past both in materiality with restorations of ancient monuments and in ideas writing history. In this book, the main focus of attention is dedicated to three key moments, corresponding more or less to three crucial episodes in the history of the Catholic Church in the modern era. The first of these three is the Reformation and subsequent Counter-Reformation, between the sixteenth and seventeenth centuries. Second comes the moment in which the Catholic Church lost its temporal power during the Unification of Italy and the "spiritual" reaction culminating with the First Vatican Council (1869-1870). Lastly is the period before and after the Second. Foletti,Ivan - Gianandrea,Manuela - Romano,Serena.